A sign (13 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - In the world of Salsa, a three minute song>Rodrigo Becomes a Salsero follows thejjourney of a non- Latin man whounexpectedly falls in love with rhythm, passion, culture, and unspoken rules ofLatin dance. What begins as simple dancelessons quickly becomes a deeperexploration of romance, jealously, rejection, musicality, identity, and personal>Guided by the wisdom of his instruction, Senor Jose, Rodrigo discovers that Salsais more than movement- it is trust, timing, >Filled with humor, heartfelt reflections, dance-floor philosophy, and unforgettablemoments, this story invites readers intothe emotional and addictive world ofSalsa, Bachata, Congresses, and late->Because sometimes.the music teaches lessons wordsnever could.…

Zustand: Good. 8vo. Oblong. Printed Sheet With MS notes, Very Good.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New.

LP/Vinyl. Zustand: Sehr gut. 109577, Made in Germany.. Cover leicht berieben, ansonsten sehr gut erh. Sprache: Englisch Gewicht in Gramm: 1550.

162 x 117 mm. (6 3/8 x 4 5/8"). Single column, 17 ruled lines, text in a bâtarde hand. Text in gold, blue, and red, "KL" in scrolling white letters on a gold ground with small blue and red blossoms, both sides with panel border of acanthus, flowers, small ink dots, and gold bezants, WITH TWO SMALL MINIATURES showing the labor of the month (Threshing) on recto, and the zodiac sign (Virgo) on verso. âSmall wrinkle in lower margin just touching the lower edge of the miniatures, trivial smudging, but IN VERY FINE CONDITION, the vellum especially clean and bright, the paint quite rich, and the miniatures extremely well preserved. With clean, white vellum, small but appealing miniatures, and attractive lettering and decoration, this is a desirable example of a calendar leaf from a high-quality Book of Hours likely made in Rouen. According to Roger Wieck, far fewer than half the Books of Hours of the period contain illustrated calendars, "even in manuscripts with otherwise lavish cycles of miniatures"; when they do appear, they are invariably charming, as is the case here. In the lower margin of the recto is a small miniature depicting the typical labor for August, "Threshing," in which a young layman brings down his grain flail (two hinged pieces of wood, the longer one called a helve, and the other a beater, joined by a thong) in an effort to separate the grain, while neatly stacked unprocessed clumps of straw appear just behind it. On the verso we see a representation of Virgo as a young woman holding, appropriately, a long sheaf of grain in her hand. While most of the feast days that appear in the calendar are typical for the period, the inclusion of St. Sauveur (i.e. Transfiguratio Domini) on 6 August is characteristic of a calendar for the use of Rouen, suggesting that the parent manuscript may have been produced in that place or the region around it.…

180 x 117 mm. (7 x 4 5/8"). Single column, 18 lines, text in a bâtarde hand. Text in red, blue, and gold, two-line "KL" in shell gold on blue and red ground, both sides with panel border composed of flowers and ink dots, WITH TWO SMALL MINIATURES, each centered in the middle of the panel borders, featuring the labor of the month (Threshing) and the zodiac sign (a young woman for Virgo). Vellum a bit soiled and slight wrinkling in margins, small area of rubbing at bottom of the Virgo miniature, but in excellent condition overall, the fine details in the miniatures well preserved. Situated among the flowers of the panel borders here are two small but charming miniatures depicting the labor of the month, "Threshing," and the zodiac sign for August. According to Roger Wieck, far fewer than half the Books of Hours of the period contain illustrated calendars, "even in manuscripts with otherwise lavish cycles of miniatures"; when they do appear, they are invariably charming, as is the case here. In the threshing scene, a young layman brings down his grain flail (two hinged pieces of wood, the longer one called a helve, and the other a beater, joined by a thong) in an effort to separate the grain, while neatly gathered bushels of straw appear just behind him. On the verso we see a representation of Virgo as a young woman holding, appropriately, two long stalks of grain in her hands. The rich palette used in these miniatures allows the delicate gold highlighting on the harvested crop and garments to shine through, adding a fine sense of detail to each image. …

195 x 143 mm. (7 3/4 x 5 1/2"). Single column, 16 lines in a gothic book hand. Minor feast days in red and blue, major feasts in gold, numerous gold and painted line fillers, the five "A" initials and the "KL" highly decorative and painted pink and blue against a gold background, gold and pink bar surrounding the text on three sides, BOTH SIDES OF THE LEAF WITH EXTRAVAGANTLY DECORATIVE BOTANICAL FULL BORDERS with two small birds hidden within, and INCORPORATING TWO MEDALLION MINIATURES DEPICTING THE LABOR OF THE MONTH (SOWING) AND THE SIGN OF THE ZODIAC (SCORPIO) FOR OCTOBER. âIN VERY FINE, FRESH CONDITION, with gold and paint extraordinarily bright. The extraordinarily lavish and animated full borders, coupled here with extensive use of brushed and burnished gold--for major feast days, for decorative border elements, and even for the hundreds of seeds being sown(!)--suggests that this calendar folio comes from a Book of Hours that was commissioned for a person or persons of high rank, since it would have been very costly. The leaf comes from a manuscript that included numerous roundels depicting the lives of St. Catherine and the more obscure St. Alexius, and it is possible that the Book of Hours belonged to a husband and wife for whom these saints served as patrons. The style of the delicately painted figures, especially in the roundels, indicates an artist who was familiar with the early output of the Coëtivy Master, who, according to Avril and Renaud, can be identified with Colin d'Amiens, who made a great name for himself in Paris (not, as was previously thought, with Henri de Vulcop, who made a great name for himself in the Loire region). The master takes his name from the Book of Hours (now in the Austrian national library) that he painted for Olivier de Coëtivy and his wife, Marie de Valois, one of some 30 works that have been identified as his. Although there is considerable Flemish influence that can be seen in his work (he has links, for example, with Simon Marmion), Colin d'Amiens was active in Paris during the third quarter of the 15th century, and, with Barthélmy van Eyck and Jean Fouquet, was among the three great artists of this period patronized by the French court--Avril and Renaud says flatly that our master was "the most important artist practising in Paris in the third quarter of the century, from about 1450 to 1485." For more on the Coëtivy Master, see Avril and Reynaud, pp. 58-69.…

Købenahvn, 1939. Orig. omsl. Ubesk. M. portr. af Niels Møller. På hollandsk bøttepapir. Originaludgaven med trykt dedikation til Johannes Jørgensen, egenhændigt signeret af forfatteren. Trykt dato: "11. December 1939", under hvilken håndskrevet: "Vadstena/ 13.XII.39" i Johannes Jørgensens håndskrift. Bogen har tilhørt Johannes Jørgensen og er med hans længere blyantsnoter på to sider.…

Sehr dekorative Szene mit aufgesessenen Jockeys im Gestrüpp vor der Rennbahn. Sachs war Mitglied der Malergruppe Vogtland Sprache: Deutsch Gewicht in Gramm: 3000.