Adam bartos (26 Ergebnisse)

First Edition. First edition. Softcover. Spring 1999. 144 pages. Features contributions by Seamus Heaney, Nicholas Nixon, Cheryl Strayed, Adam Bartos, Philip Levine, Mary Oliver, john Berger, and numerous others. A clean near fine copy in wrappers.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. First edition. Softcover. Features a poem by Joyce Carol Oates in memory of Kim Zorn Caputo and a text contribution by Samantha Hunt. Includes images by Robert Adams, Darren Almond, Adam Bartos, Katy Greannan, Richard Misrach and others. A fine copy in wrappers.

Softcover. Zustand: Fair. Unbekannte Unterschrift / Widmung; Leichte Gebrauchsspuren. Do hajan se musi s pohadkou. A kazdy den s novou. Na pondeli to je dinosauri, v utery kovbojska, v nedeli pipakova. Ale nebojte - preskakovat muzete. Nova knizka Adama B. Bartose, jiz napsal v podnetne spolupraci se svym ctyrletym synem Kristianem.…

First Edition. First edition. Softcover. Spring 1997. 143 pages. Features photographs by Adam Bartos, George Tice and Mark Steinmetz. Includes additional contributions by Joyce Carol Oates, Stephen Longmire, Jason Brown, Lydia Davies, and Bobbie Ann Mason. A clean near fine copy in wrappers.

Hardcover. First Edition, First Printing. Oblong Quarto, 176 pages. In Near Fine condition lacking issued dust jacket. Bound in publisher's brown cloth with silver gilt titles on front board and spine, plus attached silver ribbon bookmark. Minimal wear to boards, with some extremely light scuffing visible on the lettering of the spine. Some fraying at the end of the ribbon bookmark. Shelved in Locked Annex Area, Netdesk Column QC (ND-QC). 1402834. FP New Rockville Stock.…

Hardcover. Zustand: Brand New. 176 pages. 11.00x10.00x0.50 inches. In Stock.

Hardcover. Zustand: As New. A portrait of the Russian space age.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781859849019.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Excellent used condition hardcover, unclipped jacket with light edge wear, unmarked text, signed by author to first fly leaf, Ships from Berlin Bookshop bxn31072026. Signed by Author(s).

Softcover. Zustand: Fair. Unbekannte Unterschrift / Widmung; Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verformung / umgeknickte Seiten. Rozhovor predsedy Narodni demokracie Adama B. Bartose s sefredaktorem serveru Eurabia.cz Edvardem Steinskym nejen o evropskych volbach a vstupu do politiky, ale predevsim o antisemitismu, zidovske otazce, soucasnem deni na Ukrajine a o tom, jak ceskemu narodu vratit sebevedomi. Nejotevrenejsi rozhovor na tema zidovstvi.…

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Good. 176 pages. Illustrations (color). Essay by Svetlana Boym. Notes. Catalogue (picture identifications) on pages 101-109). Reference collection stamp on top edge. No other markings noted. DJ has noticeable sticker residue. The photographs in this work were taken between June 1995 and April 1999. Native New Yorker Adam Bartos has been photographing since he was a teenager and creates photographs suffused with a quiet calm. He cites William Eggleston--known for his intensely colored images of ordinary scenes--and the earlier photographers Timothy O'Sullivan and Carleton Watkins--both known for their unique documents of the changing American landscape--as primary influences, Bartos focuses on the contemporary landscape. Yet, in his images, time seems to stand still, lending them an aura of temporal dislocation. In the early 1970s he attended film school at New York University and began working with color photography. He was mentored independently by the photographer Evelyn Hofer, known for her serene and meticulous color compositions. Bartos published perhaps his best-known work--photographs illustrating the effects of time on the modernist United Nations building in New York after fifty years of use--in the book International Territory: The United Nations, 1945-95, 1995. In 2001 he published Kosmos: A Portrait of the Russian Space Age, photographs of the "obsolescent future" of the Soviet space program. The Space Race was an exhilarating moment in history, alternately frightening, thrilling, awe-inspiring, and ultimately, sublime. Its most enigmatic element was the competition. The Soviets seemed less technologically sophisticated but in fact won many of the races: first satellite to orbit the earth; first man in space; first unmanned landings on Mars, Venus, and the Moon; first woman in space; most powerful rockets; and, until its recent fiery death, the most long-lived space station to name but a few. The inherent contradictions of the age--the mixture of technologies high and low, of nostalgia and progress, of pathos and promise--are revealed in Kosmos, Adam Bartos's astonishing photographic survey of the Soviet space program. Bartos' fascination with this subject led him to seek out places like the bedroom where Yuri Gagarian slept the night before his history-making flight into space, located in the Baiknour Cosmodrome, the one-time top-secret space complex in the Kazakh desert. Bartos also takes us inside the cockpit of the Merkur space capsule, used to ferry crew members and supplies to the super-secret Almaz orbital space stations, and behind the changing screens cosmonauts used before being fitted for their space suits at Zvezda, the chief manufacturer of Soviet life-support systems. In total, Kosmos presents over 100 of Bartos's photographs, rich with the incongruities of the history, science, culture, and politics of the Space Age. Professor Svetlana Boym's insightful introduction to the technological and cultural aspects of Soviet space exploration provides a fitting context for the photographs. For anyone interested in the space age, Kosmos is an essential and fascinating portrait. First Edition [Stated], First Printing [Stated]. Adam Bartos (Photographer), and Deb Wood (Designer (illustrator).…

