1786 1868 (53 Ergebnisse)

18,8 x 15,0 cm. Aus einer illustrierten Zeitschrift, Rückseite mit Text. [SW - Portrait, Porträt].

Zustand: New. In English.

Zustand: New. In English.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Millters Goethe-Bucherei. Physical description; x, 231, 1 p. : front., illus. (music) ports ; 19 cm. Notes; "Divan-Lieder": p. 19-21. "Tischlied. Max Eberwein": p. 66-67. "Aus Karl Eberweins Faustmusik. Nr. 26": p. 109-116. Subjects; Goethe, Johann Wolfgang von 91749-1832) - Biography - Theatrical career. Goethe, Johann Wolfgang von (1749-1832) - Knowledge - Theater. Music - Germany - Weimar. Theater - Germany - Weimar - History. Theater - Weimar. Genre; Illustrated. 1 Kg. …

Mainz - 1858 in München) "King Ludwig I." High-quality facsimile in giclée print with a narrow white border on 250g Schwarzwaldmühle art print card (30x21cm) after a lithograph published around 1810 in Munich, based on a painting by Joseph Karl Stieler (1781 in Mainz - 1858 in Munich).

"King Ludwig I." high-quality facsimile in giclée print with a narrow, white border on 250g Schwarzwaldmühle art print cardboard (30x21cm) based on a lithograph published in Munich in 1830.

Couverture rigide. Zustand: Bon. François Barrière (1786-1868), journaliste. L.A.S., jeudi 3 septembre, 1p in-8. Il souhaite une loge pour l'opéra Zémire et Azor, de Grétry, qui sera joué à partir du lendemain. [409].

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Physical description; 392 p. : ill. (some col.) ; 25 cm. Notes; Includes index. Includes bibliographical references and index. Subjects; Ludwig I, King of Bavaria (1786-1868) ; Correspondence. Montez, Lola (1818-1861) ; Correspondence. Mistresses Germany Bavaria ; Correspondence. Courtesans Germany Bavaria ; Correspondence. Bavaria (Germany) Kings and rulers ; Correspondence. Bavaria (Germany) Kings and rulers Mistresses ; Correspondence. Genre; Illustrated. 1 Kg. …

First Edition. Poor copy with wear, tear and dust-dulling as with age. Text remains clear and without blemish. Physical description; volume 2 (only): 454 p. ; 22 cm. Notes; "Essai sur les moeurs at les usages du 17e?me sie?cle, pour servir d'introduction aux me?moires de Brienne": v. 1, p. [1]-184. Includes bibliographical footnotes. Subjects; Brienne, Louis Henri de Lome?nie comte de (1636-1698). France History Louis XIV, (1643-1715) Sources. France Social conditions. France Court and courtiers. France History 17th century. 1 Kg. …

[Bütten braunfleckig.].

Early Edition. Near fine copy in the original gilt-blocked boards. Slightest suggestion only of dust-dulling to the spine and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xviii, 449 p ; 18 cm. Subjects; France Court and courtiers 18th century. Genlis, Stéphanie Félicité comtesse de 1746-1830; biography. France Court and courtiers; history. 1 Kg.…

6pp., 12mo. In good condition, on lightly aged paper. Brodie's hand is not easy to decipher, but the letter is fulsome in its praise of Brougham and his latest work. Brodie begins by acknowledging the receipt of 'the last volume of Lord Brougham's Works published by you', a copy of which he had 'previously got as a subscriber'. He continues: 'In my poor apprehension it is even, if possible, superior to its predecessor, & more than justifies the character I formerly ventured to sketch of that illustrious individual', He continues in his praise, with reference to 'Dean Swift', 'Captn. Macheath and his associates' and 'Peachum'. In his view, never did a Lord Chancellor 'enjoy such popularity. But times are altered. The power of conferring favours is in other hands & all who expect patronage here, trouble at his resuming the vantage ground so greatly his due'. He continues with a discussion of the position of the press in the matter of Brougham's reputation. He concludes: 'Why do I trouble you with all this: - It is simply as an introduction to a statement that, did I know how to get it published, I should be proud & happy to down a notice or review of this volume.' In a postscript he claims to 'know the author of the article [reviewing the volume] in the N[orth]. British Review. It discloses of the spirit I have alluded to'.…

