abraham charles john (31 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Bon. Edition 1995. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Zustand: Brand New. 1st edition. 238 pages. 8.25x5.75x0.75 inches. In Stock.

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 1995. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Gebunden. Zustand: New.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Edition originale sans grand papier. [6690].

Both in fair condition, lightly aged and worn. ONE: He thanks him for offering to translate his book ('The Political Future of England'), but considers his knowledge of English law too shaky to permit him to give any encouragement. He suggests that the recipient come to an arrangement with 'Mr. Abraham Hayward, Queen's Counsel, 1 King's Bench Walk, Temple', who is acting for de Montalembert in the matter. Should the recipient's meetings with Hayward encourage him to undertake a translation of the book, he will send him a copy of the third edition, which contains 30 to 40 pages not present 'dans la traduction publiée par Murray'. TWO: He is sorry that the recipient could not come to terms with Hayward, the impediments to an agreement being unclear to him. 'Mais mon éloignement de Londres, mon ignorance des lois et des usages d'Angleterre sur la propriété littéraire', together with the disinterested devotion Hayward has shown him since the publication of the book, compel him to entrust the matter to him 'sans reserve'. He again urges the recipient to apply to Hayward, before thanking him for drawing an article in Blackwood's Magazine to his attention. He ends by giving his opinion that the recipient is correct in his appreciation of the article, one in Frazer's Magazine being better. The original translation is said to have been by Henry Barrow. A new edition appeared later in 1856, with introduction and notes by John Wilson Croker.

2pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed by Elton, on reverse of second leaf, to 'John Taylor Esq.' (Taylor had assumed the editorship of the London Magazine on the death by duel of John Scott in February 1821.) Elton begins by informing Taylor that he has 'not been able yet to manage the Batrachomyomachia to my mind'. (Elton's translation of 'The Battle of the Frogs and Mice' would appear anonymously in the issue of October 1821, as the second of a series named 'Leisure Hours'.) He has instead 'sent some chit-chat to serve as an introduction'. ('On Homer's Battle of the Frogs and Mice' appeared in September 1821 as the first of the series.) He intends this as 'the first of occasional desultory papers of criticism, poetry, or the like: a specimen or two of the Battle of Frogs may form the second of the series'. Changing the subject, he now declines two books Taylor has sent him to review: he feels that too much has already been said about Madame de Stael, and he has 'already administered the ferula to her somewhat roughly'. He is 'equally diffident about Bonaparte's literary character', and asks whether 'Mr Hazlitt, or Leigh Hunt' are not 'the fittest men to undertake it'. He feels that to 'enter fully' into Taylor's 'plan relative to the Monthly Literature seems to require the interchange of sentiments in conversation', and that this is 'one of the disadvantages of a periodical contributor residing in the country'. He suspects that 'a London domicile' is 'necessary for the convenient and ready arrangement and execution of this sort of monthly summary'. He has been 'thinking of some regular supply of poetry, translated or original, independent of the incidental passages in the Leisure Hours', but has not yet 'ascertained either my plan or my powers'. In the first part of a postscript, he asks 'What is Knickerbocker? [Washington Irving] & is he worth reviewing?' This appears to be a reference to a footnote to the 'Epistle to Elia' by 'OLEN', published in the August 1821 issue of the London Magazine; the footnote also discusses two readings of that poem, thanks Taylor 'for the Magazine', and ends 'It is a pity the writer who so ably reviewed Crabbe, does not continue his "Series of Living Poets.".

Softcover. Zustand: Very Good-. Zustand des Schutzumschlags: No Dust Jacket. First Edition. No signatures. Upper corners of first few leaves slightly creased and dog-eared. Some light foxing. ; Part Two of Lessons on the Church Catechism. Title imprint has a date of 1850, but this was not actually published until 1852. 26 pages. Stitched into original plain light brown paper wrappers. Page dimensions: 179 x 116mm. Text in Maori. [Bibliographical references: BIM 316 - "5003 copies were produced between 17 May and 2 July 1852"; Williams 199]. ; 12mo.

Rainbow Revision Shooting script for the 1993 film, with a bold red watermark of copy number "259" on the first leaf. A ten-year-old is magically transported into an action movie, teaming up with the film's protagonist to stop a supervillain who has escaped into the real world. Shot on location in Los Angeles, Sherman Oaks, Long Beach, and Culver City, California, and Manhattan, New York. Untitled blue wrappers. Title page present, dated 10/20/92, noted as Shooting Script, with credits for screenwriters Zack Penn and Adam Leff, Current Draft by Shane Black and David Arnott, and Production Polish by William Goldman. 149 leaves, with last page of text numbered 143. Xerographic duplication, rectos only, with blue, pink, yellow, green, and goldenrod revision pages throughout, dated variously between 10/26/92 and 12/29/92. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. McPadden, Heavy Metal Movies.

