MAURICE UTRILLO (88 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Good. H. N. Abrams 1953 Softcover set of 16 color prints. Jacket condition of fair is for mylar wrapping- it has minimal stains. Bumped corners.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1973. No Edition Remarks. Unpaginated. Illustrated dust jacket over white cloth covered boards. Colour images at the rear. Pages remain clear with minimal tanning and foxing. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces. Mild crushing to spine ends. Book has a slight forward lean. Unclipped jacket has light edge-wear with tears and creasing.

Softcover. Zustand: Gut. 25 S. B1788-7 Sprache: Deutsch Gewicht in Gramm: 366.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; An Express art book. Physical description; 6, 16 p. of plates : ill. (chiefly col.) ; 35 cm. Notes; Caption title. Published in collaboration with Harry N. Abrams. Col. ill. tipped in. Cover and spine title: Utrillo. Subjects; Utrillo, Maurice (1883-1955). Genre; Illustrated. 3 Kg.

Zustand: Good. UTRILLO AND PAINTERSOF MONMTMARTE 1975 HARDCOVER BOOK PSGES SLIGHTY YELLOWING AT THE TOP CORNERS BOOK TAIL FOXING IN THE CORNER AREAS FORNMT AND BACK COVE RHA SSOEM FOXING ON THE TOP AN DTHE CORNER AREAS BOOK SPINE IS FOXING IN THE CNETRE AREAS WITH SOEM SCUFF MAKRS IN THE CORENR AND THE CENTRE AREAS SOLD BY THE UK CHARITY KISHARON LANGDON OFFERING OPPORTUNTIES AND SUPPORT FOR PEOPLE WITHIN THE AUSTISM AND LEARNING DISABILITY COMMUNITY.

Zustand: Gut. 25 S. B1789-11 Sprache: Deutsch Gewicht in Gramm: 366 Softcover, Maße: 0 cm x 0 cm x 0 cm.

paperback. Zustand: Very Good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Klein-8°, kartonierte Ausgabe. Zustand: Gut. um 60 Seiten, Frontispiz, 38 Fototafeln teils in Farbe und mit Beschreibung, Zeittafel, illustrierter Einband, Ränder etwas berieben Reihe: "Taschenbücher der Kunst" Maurice Utrillo (* 26. Dezember 1883 in Paris; 5. November 1955 in Dax) war ein französischer Maler. Er war der Sohn von Suzanne Valadon, selbst eine bekannte Malerin, und einem unbekannten Vater. Den Nachnamen hatte er von einem katalanischen Maler, der offiziell die Vaterschaft für ihn übernahm. Seine Signatur Maurice Utrillo V. verweist allerdings auch auf den Nachnamen der Mutter, die lebenslang für ihn prägend blieb und mit der er gemeinsame Ateliers führte. Utrillo wurde schon als Jugendlicher alkoholkrank. Aufenthalte in Heilanstalten zogen sich durch seinen Lebensweg. Die Malerei betrieb er ursprünglich als Therapie, entwickelte jedoch bald eine Meisterschaft, die ihm ermöglichte, vom Verkauf seiner Bilder zu leben. Anfangs war er vom Impressionismus beeinflusst, seine späteren Werke lassen sich jedoch keiner Stilrichtung zurechnen und blieben eigenständig, unabhängig von modernen Kunstströmungen in einem traditionellen Realismus verhaftet. Die weiße Periode von ungefähr 1907 bis 1914 gilt als sein Hauptwerk. Ihr schloss sich ab circa 1920 eine farbige Periode an. Utrillos Motive waren vor allem die häufig menschenleeren Gassen und Gebäude des Montmartre, so dass er auch als Maler des Montmartre bezeichnet wird. Utrillo, der Maler des Montmartre, der Pariser Straßen, der Brücken und Kirchen in französischen Städten und Dörfern, Utrillo groß in seiner unerschöpflichen Phantasie beschenkt die Welt mit den kostbaren Werken seiner farbigen Träume. Er träumte sich, wie er selbst einmal sagte, in seine Objekte hinein und umwob sie mit dem Schimmer und Glanz, den seine künstlerische Phantasie ihm eingab. Schimmer und Glanz dieser großartigen Werke fangen die Kunsttafeln in dem Bändchen der Sammlung Welt in Farben ein und tragen sie in die Wohnungen der Menschen unserer Tage. Die Farbtafeln wecken im Betrachter das Verständnis dafür, wie der Künstler Utrillo seine Umwelt sah, wie ihm in reizlosen Gassen und von freundlosen Mauern Schönheit und Vielfalt der Farben. Diese Bilder öffnen uns die Augen und lehren uns, auch im Alltag das Schöne zu erfassen. In den Taschenbüchern der Kunst wird das wertvollste Kunstgut aus Vergangenheit und Gegenwart vor uns ausgebreitet und zum geistigen Besitz großer Leserschichten. Sprache: Deutsch Gewicht in Gramm: 110.

broschiert/Taschenbuch. 108 S. (27 cm) franz. OBrosch. 1. Aufl. Umschlag gebräunt, am unteren Rückenende mit Fehlstelle, amoberen fleckig; nettes Monogramm-Exlibris i.Dk. a.SchT.; sonst innen gut. Auflage: 1 Sprache / Language: Französisch.

SC. Zustand: Gut. Omappe, 4?, mit 6 Drucken (43x35 cm) , in gutem Zustand, [LSA5,1]. Deu 1200g.

Softcover. 112+15 Seiten Zustand: keine Eintragungen. Rücken, Ecken, Kanten sind leicht berieben/bestoßen. Sprache: Deutsch Gewicht in Gramm: 373.

Paperback. Zustand: Very good. first edition. 9 x 11 in. 18 pp. Exhibition catalogue with full pg. B&W plates. Condition is VERY GOOD ; covers a bit toned at edges, minor wear. Stapled binding tight. Text has one small note and two blank pgs for notes at rear in green ink. Plates are excellent. Art. Stax.

28 S. Text, 10 Bl. Tafeln., 4 Bl. Werbung. OKart. Sprache: deutsch.

Softcover. Zustand: Gut. OBrosch., 15 S., zahl. Abb., 15 x 10 cm. Einband etw. berieben.

Groß-8vo. 340 S. OLn. Geringe Gebrauchs- und Lagerspuren.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Deckled Edges, Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 8vo., [16 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Zustand: Good. 160 pp. Text in French, Japanese.