Very good copy bound in contemporary leather-backed, marbled boards. Gilt-blocked leather label to spine, with spine compartments uniformly tooled in gilt. Spine bands and panel edges quite dulled and rubbed as with age. Remains well-preserved overall; bright, clean and strong. Physical description: Vol. 1: xii, 262 p. ; 21 cm. Subject: Sardinia (Italy) History. 1 Kg. …

Encuadernación de tapa dura. Zustand: Bien. 1ª Edición. 37 p. ; 23x15 cms. 120 grs. Encuadernado sin cubiertas originales (EE-Historia-48)°.

circa 9,5 x 6 cm. 1 Photo alt auf Karton montert, darunter Bezeichnung Ludwig I stehend, die Hand auf einen Stuhl gestützt, links ein Vorhang. - Nur gering geblichen, guter Abzug, der Unterlagkarton leicht stockig, das Foto selbst sauber.

2., vermehrte Auflage, im Jahr der Erstausgabe, Pappbände der Zeit mit Rückenschildchen und rundum Farbschnitt, kl.-8°, 1. Band: XIV, 321 Seiten, 2. Band: VII, 314 Seiten, altersgemäß berieben, guter Zustand Goedeke XII, 471, 9 de 700 Buch.

Stahlstich, 11,5 x 9 cm aus: Meyer's Conversations-Lexikon, N. 240. In einwandfreiem Zustand.

Size: Folio. Polished half calf with marbled boards Engraved.

Size: Nineteen volumes in one. Oblong folio. Morocco (backstrip missing and boards detached), gilt. Engraved/lithographed.

1 p, 4to. On a bifolium, addressed on reverse of second leaf: 'Thursday at 11 O'Clock | Chas. Westmacott, Esqr., | 5, Clements Inn.' Fair, on creased and aged paper. Christie's note reads 'Mr Christie presents his Compts. to Mr. Westmacott. | with Mr. Westmacott's permission, the bearer of this Mr. Christie's warehouseman, will remove the Pictures to King St. | King St, | Monday Feb. 14 | 1825.' Beneath this, in another hand, Recd 69 Pictures | [signed] John Biddle'. Above Biddle's receipt, in a third hand, are the word 'Received' and 'Recd 69 [i.e. Christie & Manson?]' in pencil. Westmacott was something of a connoisseur; his entry in the Oxford Dictionary of National Biography, by Manfred Draudt, describes how by 1831, through his editorship of the 'scandalous tory journal, the Age', he 'was prosperous and possessed a pretty cottage between Barnes and Richmond, its grounds adorned with sculptures'. See entry for Westmacott in DNB for dubious newspaper practices ("blackmailer"). …

Hardcover. 1st Edition. 2 volumes: Atlas and text. Text volume: 8vo., (8 x 5 inches). (Preliminaries a bit spotted). Contemporary half-calf (joints split, worn). Atlas volume: 4to., (12 x 9 inches). Half-title. 16 lithographed plates (quite spotted throughout, one or two stains affecting 3 plates). Original printed paper boards (worn, spotted and stained). Provenance: with the blind library stamps of the Library of the Royal College of Surgeons in Ireland on the title-pages, and elsewhere. First edition, without companion text volumes. "Serres was trained in Paris and received his medical degree in 1810. From 1808 to 1822 he worked at the Hôtel-Dieu. In 1820 he was awarded the prize for physiological research by the Académie des Sciences and the following year gained a special prize for his two-volume work on the comparative anatomy of the brains of vertebrate animals. In 1822, he was appointed chief medical officer at the Hôpital de la Pitié. He was elected to the Académie de médecine in 1822 and to the Académie des Sciences in 1828. In 1839, he preceded Flourens as professor of comparative anatomy at the Jardin des Plantes and two years later became president of the Académie des sciences. Serres studied the comparative anatomy of a number of vertebrate organs. He noted that many organs start from a number of isolated centers, which eventually unite to form a single adult organ. In his general approach to the nature of life and the harmony between the organs he was clearly influenced by Cuvier, who mentioned Serres's work with admiration. Serres's theoretical position was more closely akin to that of Geoffroy Saint-Hilaire. Serres believed that there was only one underlying animal type and that in the course of their development, the organs of the higher animals repeated the form of the quivalent organs in lower organisms" (DSB XII pp. 315/316). …

