1845 painter (27 Ergebnisse)
Verlag: No place or date
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In den WarenkorbSee his entry in the Oxford DNB. On one side of a slightly-irregular 11 x 3.5 cm slip of wove paper, cut from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.
Verlag: 17 November 4 Camden Square N.W. London, 1879
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EUR 54,15
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In den WarenkorbSee his entry in the Oxford DNB. The letter is addressed from the house of Frederick Goodall (also see ODNB), which at other times was occupied by Laurence Alma Tadema and James Murray. 2pp, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Addressed to 'My dear Mrs. Calkin' and signed 'Frank Holl'. Twenty-…six lines of text in a hurried hand. He thanks her for her 'kind trouble - & for the rifle which my model called for and brought with him this morning'. He is sorry that her son George has been injured. 'When he returns, would he kindly let know if I can have his bayonet in sheath & straps & if so, I would send for them'. He 'heard from Guilford this afternoon - I am glad to say - my father [the engraver Francis Holl (1815-1884)] is progressing & I think we may look forward to his sure recovery - altho I fear it will be a long time of it'.
[Robert Gibb, Scottish painter.] Autograph Letter Signed ('Robert Gibb') to the publisher of 'Black and White Budget', W. J. P. Monckton, re. 'the incident depicted in "Saving the Colours" ["Saving the Colours: The Guards at the Battle of Inkerman"]
Robert Gibb (1845-1932), Scottish painter; Keeper of the National Gallery of Scotland and Painter and Limner to the King [W. J. P. Monckton, publisher of the London magazine 'Black & White Budget']
Verlag: 8 May On letterhead of 2 Bruntsfield Crescent Edinburgh, 1901
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In den Warenkorb2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed: 'To W. J. P. Monckton Esq. | Publisher | "Black & White," | London'. He has just received Monckton's letter, and is enclosing a 'little pamphlet', which will give him 'a full account of the incident depicted in "Saving the Colours"'. If all is well Gib…b hopes to be in London on the Monday or Tuesday of the following week, and will 'have the pleasure of calling upon you as promised'. His address will be the Thackeray Hotel, Great Russell Street. The painting, executed in 1895 and now in the Naval and Military Club, London, depicts the Guards at the Battle of Inkerman, 1854, during the Crimean War.
Verlag: 15 June no year. On letterhead of 28 Herne Hill S.E. London
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In den WarenkorbA successful member of an English artistic family. See the Oxford DNB entries on his father Joseph Severn, brother Walter Severn and sister Mary Newton. 3pp, 12mo. Bifolium on grey wove paper. In good condition, lightly aged, with traces of paper from mount adhering to the blank verso of the second leaf, and details typed at hea…d. Folded once. Addressed to 'Dear Fulleylove' and signed 'Arthur Severn.' He invites him to dinner, on behalf of himself and his wife (Joan, a cousin of John Ruskin, born Agnew): 'dinner will be at 7.30 or 8 and I thought if you came out early enough we might have some bowls in the garden'. He gives directions from London, adding: 'Of course come in any dress. / I have asked [?] and Linton'. He ends: 'If it is bad weather I shall only expect you to be here at 7.30 but can do as you like about that, welcome at any time'.
Verlag: Munich, 4. V. 1908., 1908
- Softcover
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Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, ÖsterreichAntiquariat INLIBRIS Gilhofer Nfg. GmbH
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Gruss aus München [.]". Inspired by Wilhelm Busch, Oberländer is best known for his popular satirical depictions of human behaviour through anthropomorphic animal motifs which he created for the humoristic magazine "Fliegende Blätter" as well a…s the 1877 "Lustige Naturgeschichte oder Zoologica comica". - Traces of an angular fold near right margin; a few small ink spots. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Weitere BilderVerlag: Munich and Vienna, 1885 to 1911., 1911
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EUR 3.500,00
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In den WarenkorbMostly 8vo. Altogether 13½ pages on 10 ff. One addenda (s. b.). A small group of letters by the Austrian landscape and flower painter Tina Blau-Lang, documenting the practical side of exhibiting and circulating her work. - In a letter of 26 March 1885 she finally sends a requested photograph or sketch, enclosing a first proof su…pplied by the Munich court photographers Hanfstaengl and awaiting the remaining prints of her flower painting "Von der Landparthie". A further letter from 20 January 1888 accompanies a photograph of "Zur Frühlingszeit", described as an unsuccessful reproduction of a painting "in the possession of the Prince Regent", with the welcome news that H.R.H. has agreed only the previous day to lend the picture for an exhibition in Vienna. - Together with an ALS from her husband Heinrich (Munich, 30 Sept. 1889, 2 pages).