Hardcover. Zustand: FINE. Zustand des Schutzumschlags: FINE. First Edition. SIGNED by Adam Bartos on the title page. 4to, color photo book. FINE in FINE DJ. Signed.

First Edition. First edition and first printing. Oblong hardcover. Features a preface by Geoff Dyer. Includes 59 color images by Bartos. A fine copy in a fine dust jacket. Still in the publisher's shrinkwrap slit open to verify edition.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. London: Verso, 1994. First edition. viii, 104pp; color plates. Square 8vo. Blue textured paper over boards; dust jacket. Mild bumping to bottom corners; sticker ghost to rear board. Near fine in like jacket. Signed by Bartos to title page. Fifty-three color photographs by Adam Bartos (b. 1953) of the UN Headquarters Building in Manhattan, affirming the "beauty of the UN's modern architecture while capturing the wear and tear of an idealism thwarted by decades of diplomatic compromise." Accompanied by an essay by journalist Christopher Hitchens (1949-2011). Signed by Author(s).…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. [1st ed., 1st printing ; ] ; 303 pages : illustrations ; 31 cm ; ISBN 9780394564265, 039456426X OCLC 16087189 ; LCCN 87042643 ; LC NK1980 .H63 1987 Dewey 747.2049 ; grass-green sunned cloth in color photographic dustjacket ; This extraordinary book features some of the most exciting work of the world's most talented and prestigious contemporary interior decorators. The selections are divided into two categories: work the decorators have done for clients and that which they have done for themselves. More than 250 full-color photographs. ; "Designers & Clients" chapters include Geoffrey Bennison for Baron & Baroness Rothschild, Denning & Fourcade for Oscar de la Renta, Mark Hampton for Ashton Hawkins, Mac II for Bill Blass, Peter Marino for Christopher Wittle, McMillen for Carolyn Farb, Renzo Mongiardino for Elsa Peretti, Parish Hadley for Enid Annenberg Haupt, Michael Taylor for Diana & Gorham Knowles, Piero Pinto for Laura Biagiotti, "Designers at Home" chapters include Mica Ertegun, Jacques Grange, Albert Hadley, William Hodgkins, Juan Pablo Molyneux, Renzo Mongiardino, Sister Parish, John Saladino, Stephen Sills, John Stefanidis. 9.5"W × 1"D × 12.25"H . Book.…

First Edition. First edition. Oblong hardcover. A fascinating and often intimate collection of color photographs of parts of the Soviet space program. Essay by Svetlana Boym. A fine copy in a fine dust jacket. Signed by Bartos and uncommon as such. Signed.

