KENNETH DAVID JACKSON (35 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. First PB Edition, First Printing. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Columbia University Press, 2002. Octavo. Hardcover. Book is like new. Dust jacket is like new with sticker residue on back cover.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Columbia Univ. Press, 2002. First printing of the first edition. Fine in a fine dust jacket. A tight, clean copy, appears new and unread. Comes with archival-quality dust jacket protector. Shipped in well padded box. SIGNED BY DAVID DUNBAR, one of the editors, on title page--his name only, with no other marks or writing. Signed by Author(s).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 994 pages. 9.00x6.00x2.25 inches. In Stock.

Paperback. Zustand: Brand New. 994 pages. 9.00x6.00x2.25 inches. In Stock.

Soft cover. Zustand: New.

Zustand: Good. 8vo. 32 pp. Stapled Wraps. VG. Photographs, illustrations.

Hardcover. Cloth, dws rubbed & sl creased. Aberdeen Univ Sts 152.

Zustand: New. The dean of New York history brings together a wide-ranging, eclectic, and entertaining survey of the best writing about the city of New York and its people&Uumlber den AutorEdited by Kenneth T. Jackson and David S. Dunbar.

Paperback. Zustand: Brand New. 994 pages. 9.00x6.00x2.25 inches. In Stock.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Brand New. 281 pages. In Stock.

Taschenbuch. Zustand: Neu. Neuware -In the first three decades of the twentieth century, artists, writers, musicians, and architects from both sides of the Atlantic interacted to create a modern style for Brazil. Their works shaped Brazilian national expression and self-definition for the twentieth century and into the present, with renewed relevance as Brazil plays an increasingly important role in global affairs. Artists such as Tarsila do Amaral and Roberto Burle-Marx are appearing for the first time in museums in the United States and Europe, along with the concept of antropofagia from the «Cannibal Manifesto», a theory of cultural autonomy and a model for fusion, hybridity, and assimilation. This book offers a cultural history and interpretation of Brazilian modernism in the arts and letters, exploring how modernism depends on transatlantic negotiation and develops through interchanges between Brazilians and Europeans.Books on Demand GmbH, Überseering 33, 22297 Hamburg 410 pp. Englisch.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the first three decades of the twentieth century, artists, writers, musicians, and architects from both sides of the Atlantic interacted to create a modern style for Brazil. Their works shaped Brazilian national expression and self-definition for the twentieth century and into the present, with renewed relevance as Brazil plays an increasingly important role in global affairs. Artists such as Tarsila do Amaral and Roberto Burle-Marx are appearing for the first time in museums in the United States and Europe, along with the concept of antropofagia from the «Cannibal Manifesto», a theory of cultural autonomy and a model for fusion, hybridity, and assimilation. This book offers a cultural history and interpretation of Brazilian modernism in the arts and letters, exploring how modernism depends on transatlantic negotiation and develops through interchanges between Brazilians and Europeans.

Zustand: New. &Uumlber den AutorEdited by Kenneth T. Jackson and David S. DunbarInhaltsverzeichnisAcknowledgments IntroductionPart 1Colonial Period (1624--1783)Account of Henry Hudson s Voyage in 1609, Emanu.

Hardcover. Zustand: Brand New. 1008 pages. 9.00x6.50x2.25 inches. In Stock.

Zustand: Good. 8vo. 32 pp. Soft Covers. Very Good, with one loose page. Photographs. Illustrations.

Zustand: Good. 8vo., 32 pp., Very Good, Softcovers. Photographs. Illustrations.

81 pp.; 21.5 x 30.4 cm.; staple bound; black-and-white & color; edition size 6200; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. Photographs by Robbert Flick. Artists included in the "Museum as Site: Sixteen Projects" exhibition are Robert Irwin, Lloyd Hamrol, Terry Schoonhoven, Karen Carson, Jay McCafferty, Robert Graham, Michael Asher, Michael Brewster, John Baldessari, Roland Reiss, Richard Jackson, Michael C. McMillen, Jonathan Borofsky, Alexis Smith, Chris Burden, and Eric Orr. Includes exhibition histories and exhibition floorplans. Includes the floorplan for the first "Art in Los Angeles" exhibition "Seventeen Artists in the Sixties," curated by Maurice Tuchman, which included artists Larry Bell, Billy Al Bengston, Wallace Berman, Ronald Davis, Richard Diebenkorn, Sam Francis, Joe Goode, David Hockney, Craig Kauffman, Edward Kienholz, John McLaughlin, Edward Moses, Bruce Nauman, Kenneth Price, Edward Ruscha, and Peter Voulkos. Good / Very Good. Rubbing of cover edges. Vertical creasing across recto and verso. Light scratching of covers. 2 cm. original pricing sticker on recto. 3.5 cm. dog-ear to top left corner of verso. Light bumping of top right corner of page. Contents clean and unmarked.