Paperback. Zustand: Very Good + / Near Fine. 1st Edition. FORM MAGAZINE. Complete set: Issues 1-10. (Summer) 1966- (October )1969.The most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, architecture, avant-garde magazines et al. Interest in FORM itself has grown in recent years: while studying for his Ph.D. the Portuguese architect Joaquim Moreno made a particular study of the magazine, contending that it is essentially a magazine about little magazines of the avant-garde. Moreno was part of the research group that produced 'Clip Stamp Fold' (M + M books, Princeton, 2011), which features interviews with Bann and Steadman. Issues often include a Great Little Magazines section. Each issue is about 9.5 inches square, illustrated, with 32pp (apart from one issue with 36pp). Number 1: Contents includes Film as Pure form by Theo Van Doesburg (first translation of 1929 essay), The Activity of Structuralism by Roland Barthes, Experimental Aesthetics by Carlyn Cumming, essay on Fernand Leger, Great Little Magazines No.1 : Secession with work by William Carlos Williams, Hans Arp Yvor Winters / Number 2: Contents includes Le Parc and The Group Problem by Frank Popper; A Little Night Music by Charles Tomlinson; Articles by Gillo Dorfles; Poem by Charles Tomlinson; William Carlos Williams on Emanuel Romano. Great Little Magazines No.2: Blues with work by Gertrude Stein, Sidney Hunt, Parker Tyler, Kenneth Rexroth, Charles Henri Ford./ Number 3: Contents includes Poems by Ian Hamilton Finlay, Ernst Jandl, Paul de Vree, Kenneth Robinson. Articles on and by Charles Biederman and 'The Electrical -Mechanical Spectacle' by El Lissitzky. Great Little Magazines No 3: 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, Miklos Bandi./ Number 4: Contents includes: Brighton Concrete Poetry Exhibition , notes, map & full review (exhibition organised by Form's editors), Black Mountain College, Albers 'Graphic Tectonics', 'What is Kentetism' ? Two essays by Charles Biederman, Poems by Anselm Hollo. Review of Mecano magazine in Great Little Magazines No.4 (therefore discussion of Van Doesburg) - which includes translation of Van Doesburg text. / Number 5: Contains Hans Jaffes - De Stijl and Architecture, features on Bernard Lassus and Raul Hausmann, and in the Black Mountain Series John A. Rice, George Zabriskie and designs for college buildings by Walter Gropius and Marcel Breuer. Great Little Magazines No.5 'RAY' with work by Sidney Hunt, I. K. Bonset ( Theo Van Doesburg) and Kurt Schwitters./ Number 6: The contents include essays on Russian unofficial art, and on the work of Laszlo Moholy Nagy; John Evarts and Jean Charlot writing on Black Mountain; and poems by David Chaloner. Great Little Magazines No.6 'De Stijl' (Part 1). / Number 7: March / 1968. Contents include Kinetic Art in Czechoslovakia, Cinema and Semiology, by Peter Wollen, new American Photography, Abraham Moles on Vasarely. Airfields by Simon Cutts. Great Little Magazines No.6 'De Stijl' (author index part 2). / Number 8: The contents include Russian Exhibitions 1904 to 1922, Xanti Schawinskys - Spectodrama, and a feature on Pierre Albert-Birot with Barbara Wrights translations from - Grabinoulor. Great Little Magazines No.7 'SIC' with work by Apollinaire, Tristan Tzara, Pierre Albert-Birot. / Number 9: Contents includes articles by Hans Richter, Joost Baljeu, H. H. Stuckenschmidt. 'Notes on Theatre at Black Mountain College (1948-1952)' by Mark Hedden. 'Theo van Doesburg is of Today' by Maurice Agis and Peter Jones. Great Little Magazines section No 8: 'Kulchur' with work by Robert Indiana./ Number 10: The Aesthetic of Ian Hamilton Finlay by Simon Cutts. Art in Crisis by Charles Biederman, Structuralism & Literary Criticism by Gerard Genette. Great Little Magazines : LEF by Richard Sherwood & articles from LEF by Brik, Arvatov, Mayokovsky. Together with printed letter from the editor, Philip Steadman, sent to contributors when the magazine finished & flier for Form subscriptions. Condition: Some light toning and halding to covers. Overall very good+/near fine.