Hardcover. Zustand: Fine. First Edition. 300 X 10 X 380 millimeters; 80 pages; Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use.…

Zustand: Wie neu. Steidldangin, Göttingen. 2005. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Foil-stamped clothbound hardcover with dust jacket. 294 x 245 mm. 120 pages. 59 colour plates. With a preface by Geoff Dyer. Perfect condition! Collector`s copy! "Boulevard is a visual tale of two disparate cities: Paris and Los Angeles. In the early seventies, Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a certain quietude and finding composition in even the most random corners of life. He often focused his lens on his native New York, and he published a monumental series of photographs of the modern architecture of the United Nations. In the late seventies, and then again in the early eighties, Bartos traveled to Los Angeles and Paris, taking his camera with him. The two trips would have a strong and lasting impact on his vision, and yet until recently, he had never considered the two cities or bodies of work together. In Boulevard, an intriguing dialogue takes place before our eyes. This is not the L.A. or Paris of postcards. As we venture through the scarcely inhabited hotel rooms, backyards, gas stations, and inevitably, city streets, we are struck by the graphical relationships and the surprisingly similar color palates. There is a magnetic attraction and repulsion between these two photo series and cities polar opposites that, at unexpected moments, converge and suddenly attract. With a preface by Geoff Dyer, whose essays and works of fiction include But Beautiful, Paris Trance, and Out of Sheer Rage. The Ongoing Moment, a book about photography, will be published in October 2005." (from the publisher) Adam Bartos was born in 1953 in New York, where he continues to live and work. Books of his photographs include International Territory: The United Nations, 1945 95, and Kosmos: A Portrait of the Russian Space Age.***************Steidldangin, Göttingen. 2005. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in der Plastikfolie des Verlags. 294 x 245 mm. 120 Seiten. 59 Farbfotos. Mit einem Vorwort von Geoff Dyer. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.…

Softcover. Zustand: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveranderung. Zatimco v USA maji na zpracovavani politiku k proizraelskym postojum vlivne lobbyisticke organizace jako AIPAC (pozitivni motivace), pripadne ADL (negativni motivace), u nas to zvladame bez natlakovych organizaci. Sve proizraelske kroky podnikame dobrovolne, bez donuceni, z lasky k Izraeli, z nostalgie po sionismem prosakle prvni republice a z romantickeho okouzleni casy, kdy rabi Low uplacaval Golema. Proc tomu tak je a je sance, ze bude ceska domaci i zahranicni politika nekdy sebevedoma a nezavisla? A jde skutecne o autenticky postoj vyjadrujici nazor vetsiny Cechu, nebo jsme proizraelsti jen proto, ze drtivou vetsinu vlivnych pozic v nasem state obsadili nasi spoluobcane zidovskeho puvodu.…

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Limited. Loose (as-issued) copyright page and several pages of text under a flap at the interior rear. Color photographic illustrations throughout. Unpaginated. Oblong 4to, "French door" two-sectioned binding with plain black boards, printed wraparound band. Zurich: Meier und Muller, (2010). Limited first edition -- number 273 of 300 copies. A fine copy in a fine band. …

117 pp.; 34.8 x 22.4 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of XXIst Century Magazine published in Winter 1990 / 1991. Edited by Gini Alhadeff. Essays "Do the Wrong Thing: The Significance of Mr. Lee," by Christopher Hutchins; "Dirty Toys: Mike Kelley Interviewed," by Ralph Rugoff; "Ahh.Youth!' Eight Portraits,"; "The Animal Life of Ideas," by Harold Brodkey; "Writing Japanese: Seven Watercolors," by Ray Smith; "The New Negro, From the Novel 'High Cotton,'" by Darryl Pinckney; "Natural Wonder: Five C-Prints," by Gregory Crewdson; "Poems and Diaries," by James Schuyler; "The Ossorio 'Sails': Seven Drawings," by Dan Flavin; "Men in Camisoles: Five Poems," Elaine Equi; "Marshmallow Bombs / Camerasa and Computers: The New Technology of Invisible Deception," by Fred Ritchin; "Baby Elvis, Baby Marilyn, Lion/Sheep: Three Computer Composites," Nancy Burson; "How do you Get the Blood Stains Out of the Carpet? A Preview of The Cabinet of Dr. Ramirez," by Peter Sellars; "The Talk Show Confidental," by David Rieff; "The Architect as a Figure of Melancholy: A Profile of John Hejduk," by Carter Ratcliff; "Museum for the Subjects Adam and Eve: Ten Drawings," by John Hejduk; "'Real' Furniture: Seven Drawings," by Donald Judd; "The Begging Bowl Diet," by Ariane Zurcher; "Modern Suit, Modern House: Color Photographs," by Adam Bartos; "Inez: The Takeover of an Island in Hawaii for Military Target Practice," by W. S. Merwin; "The Bombing of the American West: Eight Photographs," by Richard Misrach; "A Day on the Klamath River," by Alexander Cockburn; "On Sloth and Other Virtues," by Amy Hertz; "Coney Island: Four Photographs," by Rosemary Warner; "Letters from London, Colony of Pop," by Ian Buruma; "Twenty-Four Postcards from Bhutan," by John Ryle; "The Difference Between the Planet Venus and the Moon: A Conversation," by Ewa Kuryluk and Michael March; "On Record at The Russian Tea Room: Save the Children," by Fran Lebowitz and "Twenty-seven 'Pueblo' and Navajo Religious Objects from the American Southwest." Cover by Mike Kelley. Very Good / Fine. Nominal rubbing of cover edges and 2 cm. mild fold to upper right corner of recto, otherwise Fine. Due to size and weight additional shipping charges may be required.…