Verlag: 13 November no year; 14 Russell Square London
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In den WarenkorbIn 1867 Starr was the first woman to win a gold medal for painting at the Royal Academy, having won a silver two years before. 2pp, 12mo. On bifolium. In good condition, lightly aged, with minor traces of mount on blank reverse of second leaf. Folded twice. She has 'just received the ticket for the lecture at the Associated Arts… Institute' which he sent, and is afraid she will not be able to use it herself: 'as we are going to the Opera'. She wonders whether she 'may be allowed' to 'give it to some friends who I think would like to come very much'.
[Louis Haghe, Dutch lithographer of David Roberts's 'Holy Land'.] Autograph Letter Signed to Charles Manby, Secretary of the Institution of Civil Engineers, concerning the loan of a watercolour to a 'conversatione' (sic).
Louis Haghe (1806-1885), Dutch lithographer and watercolour painter in London, partner with William Day (1797-1845) in lithographic printers Day & Haghe [David Roberts, 'The Holy Land'; Charles Manby]
Verlag: '6 Upper Belmont Place / Wandsworth road / 9th May ', 1851
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In den WarenkorbHaghe features prominently in William Day's entry in the Oxford DNB, in which their firm's publication of Robert's 'Holy Land' (1842-49) is described as 'the most ambitious lithographic work ever published', for which 'Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the c…redit for the success of this publication'. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium. In good condition, lightly aged, with strip of mount adhering to edge of blank second leaf. Addressed to 'Charles Mamby [sic] Esquire' and signed 'L Haghe'. Marked as 'Entered' at top left of first leaf. He has great pleasure in lending 'a large water colour drawing the only one I have by me' for 'your conversatione', and will send it 'to the institution 25 great George Street before the 26th'. He also thanks him for putting his name 'in the free list at the adelphi and Haymarket theatres'. He would 'in several instances have made use of the priviledge [sic]' had he been aware of it, and will now do so.
Autograph letter signed ("F. Cormon").
Piestre Cormon, Fernand-Anne, known as Fernand Cormon, French painter (1845-1924).
Verlag: "13, Rue d'Aumale" [Paris], n. d.
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EUR 80,00
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In den WarenkorbSmall-8vo. 1p. on bifolium. Interesting letter, probably to the academic painter and art critic Charles-Olivier Merson, concerning the purchase of one of Cormon's battle paintings by the Musée des Beaux-Arts de Bordeaux. The painting had previously been exhibited during the Exposition de Bordeaux that was curated by Merson and a…pparently been selected for an official purchase. Fernand Cormon informs Merson of minor yellowing but hopes that exposure to the "sun of Southern France [Midi]" will return the painting to "its natural tone" and expects the art packers any day: "Je suis très content que vous vous rappelez ma bataille et que cet envoi vous plaira. Je serais enchanté qu'il reste à Bordeaux. Je vous préviens que le tableau, retourné depuis longtemps, a un peu jauni, mais exposé à l'air et au soleil du midi il reviendra rapidement à son ton naturel. J'entends toujours l'emballeur. Je pense n'est-ce-pas qu'il fera prendre la toile demain. [.]". - In a short postscript, he announces the completion of a portrait of Merson's son Louis-Olivier, although he wasn't satisfied with the result: "J'ai fait ce temps-ci une petite tête de votre fils. Malheureusement je n'en suis pas bien satisfait. Il est assez ressemblant, voilà tout". - Today, Fernand Cormon is best known for some of the students of his private art school Atelier Cormon, that is to say, some of the students who did not succeed in exhibiting their paintings at the Paris Salon, which was the explicit goal of Cormon's teaching. These include Henri de Toulouse-Lautrec, Louis Anquetin, Émile Bernard, and Vincent van Gogh. - On stationery with printed letterhead.