0. Sprache: Deutschu.

orig.wrappers. 23x15cm, (4),78,(4) pp., Published in an edition of 700 copies. Some tears and chips to wrapper edges. Spine chipped. Good. 2 plates (illustrator).

Holzstich. Folio. Acht Ansichten von Ludwigs wichtigsten Bauprojekten (Glyptothek, Pinakothek, Walhalla, Ruhmeshalle u. a.) sind um ein Sitzportrait des Königs in Unform nach der ca. 1840 entstandenen Originallithographie von Gottlieb Bodmer angeordnet. - "Ueber Land und Meer. Deutsche Illustrierte Zeitung", No. 43. - Geringfügige Randläsuren.…

0. Sprache: Deutschu.

Holzstich. 1 Bl. Folio. Portrait ca. 147:195 mm. Brustbild des Königs auf dem Totenbett, in ein Oval gefasst, mit je zwei Lorbeerranken, Wappen und umgedrehte Fackeln als Eck-Füllelemente, nach einer Photographie gezeichnet von Joseph Resch (1819-1901). - Illustrierte Zeitung No. 1296.

Qu.-8vo. Mit Adresse und papierged. Siegel. An Graf Friedrich Ludwig Heinrich zu Castell. - Gestempelt und aufgeschnitten.

Un volume in-12, reliure demi-chagrin marron fin XIXe, dos à quatre nerfs surlignés de pointillés et de filets dorés, titres dorés, plats et gardes marbrés, réunissant deux ensembles de textes : 1. L'Antidémon de Mascon, ou histoire particulière et véritable de ce qu'un démon a fait et dit à Mascon en la maison du Sieur François Perrault Ministre du Saint Evangile - Nouvelle Édition - comprenant une Etude comparative de la richesse réelle et de la richesse de convention, par le Cte Perrault de Jotemps, Receveur des finances, ancien Officier de Marine, 208-[4] pp. - [suivi de] Lou Noyé Brayssan - Les Noëls Bressans de Bourg, de Pont-de-Vaux et des paroisses voisines, augmentés de plusieurs couplets inédits; suivis de six Noëls Bugistes, de trois anciens Noël Français et des airs en musique, corrigés sur les premières éditions, traduits et annotés par Philibert LeDuc, Garde Général des Forêts, secrétaire de la Société royale d'Emulation de l'Ain, Bourg-en-Bresse, librairie de Martin-Bottier, 1845. XIII-[6]-176 pp. Rare ensemble qui témoigne surtout des travaux historiques et folkloriques de Philibert Le Duc (1815-1884) concernant le département de l'Ain. Dans ce volume, Le Duc réédite, en le préfaçant, le rare traité de démonologie "L'Antidémon de Mascon" du pasteur François Perrault (1572-1657) originaire de Gex, qui avait été publié au XVIIe siècle (Genève, Aubert,1653, Chouët, 1656, puis 1657). François Perrault y raconte les phénomènes surnaturels qui agitèrent sa maison à Mâcon, où il venait de s'installer en 1611 en tant que pasteur. Le Duc adjoint une biographie de François Perrault et un texte d'économie rurale de Gaspard Perrault de Jotemps, conseiller d'arrondissement (1786-1868), retiré à Gex. La deuxième partie du volume illustre le regain d'intérêt dans les années 1830-1850 pour les langues régionales et les patois. Il est intéressant de noter que, si Le Duc réédite un traité de démonologie connu pour sa rareté (Dorbon, 3615 / Caillet, 8530), il l'intègre dans un ensemble folklorique et régionaliste, sinon familial, sans s'attarder à l'étude des faits de sorcellerie au XVIIe siècle ou à l'attitude d'un pasteur calviniste aux prises avec des phénomènes de possession.Rappelons que Philibert Le Duc était le petit-fils du député et de l'historien du département de l'Ain Thomas Riboud (1755-1835) et le gendre de Gaspard Perrault de Jotemps, qui avait épousé également une fille de Thomas Riboud. Reliure agréable, intérieur frais. Exemplaire peu fréquent.(LatB1) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST Size: 12 x 18,5.…

