1520 (311 Ergebnisse)

First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 143 pages ; 22 cm. Subjects: Nedham, George approximately 1520-1584. Company of Merchant Adventurers of England.Merchants Great Britain ; Correspondence. Commerce History 16th century ; Sources. Genre: History. Language: English. 3 Kg.

Soft cover. Zustand: As New. 1st Edition. 76 Pages Illus.

Zustand: New. In.

First Edition. Very good paperback copy; slightly dust-toned and edge-bumped. Remains well-preserved overall. Series; Large picture book ; no. 5. Physical description; 10 pages, 30 pages of plates : illustrations ; 18 x 25 cm. Notes; At head of title: Victoria & Albert Museum. Introduction by John Pope-Hennessy. Subjects; Raphael 1483-1520. Cartoons (Tapestry) Tapestry, Renaissance. Tapestry England London. Victoria and Albert Museum. Sistine Chapel (Vatican Palace, Vatican City) John Pope-Hennessy. 1 Kg.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Maestri del Colore ; fasc. 7. Physical description; 2 unnumbered pages,12 leaves of mounted plates : color illustrations, plates ; 35 cm. Subjects; Raphael (1483-1520). Painting, Italian 15th century. Painting, Italian 16th century. Genre; Illustrated. 3 Kg.

Loose Leaf. Zustand: New. Reproduction. Original title: Templum Neptuni Propre Puteolanum Urbem German: Templum Neptuni Propre Puteolanum Urbem French: Temple Neptuni Propre Puteolanum Urbem Spanish: Templum Neptuni Propre Puteolanum Urbem High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 16th century (1541). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Second Edition. Library copy. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xxxix, 271p. ; 21cm. Subjects: Dunbar, William (ca. 1460-1520) -- Criticism and interpretation. 3 Kg.

15,0 x 9,5 cm. Unterhalb der Darstellung mit biographischen Angaben. Beidseitig bedruckt, Rückseite mit Porträt von Conrad Celtes. [SW - Portrait, Sebastian Brant, Sebastian Brand].

11,8 x 11,2 cm. Stärker stockfleckig. [SW - Porträt, Portrait].

Zustand: New. In.

Zustand: New. In.

15,0 x 9,6 cm. [SW - Porträt, Portrait].

14,5 x 12,0 cm. Ränder ganz leicht gebräunt, unten etwas fleckig. [SW - Porträt, Portrait, Lithographie, Pehr Brahe].

Softcover. Zustand: Sehr gut. 1a.ed. en esta colección. 18x11 cm. Biblioteca de la Literatura y el Pensamiento Hispánicos, 10. 277 p., Rústica. Sprache: Spanisch, Muy buen estado. Cubiertas: leves roces. Interior: hojas ligeramente tostadas. USADO / GEBRAUCHT / USED. Con Los siete libros de la Diana Jorge Montemayor, la más mosa de nuestras novelas pastoriles, se inicia este género, no ólo en España sino en Europa. mpregnada del neoplatonismo de la época, sobre todo de la doctrina de León Hebreo, en la Diana el amor lo penetra y lo vivifica todo, al tiempo que el sentido de la proporción que caracteriza el arte del Renacimiento no deja aquí que el dolor aflore con la desmesura con que se muestra en las novelas sentimentales. Con una técnica de coordinación de acciones convergentes Montemayor nos ofrece tres ambientes distintos: pastoril en la historia de Selvagia, cortesano en la de Felismena y pueblerino en la de Belisa, y nos proporciona, como ya hizo notar Menéndez Pelayo, una extraña mezcla de motivos clásicos y realidad española de todos los tiempos. La edición ha sido realizada por Enrique Moreno Báez, catedrático de Literatura Española de la Universidad Autónoma de Madrid. Entre sus numerosas publicaciones destacan: Lección y sentido del Guzmán de Al farache (1948), No-sotros y nuestros clásicos (1961), Reflexiones sobre el Quijote (1968) y Los cimientos de Europa (1971). [Texto de contracubierta] [novela pastoril+siglo de oro+clásicos]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 8,10 (original price 9,00) **.

Softcover. Zustand: Gut. 2a ed. 11x18 cm., Letras Hispánicas 332. 417p., Rústica hilo. Sprache: Spanisch, Buen estado general. Cubiertas con notables roces y rastros de largo almacenamiento y/o uso. Interior limpio. USADO / GEBRAUCHT / USED. "La Diana" constituye un retrato cortesano de Montemayor fundiendo las novedades renacentistas sobre el amor, de vertiente espiritual y ámbito pastoril, en un entramado de tradición medieval. Muchos de los poemas tienen origen tradicional. (Sinopsis editorial) [literatura clásica española]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 8,10 (original price 9,00) **.

First Edition. Very good copy in a good if somewhat edge-nicked and dust-dulled in decorated boards. Remains well-preserved overall. Series; The Faber gallery. Physical description; 24 pages : 10 mounted colour illustrations ; 31 cm. Subjects; Raphael (1483-1520) Themes, motives. Painting, Renaissance Italy. Painters Italy 16th century. 3 Kg.