Alfred von Schönberger (1845- nach 1909) deutscher Maler / german painter
Alfred von Schönberger (1845- nach 1909) deutscher Maler / german painter
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Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
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In den WarenkorbE.Albumblatt (aufgezogen auf Albumblatt, 1 S. 8°) mit Empfehlung, Ort, Datum, Unterschrift signiert Wiesbaden, 9. April 1898 Der berühmten Künstlerin in tiefster Verehrung.
Verlag: "9, rue de l'Orient" [Toulouse?] , 4. VII. 1897., 1897
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In den Warenkorb12mo. 2 pp. on bifolium. To an unnamed recipient, thanking him for an invitation to the "Exposition de Sables" and concerning the shipping of paintings: "Je vous remercie de m'avoir envoyé une invitation pour l'exposition des Sables. Je regrette de ne pouvoir vous autoriser à prendre mes tableaux retour d'Orléans en ayant déjà d…isposé et donné l'ordre de les retirer de chez M. Ferret [.]". - Traces of folds and minor tears.
[ John Murray the second, London publisher. ] Autograph Letter Signed ('John Murray') to the historian Henry Hallam
John Murray the second (1778-1843), English publisher [ Henry Hallam (1777-1859), historian; Thomas Phillips (1770-1845), portrait painter ]
Verlag: Albemarle Street London 3 August circa, 1841
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In den Warenkorb2pp., 12mo. Bifolium. In good condition, lightly aged. He begins by informing him that the accounts 'for sale of your works for the past year are being made out'., and that he hopes to send them in a few days: 'they have been delayed only until I could receive from the various newspapers the acc[oun]ts of advertising'. He contin…ues, regarding a portrait of Hallam by Thomas Phillips: 'I have this day seen Phillips Copy of your Portrait - very nearly finished - &, as it seems to me, executed with care & accuracy'. Murray considers that the copy 'has rather more colour than the original - but time will bring down the tone - Phillips will write to you for instructions how to dispose of his copy'. He concludes with regard to Lady Bell, who had just seen Hallam.
Verlag: Paris, no date.
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In den WarenkorbVisiting card, 90 x 50 mm, with printed name and address. Inscribed, "Avec tous mes remerciments pour votre amiable article" ("With all my thanks for your kind article"). - Cormon was most notable for his art school, the Atelier Cormon, through which he became the teacher of many famous artists such as Henri Matisse, Vincent van… Gogh, and Henri de Toulouse-Lautrec. His paintings, exhibited at the Salon de Académie des Beaux-Arts since 1880, are realist depictions of historical or religious scenes and portraits. In his earlier years, he frequently painted frivolous or violent scenes. - Slight foxing.
Verlag: N. p. o. d.
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EUR 150,00
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In den WarenkorbOblong-12mo. (115 x 89 mm). Together 3 pp. Both to the academic painter and art critic Charles-Olivier Merson who was curator at the Exposition de Bordeaux, scheduling a meeting during the exhibition and concerning the potential purchase of works by Maignan and one of his students by the Musée des Beaux-Arts de Bordeaux. The let…ters in full: 1) "J'allais vous écrire quand j'ai reçu votre lettre. Certes, je serai très heureux de vous voir et de vous demander votre impression. Je serai à la galerie des machines (avec la bourdonnais) ancienne salle Cormon du dernier salon demain lundi de 2 heures à 4h. ½"; 2) "J'ai l'honneur de vous adresser ci-incluse la notice du tableau de mon jeune élève. Le prix indiqué de mille francs pourrait être un peu diminué s'il le fallait. Vous savez que l'achat de ce tableau serait une bien bonne action. Le prix que je vous ai fixé pour le mien, c'est à dire 1900 fr. pourrait aussi subir une notable diminution si un hasard imprévu voulait qu'on désirât l'acheter. Merci encore de votre bonne visite [.]". - The second letter with a vertical fold.