Oblong folio (245 x 305 mm). Sewn. Notated in black and brown ink on 14-stave rastrum-ruled paper. 10 pp. Contains five variation sets for violin by various composers: 1) Tema with Variations for the Violin. 3 pp. Nine variations on a waltz-like theme in F major. Following each variation the scribe indicates "tutti" or "to the tutti," indicating that these variations may have been performed with an ensemble of musicians. Unlocated. 2) Bishop, Sir Henry Rowley 1786-1855 and [?]Anon Variations from Home Sweet Home. 2 pp. Five variations on Rowley's well-known song. Bishop was an English composer who, "in his day he enjoyed a commanding reputation as the guardian of the best traditions of English song, and for a time he kept English opera alive almost single-handed. Yet he is now remembered for little but the song Home, Sweet Home." Nicholas Temperley and Bruce Carr in Grove Music Online 3) Rode, Pierre 1774-1830 Theme with Variations for the Violin. 2 pp. Four variations originally published as a solo for violin accompanied by a second violin, viola, and cello. "At the height of his career, Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach, he imbued it with characteristically French verve, piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade, and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos, martial dash and melting cantilena. His gift for lyrical, often melancholy melody, which represents a prominent trend in French music of this period, made his music particularly attractive to German early Romantic composers. . At the height of his career, Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach, he imbued it with characteristically French verve, piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade, and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos, martial dash and melting cantilena. His gift for lyrical, often melancholy melody, which represents a prominent trend in French music of this period, made his music particularly attractive to German early Romantic composers. . His innate gifts as a teacher are demonstrated in his 24 Caprices, which balance the musical and technical needs of the student and have become an indispensable part of the violin curriculum." Boris Schwarz, revised by Clive Brown in Grove Music Online 4) Gyrowetz, Adalbert 1763-1850 Variations. 3 pp. Eight variations on a Tyrolean folksong, popular at the time and the subject of numerous variation sets. Gyrowetz was a noted Bohemian composer and conductor. 5) Rossini, Gioachino 1792-1868 Variations from the Tanti Palpiti. 2 pp. Five variations. The composer's Di tanti palpiti was the subject of variation sets by celebrated composers including Paganini, Giuliani, and Gelinek. Unlocated. Several small stains, mainly to blank margins; minor soiling to final page, mainly affecting its eight blank staves. These variations by the composers represented in the present manuscript are virtuosic, incorporating rapid scales and arpeggios, passages in double stops, and bariolage. Pierre Rode 1774-1830; Sir Henry Rowley Bishop 1786-1855; Adalbert Gyrowetz 1763-1850; Anon. [Copyist musical manuscript] (illustrator).…

½ S. auf Doppelblatt. Folio. Mit papierged. Siegel. Beförderung des Schriftstellers Theodor Hildebrand (1794-1859) zum Hauptmann: "Da Wir den bisherigen Oberlieutenant des Ingenieur-Corps Theodor Hildebrand, auf in ihn gesetztes Vertrauen und Glauben an seine Uns geleistete Eidespflicht, zum Hauptmann in demselben Korps, allergnädigst befördert haben; [.]". - Theodor Hildebrand, der 1855 im Rang eines Generalmajors seinen Ruhestand antreten sollte, ist der Autor des 1820 in Erlangenen erschienenen "Kriegs-Handwörterbuchs" und mehrerer Abenteuer- und Schauerromane. - Gegengezeichnet von einem nicht identifizierten Generalsekretär. Mit Faltspuren und kleinen Einrissen im Mittelfalz. Sammlervermerke in Blei.…