Abel rick (30 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Dirk, Martin Scott (illustrator).

Trade Paperback. Zustand: Good. Zustand des Schutzumschlags: n/a. Revised edition. Covers show light edge wear and minor rubbing. The spine is uncreased and the binding is firm. Internal pages are clean and free of markings, highlighting, or dog-ears. No inscriptions or library markings. Jim Wood (Maps); Jennifer Dewey (Cover) (illustrator).…

Zustand: New. Dirk, Martin Scott (illustrator).

Zustand: New. Dirk, Martin Scott (illustrator).

Zustand: New. Dirk, Martin Scott (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Zustand: New. The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780253214799.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780253214799.…

Zustand: New. Dirk, Martin Scott (illustrator).

Zustand: New. Dirk, Martin Scott (illustrator).

Zustand: As New. Unread book in perfect condition. Dirk, Martin Scott (illustrator).

Zustand: As New. Unread book in perfect condition. Dirk, Martin Scott (illustrator).

Zustand: New. Deals with a crucial phenomenon: the ubiquitous presence of sound in early cinema. This title argues that in order to understand cinema's emergence, especially as a cultural practice at the turn of the last century, we have to recognise that the experience of sound and hearing was no less significant than that of images and seeing. Editor(s): Abel, Richard; Altman, Rick. Series: Early Cinema in Review: Proceedings of Domitor. Num Pages: 344 pages, 31 b&w photos, 1 index. BIC Classification: 3JJ; APF; HBT. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 21. Weight in Grams: 540. . 2001. Edition Unstated. Paperback. . . . .…

Zustand: New. In English.

Zustand: New. Deals with a crucial phenomenon: the ubiquitous presence of sound in early cinema. This title argues that in order to understand cinema's emergence, especially as a cultural practice at the turn of the last century, we have to recognise that the experience of sound and hearing was no less significant than that of images and seeing. Editor(s): Abel, Richard; Altman, Rick. Series: Early Cinema in Review: Proceedings of Domitor. Num Pages: 344 pages, 31 b&w photos, 1 index. BIC Classification: 3JJ; APF; HBT. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 21. Weight in Grams: 540. . 2001. Edition Unstated. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 327 pages. 9.00x6.00x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Buzz and The Little Guy are brothers who like to go on adventures together. In this book, they travel to Glacier National Park in Montana. They hike and camp the trail to Hole-In-The-Wall, an amazing high mountain valley in the park's remote northern wilderness. The boys have loads of fun on this adventure, meeting the difficult and often scary challenges of the backcountry by working together and laughing a lot. Dirk, Martin Scott (illustrator). …

Taschenbuch. Zustand: Neu. Neuware - Princess Em is concerned because she hasn't heard from her grandparents in a long time. They were supposed to send word when they reached the Royal Cabin in the Mountains, but that word has never come. Without telling her parents, the Princess heads out on her horse Buttercup, and the result is an epic adventure. Dirk, Martin Scott (illustrator).…

Soft cover. Zustand: Very Good. Cover faded round spine - otherwise as new.

Einband - flex.(Paperback). Zustand: New. KlappentextBuzz and The Little Guy are brothers who like to go on adventures together. In this book, they travel to Glacier National Park in Montana. They hike and camp the trail to Hole-In-The-Wall, an amazing high mountain valley in. Dirk, Martin Scott (illustrator).…

Zustand: New. &Uumlber den AutorRick Abel grew up in the Chicago suburbs, where the nearest thing to adventure was a night of camping in a backyard tent. He wanted to give his two boys the experiences he d never had, so took them on wilderness vacati. Dirk, Martin Scott (illustrator).

Taschenbuch. Zustand: Neu. Neuware - The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. 'Silent cinema' may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.…

Zustand: New. Deals with a crucial phenomenon: the ubiquitous presence of sound in early cinema. This title argues that in order to understand cinema s emergence, especially as a cultural practice at the turn of the last century, we have to recognise that the experience .

Paperback. Zustand: New. The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.…