1482 (31 Ergebnisse)

First Edition. Very good copy issued in an illus. paperback portfolio folder. Edges somewhat dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered. Scans, images and additional bibliographic material available on request. ; 8vo 8" - 9" tall; Physical description: [4], 40 p. of plates ; 35 cm. Subject: Robbia, Luca della (1400?-1482) -- Pictorial works -- Italian art -- Italian sclupture. Includes 4-page booklet introduction by Roberto Salvini. Series: Documentario athenaeum fotografico. Language: Italian. 3 Kg.

15,0 x 9,5 cm. Unterhalb der Darstellung mit biographischen Angaben. Beidseitig bedruckt, Rückseite mit Porträt von Franz von Sickingen. [SW - Portrait, Johann Oekolambadius].

Paperback. Zustand: Brand New. 36 pages. 11.69x8.27x0.07 inches. In Stock.

New edition. Presented in slip-case. Fine copy in the original gilt-blocked cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 96 p. : ill. (some col.), facsims. (some col.) ; 19 cm. Subjects; National Gallery of Victoria. Catholic Church Liturgy ; Texts. Wharncliffe hours. Illumination of books and manuscripts, Gothic France. Illumination of books and manuscripts, French. Illumination of books and manuscripts, Gothic. Manuscript, Latin (Medieval and modern) England. 3 Kg.

Paperback. Zustand: Brand New. 492 pages. 11.69x8.27x0.99 inches. In Stock.

Quarter Calf. Zustand: Good. Second English Edition. 943, {X]. Quarter Calf. Second English Language Edition. Folio. Quarter Calf Over Marbled Boards. Pages 10 3/4" Tall, All Three Edges Watered. Leather Is Quite Worn, Joints Cracked, Frayed At Corners With Small Losses, Paper Covering The Boards Is Partly Worn Away At Edges. Lacks Initial Blank. Contemporary Gilt And Embossed Compartmented Spine. Signs Of Removed Bookplate On Front Pastedown. Hinges Cracked But Firm. Title Page, With Complex "Anchora Spei" Ornamental Engraving, Missing Lower Right Corner, About One Square Inch Total, With No Loss Of Text Or Ornament. Text Divided Into Twenty Books, With Woodcut Ornaments And Initials For Each; Unpaginated Ten Page Table (Index) At End. Dedication To Queen Elizabeth I By Fenton. Small Waterstains Showing Irregularly At Bottom Of Some Pages, Well Below Text Block. First Page Missing Lower Corner Adjacent To Spine, With No Loss Of Text. Light 1/2" Ink Smear P. 8 With No Loss Of Text. Page 49 Mis-Numbered 53, Otherwise Correct. Page 57/58 With Two Inch Tear At Bottom, Extending 1/2" Into Text Block, With No Loss Of Text. Small Chip To Side Of Text Block On P. 135/136, Not Affecting Text. Page 161 Mis-Numbered 155, Otherwise Correct. One-Eighth-Inch Hole Through P. 209/210, Affecting One Letter. A Few Letters Near Bottom Of P. 212 Apparently Once Obliterated Or Misprinted, Carefully Restored In Ink. About One And A Half Square Inches Of Lower Left Corner Of P. 235 Missing, With No Loss Of Text Block But Loss Of Most Of Gloss Note At Bottom Of P. 235 (X3). One-Eighth-Inch Hole At Top Margin Of P. 271/272, With Loss Of One Letter Of Gloss Note. One Eighth Inch Hole P. 327/328, With Loss Of A Letter On Each Page. There Are No Pages 460 Through 500; The Tenth Book Ends On Page 459 (Rr) (As It So States In The Text), And The Eleventh Book Begins On P. 500 (P. 501 Is Rr2). One Quarter Inch Foxing Spot Pp 535-544 At Upper Left Margin At Edge Of Page, Not Affecting Text. Page 584 Mis-Numbered 588, Otherwise Correct. Page 593 Mis-Numbered 597, Otherwise Correct. Pp599-603 (Bbb3--Bbb4) Somewhat Browned. One Sixteenth Inch Spot Pages 641-643, Obscuring A Letter On Each Page. A One-Eighth-Inch Hole And Singed Margin Through Page 673/674, Causing Loss Of One Or Two Letters On Each Page 673-674. A Small Stain Spot Extending Through Pp713-721, Another Few Pp723-725, Without Obscuring Text. Small Stain P 736, Not Obscuring Text. There Is No Page 787-788; A Reading Of The Text On Pages 786 And 789 Indicates That The Text Is Complete Regardless. Page 798 Is Mis-Numbered 799, Otherwise Correct. Apparently A Former Water Stain (Now Invisible, Obscured A Few Letters On P. 802; These Have Been Re-Inked. De Sanctis Has Written " From The Point Of View Of Intellectual Power It Is The Most Important Work Ever To Come From An Italian Mind." A Printing And The Mind Of Man Title. First Published In 1561, Twenty One Years After Guicciardini's Death. Fenton's English Translation Was First Printed In London In 1579 And Went Through Three Editions In Fifty Years. The First Edition Of 1594 Is Rarely Seen. This Copy Is Still Quite Readable.