Verlag: Munich, 23. IX. 1912., 1912
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Besten Gruss! [.]". - Specializing in depicting Bavarian peasant and village life, Stieler created popular genre scenes which were frequently published in magazines like "Die Gartenlaube" and "Universum". His 1881 paintings of the BASF chemical… factory in Ludwigshafen constitute a rather unusual part of his work. - Small ink spot near upper margin. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Verlag: Munich, 16. IX. 1917., 1917
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - After studying at the Nuremberg and Munich academies, Recknagel applied himself to landscape painting, specializing in Alpine scenery as well as hunting scenes and game. His preferred motifs including chamois, wood grouse and stags. - Self-add…ressed by the collector. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Verlag: Paris, [postmark: 20 March 1911]., 1911
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - Inspired by opera and ballet themes, Renouard conributed to the decoration of the Paris Opéra Garnier and created drawings for daily newspapers including "L'illustration" and "Le Graphique". - Traces of a postmark; imprint of another postcard…in different handwriting. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Verlag: Munich, 14. XII. 1909., 1909
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - A professor at the Munich Academy of Fine Arts since 1879, Löfftz specialized in genre and landscape painting inspired by the Dutch and German masters of the 16th and 17th centuries. His impressive "Pietà" won him the gold medal at the 1883 In…ternational Exhibition in Munich. - Postmark on verso slightly showing through; faint traces of another postmark. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Verlag: [Postmark: Kassel, 22 March 1911]., 1911
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - Appointed director of the Kassel Academy of Arts in 1879, Kolitz specialized in realistic portraiture and historical paintings, some of them inspired by his experiences as a volunteer in the Franco-Prussian War, but created impressionist lands…cape paintings and city views as well. - A few small ink spots. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Verlag: Munich, 6. I. 1910., 1910
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Sende Ihnen nach Wunsch mein Autograph für Ihre Sammlung [.]". - Like his elder brother Josef, Ludwig Willroider was a popular landscape painter. His preferred subjects included Lake Starnberg, the Isar valley and his native Carinthia, as well…as Southern Tyrol and Upper Italy. He regularly exhibited his works at the Munich Glaspalast and became an honorary member of the Munich Academy in 1883. - Traces of postal stamps; traces of a small fold near lower right corner. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Verlag: Munich, 4. VII. 1916., 1916
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - Starting out as a landscape and genre painter, Bouché founded his own studio for glass painting in Munich in 1873 and went on to create many windows for churches as well as secular buildings, and was commissioned with the restoration of the gl…ass paintings in the Regensburg cathedral by the Bavarian government. - Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Verlag: The Hague, [postmark: 18 March 1913]., 1913
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EUR 180,00
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In den WarenkorbOblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - A student of Jozef Israëls, Blommers is a prominent representative of the Hague School and created popular maritime genre paintings inspired by fishing and beach life, which were largely sought after by English speaking collectors during his l…ifetime. - Traces of stamps. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
Weitere BilderVerlag: No place, 5. VI. 1844., 1844
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EUR 280,00
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In den Warenkorb8vo. 3 pp. on bifolium. Mounted to larger backing paper. Substantial cover letter for a shipment of prints, about exhibiting, selling, pricing the painting "The Battle of Camperdown", three "Trafalgar" drawings, and on material that is to be picked up for a Lieutenant T. J. Irvine, inviting the addressee to take a look at the wo…rks: "I send you some prints etc. for your acceptance for the Fancy Fair and informed Mr West that there are some things left here from a Lieut. T. J. Irvine R.N. and his daughters which you will have the goodness to send for. What do you think of my sending my [.] painting of the Battle of Camperdown, it will make a show and I might get a chance of selling of it - if so the society should have the usual percentage, if put in good light it would attract a great many persons to see it. I will send it, and hang it, and take it away without putting the society to any expense [.]". - With collector's note to backing paper and some brownstaining.
Portraits of the painters Jean-Baptiste D'Isabey & Nicolas-Antoine Taunay, Engraving by Miius after painting by Louis-Leopold Boilly [1798].
Milius, Felix Augustin (1843 - 1894) (engraver), after Louis-Leopold Boilly (1761 - 1845) (painter).
Verlag: Paris: Felix Augustin Milius, [ca. 1870]., 1870
- Kunst / Grafik / Poster
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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EUR 444,40
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In den WarenkorbZustand: Good. Engraving. Margins: 12" x 17", Image: 8" x 7". Very Good, mounted.