Festeinband. Zustand: Wie neu. 408 Seiten : Illustrationen ; 22 cm Tadelloses, neuwertiges Exemplar. Sumário Kenneth David Jackson e Eduardo Jorge de Oliveira Haroldopédia ou a educação do poeta.11 I SIGNÂNCIAS Marjorie Perloff Uma questão de relação: A reconfiguração do ideograma poundiano por Haroldo de Campos. 23 Kenneth David Jackson No ateliê de Haroldo de Campos, coreógrafo da palavra.37 Simone Homem de Mello Vanguarda e cosmopolitismo no intercâmbio entre Grupo Noigandres e Escola da Stuttgart: um panorama da correspondência entre Haroldo de Campos e Elisabeth Walther / Max Bense 55 Piero Boitani Galáxias perdidas: a poesia de Haroldo de Campos em A máquina do mundo repensada.85 Osvaldo Manuel Silvestre O ideograma em Haroldo de Campos: uma revisitação.101 II VOO ININTERRUPTO: ESTÉTICA E POLÍTICA Diana Junkes Lumpenproletária: algumas reflexões sobre poesia e política na obra de Haroldo de Campos .121 Adam Joseph Shellhorse Potência intensiva: multiarticulação, afeto, ideograma e política em Haroldo de Campos.137 8 Sumário Craig Dworkin O Impossível.155 Eduardo Jorge de Oliveira Cantos paralelos: Haroldo de Campos e a arte da paródia .171 Nathaniel Wolfson A poesia (não)apofântica de Haroldo de Campos .185 III O COSMONAUTA DO SIGNIFICANTE Antonio Sergio Bessa O concreto, o conceituai, e as Galáxias. 205 Gustavo Reis Louro O concreto trans-epocal .221 Jasmin Wrobel Topografias do século XX: a poética do tropeço memorial nas Galáxias de Haroldo de Campos . 233 Odile Cisneros Uma viagem à origem da linguagem: Início, percurso e poliglotismo em galáxias de Haroldo de Campos. 269 Rafael Lemos Haroldo de Campos: atualizações verbivocovisuais . 283 IV TRANSCRIACÕES: DO BARROCO E DA TRADUÇÃO ANTROPOFÁGICA Craig Osterbrock Começos impossíveis: uma leitura da poesia inicial de Haroldo de Campos .291 Gabriel Borowski Tradução e utopia em Haroldo de Campos . 309 Sumário 9 Melanie Strasser Tradução canibal? Sobre a poética da tradução de Haroldo de Campos .319 Inês Oseki-Dépré Uma tradução a quatro mãos: Galaxies de Haroldo de Campos.333 Giacomo Berchi Ulisses entre caos e criação. Uma transcriação italiana de Finismundo e a poética do naufrágio.355 Patrícia Lino Augusto de Campos, a crítica transformada e a leitura plagiotrópica.371 Jacques Donguy Haroldo de Campos, um canibal planetário. Entrevista inédita com Jacques Donguy 393 Linha do tempo de Haroldo de Campos . 409 ISBN 9783631868355 Sprache: Deutsch Gewicht in Gramm: 689.

Zustand: New.

Buch. Zustand: Neu. Neuware -O livro reúne vinte e um ensaios sobre a obra do poeta, crítico e tradutor brasileiro Haroldo de Campos (1929 - 2003), mais uma entrevista inédita com o autor realizada em Paris em meados dos anos oitenta. Os ensaios exploram as múltiplas facetas de Haroldo de Campos, um nome incontornável das letras brasileiras na segunda metade do século XX e na virada do século XXI.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 414 pp. Portugiesisch.