3 guy john (2 Ergebnisse)
1. The Art of South-East Asia. Cambodia Vietnam Thailand Laos Burma Java Bali. 2. Angkor. An Introduction; 3. Ceramic Traditions of South-East Asia; 4. Lao Textiles. Ancient Symbols-Living Art.
1. Rawson, Philip; 2. Coedès, George; 3. Guy, John; 4. Cheesman, Patricia.
- Softcover
Anbieter: Libresso - das Antiquariat in der Uni, Koethel, KREIS, DeutschlandLibresso - das Antiquariat in der Uni
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verschiedene. Zustand des Schutzumschlags: unbekannt. Mit Karten, vielen Abbildungen, Literatur, Register etc. Sprache: engl. ca. 1500 Gramm. Buch.
Verlag: Mapin, From Priya 2011
Anbieter: Vedams eBooks (P) Ltd, New Delhi, IndienVedams eBooks (P) Ltd
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Contents Director?s forewordThomas P Campbell PrefaceJohn Guy and Jorrit Britschgi Acknowledgements Lenders to the exhibition 1 From Palm-leaf to paper Manuscript painting 1100-1500 2 Early Hindu-sultanate Painting 1500-1575 3 The Golden age of Mughal Painting 1575-1650 4 Late Mughal Painting and the renaissance of the Hindu cou…rts 1650-1730 5 Mughal afterglow and the later court styles in the pahari region and Rajasthan 1730-1825 6 Late Indian court painting ?Company Painting? and the coming of photography 1825-1900 Glossary of literary sources Notes Bibliography Index Photography creditsThis vividly illustrated publication features 110 works by many of the most eminent painters in the history of Indian art These remarkable paintings dating from 110 to 1900 were selected according to identifiable artists and they refute the long-held view of anonymous authorship in Indian artTraditionally Indian paintings have been classified by regional styles or dynastic periods with an emphasis on subject matter Stressing the combined tools of connoisseurship and inscriptional evidence the pioneering research reflected in this book has identified 40 individual artists and their oeuvres through the analysis of styleThe introductory essay outlines the origins of early Indian painting of the first millennium which set the scene for the development of the art of the book The sections that follow examine manuscript painting -- palm-leaf to paper -- the emergence of traditional painting as an independent art form and its demise with the coming of photography Biographies of the artists and a glossary of their major literary sources provide valuable context 224 pp. 165 col. ills, 3 maps (illustrator).