Verlag: 13 Holland Street Kensington and other London addresses. to 1912, 1886
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- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 541,54
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In den WarenkorbThe fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear S…tanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892. He is sending a copy of his 'Claims of Decorative Art', and hopes that, 'as one who has thought & written much on art', he will 'accept it as a contribution from my side the question, or at least as "Friendship's Offering".' (As an imperialist, Little's politics were opposed to Crane's.) He asks him to 'look for us at No 13 Holland St. Kensington, when you are next in town'. In a postscript he states: 'The good wife is away in Essex with the two boys, but returns at the week's end.' On the same page are six items with decorations apparently by Crane: first, a label for 'The Pioneer', printed in sepia, with space for 'Number | Contents | Price', showing a knight climbing up dense foliage to a languid lady; second, a label or bookplate for the 'A E & C S | Handicraft | Design', with the name supported by two women in revolutionary caps, each flanked by a cherub; third, another example of the Beaumont Lodge letterhead ; fourth and fifth, two copies of a strange tiny design of an African hunter with spear before a setting sun, printed in negative on grey paper; sixth, a tiny monogram (perhaps 'L J S'?), made by a snake and printed in red. The next page carries a season ticket, with design by Crane of two workmen shaking hands, for the 1906 Arts & Crafts Exhibition Society at the Royal Academy, made out in manuscript to 'The West Sussex Gazette'. The third page carries six items: first, a printed handbill advertising 'The Leek Press Papers: No. I. | The Relation of Art to Education and Social Life by Walter Crane | Twenty-eight pages in wrapper.' With two vignettes, the first, of two country folk with ten geese; the second of a peacock. The reverse advertises a 'Catalogue of a Collection of Designs by Walter Crane A.R.W.S., with vignette of stork and lettering by Crane. Carries two close tears repaired with archival tape. Second, printed in red, an invitation card designed by Crane, to the Old House, 13 Holland St: 'Dame Walter Crane bids you welcome on New Year's Day [1912] in the evening at nine thirty'. Third, Crane's autograph signature, cut from the valediction to a letter: 'Every yours | Walter Crane'. Fourth, a handbill advertisement for 'The Fabian Society | Session, 1886-1887', with design by Crane of female forms representing Liberty, Equality and Fraternity. The 'Executive' are named as Annie Besant, Hubert Bland, Edward R. Pease, Frank Podmore, G. Bernard Shaw, Sidney Webb and Charlotte M. Wilson'. Fifth, an invitation card, printed in brown, to the private view of the fifth Arts & Crafts Exhibition Society, 3 October 1896, at the New Gallery, 121 Regent Street. Made out to J. Stanley Little of the African Review. Featuring the same design as above of the two workers shaking hands. Sixth, letterhead, printed in red, for 13 Holland Street, Kensington, W. Featuring a design of a crane by Crane. Heavily creased. SEE IMAGES.
Weitere BilderVerlag: Paris, 29. IV. 1902., 1902
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, ÖsterreichAntiquariat INLIBRIS Gilhofer Nfg. GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 3.000,00
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In den Warenkorb8vo. 2½ pp. on bifolium. Interesting letter to a friend named Dorchain, probably the playwright Auguste Dorchain, asking him for support with Quentin Beauchard, a magistrate at the Ministry of Culture, ahead of the Paris Salon. Delacroix was hoping for the acquisition of his painting by the state and lobbied with Beauchard and o…ther members of a ministerial commission: "J'attache la plus grande importance à son opinion qui, paraît-il, est préponderante au Conseil. Puis je continuerai mes démarches auprès des autres membres de la [.] Commission dite des B[eau]x Arts". Another concern of Delacroix' was the presentation of his painting, which was good overall, although in a "somewhat dark hall": "Mon tableau est bien exposé, quoique dans une salle un peu sombre, il ne faut pas trop se plaindre". In a short postscript, Delacroix asks Dorchain to put in a good word for him with journalists. - Minimal foxing and browning.
Autograph lettercard signed ("Benj. Constant").
Benjamin-Constant, Jean-Joseph, French painter and etcher (1845-1902).
Verlag: "59, Rue Ampère" [Paris], n. d.
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, ÖsterreichAntiquariat INLIBRIS Gilhofer Nfg. GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 650,00
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In den WarenkorbOblong 12mo (139 x 91 mm). 4 lines. Interesting letter to the academic painter and art critic Charles-Olivier Merson, asserting that he as "nothing to exhibit" and that he doesn't want to participate in exhibitions in the province anymore: "Je n'a rien a exposer et ne veux plus exposer en province". - Merson was the curator for…paintings at the Exposition de Bordeaux. - On mourning paper with printed letterhead. Well preserved.