Hardcover. Zustand: Fine condition. First limited edition. 204/300. Oblong Octavo. Unpaginated plus 3 loose leaves. Original black paper-covered boards in double-gate format and sealed by a photo-illustrated obi band with white lettering. Book design by Andrés Marroquin-Winkelmann. Illustrated with color photographs throughout depicting the milieu of squatters (Hausbesetzer). "A Hausbesetzer. are what Germans like to call Randgruppen, groups existing at the edges of society. In part, they are at the edges by choice. But they also exist at the edges because Germany still is a more conservative and monolithic society than most people realize." (Colberg). Born in Peru Andrés Marroquin-Winkelmann studied photography at the FAS, Fotografie am Schiffbaudamm, and the Ostkreuzschule for Photography and Design in Berlin. Marroquin-Winkelmann has taken part in numerous group and solo exhibitions, including the 6th Berlin Kunstsalon, F-Stop Festival in Leipzig, the Italian Photofestival of Savignano, Arroniz Contemporaneo in Mexico, the Kunst.Licht Gallery in Shanghai, 980 Galeria in Colombia and others. He has been working as a freelancer in Peru and Berlin and is the cofounder of the publishing project "Meier und Müller," specializing in artists books. Text in English and German.…

One of 20 copies with a signed print, this copy inscribed by Bartos to Glenn Horowitz, thanking him for a beautiful exhibition and book launch. Bartos made these photographs of people and sites associated with the Soviet space program between June 1995 and April 1999. First edition, number 2 of 20 signed copies with a signed print, inscribed by Bartos in black ink in title-page and with an autograph letter signed on Bartos's letterhead; oblong 4to (240 x 278 mm, 9½ x 11 in); colour photographs, essay by Svetlana Boym; navy printed endpapers, rust cloth-covered boards, titles in silver to spine and upper side, chromogenic print (242 x 350 mm, 9½ x 13¾ in) signed, numbered, and titled in black ink on verso, in a blue paper folder and housed together with the book in the publisher's lightly rubbed and faded cloth drop spine box, fine in a very good box; 176pp.…

Zustand: Wie neu. Steidl, Göttingen. 2011. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Foil-stamped clothbound hardcover with dust jacket. 290 x 370 mm. 80 pages. Language: english. Perfect condition! Collector`s copy! "Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos` work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos` recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with asnmuch aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been." (from the publisher) Adam Bartos was born in 1953 in New York, where he continues to live and work. Books of his photographs include International Territory: The United Nations, 1945 95, and Kosmos: A Portrait of the Russian Space Age.***************Steidl, Göttingen. 2011. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Siegertitel Deutscher Fotobuchpreis 2013 Kategorie Fotobildbände! Hardcover (wie erschienen). 290 x 370 mm. 80 pages. Sprache: englisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.…

Zustand: As New. Zustand des Schutzumschlags: As New. First Edition. Blue cloth boards with gilt particulars to spine. Pictorial dust jacket. Blueprint design endpapers. Includes three essays: Architecture, Accident and Design, And the Future? by Christopher Hitchens. Several full color photographs of the interior and exterior of the United Nations building in New York. No previous owners' names or other markings. Pages bright and clean. vii, 104 pp. 9 1/2 x 9 1/2 inches. Adam Bartos (illustrator).…