Payne Dresden & Leipzig 1855 [Blatt vor allem an den Rändern teils stockfleckig.].

No Binding. Zustand: Very Good. A fine wood engraving. Mounted and ready to frame, mount size approx 8 x 7 ins, 20 x 18cms. c. 1853.

Pictorial wrappers. Small marginal nick to first leaf. Fine. On pp. 65-9, 70-84, 85-95, 96-104 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 44 (1975):3-4. Stockholm 1975. 4to. Pp. 65-122 + [iv] pp. Illustrated. "Didrik av Bern on the Nordic countries" and "Mucius Scaevola and Marcus Curtius on a stone relief from Norra Smedjegatan" both in Swedish with Summaries in German.

Pictorial wrappers, fineal two leaves and rear wrapper dog-eared. On pp. 135-39, 140-44, 145-56, 157-69 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 56 (1987):4. Stockholm 1987. 4to. Pp. 135-82. Illustrated.

Sewn as issued, pictorial wrappers. Very fine. Provenance: Ulf Cederlöf (1948-2021), chief curator of prints and drawings at the Nationalmuseum, Stockholm. Stockholm, Nationalmuseum, 1985. 8:o. 59 pp. Contents (in English:) "A Reflection on Some Early Works by Bernaert de Rijckere" (9 pp., 8 illustrations) by Lubomir Konecny, and "Peeter Baltens, a forgotten draughtsman of the Bruegel circle: his landscape drawings" by Richard Jung (13 pp., 9 illustrations).

1st edition. Previous owner's signature and inscription. Good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly bumped and rubbed as with age. Hinges starting. Internally, bright and clean. Remains quite well-preserved overall. Physical description: 33, [2] p., [51] leaves of plates: ill. (some col., some mounted); 36 cm. Notes:Introduction and notes by W.E. Suida. "This selection of paints and drawings was made by L. Goldscheider of London who is also responsible for the captions"--p. [35]. Subjects: Raphael 1483-1520. Painters, Italian 16th century. Genre: Biography.Illustrated. 3 Kg.

2nd edition. Previous owner's signature. Good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly bumped and rubbed as with age. Hinges starting. Internally, bright and clean. Remains quite well-preserved overall. Physical description: 33, [2] p., [51] leaves of plates: ill. (some col., some mounted); 36 cm. Notes:Introduction and notes by W.E. Suida. "This selection of paints and drawings was made by L. Goldscheider of London who is also responsible for the captions"--p. [35]. Subjects: Raphael 1483-1520. Painters, Italian 16th century. Genre: Biography.Illustrated. 3 Kg.

9,0 x 7,0 cm. [SW - Porträt, Portrait].

hardcover. Zustand: Used; Very Good. New York, 1901; brown cloth covered boards white spine; edge and corner wear with board exposed at corners; Folio, 12"- 15" tall; frontispiece and tissue cover detached but present; interior pages in very good condition; interior is clean and unmarked; 44 pages. Additional shipping charges may need to be requested due to size or weight of book.

Klammerhft., dek. omslag. Gott skick. Stockholm, Statens historiska museum, 1968. 8:o. [48] s., inkl. 19 planschblad i svartvitt. Haaken Gulleson död efter 1520, var en svensk målare och verkstadsledare. Haaken Gulleson samverkade med flera idag till namnet okända skulptörer. Han bodde i byn Fläcka i Enångers socken och Gullesons signatur återfinns på sex skulpturer i södra Norrland. Haaken Gulleson har länge i litteraturen ansetts vara skulptör, men den senaste forskningen har sett honom som verkstadsledare och målare. I Haaken Gullesons verkstad utvecklades en speciell stil som blandade äldre, romanska stildrag med den samtida gotiken. Resultatet blev skulpturer av hög kvalitet. Den mest kända skulpturen av Haaken Gullesons verkstad är Anna själv tredje i Enångers gamla kyrka, signerad och daterad 1520. Andra kända skulpturer är en liten madonnabild i Bollnäs kyrka, en signerad madonnabild i Forsa kyrka och altarskåp i Njutångers kyrka, Bjuråkers kyrka och på Hälsinglands museum. Den tidigare i särklass mest uppmärksammade skulpturen, den större Bollnäsmadonnan, har på senare tid av forskningen avskrivits från Haaken Gullesons verksförteckning, vad gäller skulpturen, dock anses att skulpturen är målad av Haaken Gullesons verkstad. Platsen där han bodde och verkade finns ännu kvar i Fläcka by.

Stipple engraving, from Biographical Magazine, fine delicate portrait with biographical information in letterpress below.

Stipple engraving, from Biographical Magazine, fine delicate portrait with biographical information in letterpress below. slight stain on surround,

No Binding. Zustand: Very Good. O W BRIERLY (illustrator). An Original Antique Engraving, central fold, too large to post mounted (matted). Discovery of the Straits of Magellan as imagined by the artist O W Brierly.

No Binding. Zustand: Very Good. A fine original engraving, printed ca. 1890. Mounted and ready to frame. An excellent opportunity to purchase a portrait of this eminent personage.