Paperback. Ref. A82930. 25x37. 600 pág. aprox. Facsímiles. 65-C Facsímiles Sin categorizar.

0. Sprache: Deutschu.

First Edition. Good library copy bound in quarter cloth over decorated paper boards. Remains well preserved overall; tight, bright, clean and sharp-cornered. Provenance; from the Columbia University in the City of New York Library with its bookplate. Physical description; xxvi, 214 p. ; 24 cm. Notes; Edited by Pietro Stromboli. Includes bibliographical references and index. Subjects; Strozzi family. Florence (Italy) History Sources. Genres; Autobiography. Bibliography. 3 Kg.

Folio; 406 pp. Ilustraciones. Impresión a doble columna. Texto en castellano. Encuadernación original en cartoné.

Broschiert. Zustand: Gut. 2a.ed. en esta colección. 8° (215x140 mm.). Colección "Sepan Cuantos.", Núm. 129. XLII, 256 p. + índices. Tela editorial. Sprache: Spanisch, Buen estado. Cubiertas: leves roces. Interior: hojas ligeramente tostadas (amarillentas). USADO / GEBRAUCHT / USED. Edición elegantemente reencuadernada en tela amarilla de la famosa colección popular "Sepan Cuantos.", de la editorial Porrúa. Toribio de Benavente O. F. M. (Benavente, c. 1482-1569, México), más conocido como Motolinia, fue un misionero franciscano que fungió como historiador de la Nueva España. Formó parte de los Doce apóstoles de México. Se caracterizó por la promoción de una intensa evangelización de los pobladores de Mesoamérica. Motolinia es el nombre que él mismo adoptó para así ser nombrado por los habitantes de México, el cual significa pobre o afligido en náhuatl y que procede de mo (es/se) y tolinia (pobre/afligir), es decir, "el que es pobre o se aflige".1? Sus escritos publicados acerca de las costumbres y tradiciones locales justo después de la Conquista de México han sido tomados históricamente como documentos válidos de etnografía. Sin embargo, Motolinia tenía la responsabilidad de fomentar la religión católica en los pobladores de México y adaptarlos a las prácticas españolas de la época. Es por esto que fue intensamente denunciado por fray Bartolomé de las Casas ante el rey de España Carlos V, lo que suscitó un conflicto entre estos dos religiosos, especialmente por el desacuerdo en la aplicación de las Leyes Nuevas (o Leyes de Burgos). [México+historia de américa+escritores novohispanos+literatura colonial+cronistas de indias+Nueva España+historia de indias+indígenas+mesoamérica+idolatrías]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 70,15 (original price 78,00) **.

4to. mayor; CXIV-489 pp., 2 hs. y un cuadro genealógico plegado. Edición príncipe. Cubiertas originales.

orig. wrappers. Zustand: Minor wear. VG. Textual maps. (illustrator). 24x15cm, 192 pp., Series: Mitteilungen der Antiquarischen Gesellschaft in Zürich, Bd. 50, Heft 3.

Zustand: Buono (Good). SAMMELBAND OF THREE HUMANISTIC WORKS4to. 323, [i.e. 319], [9] pp. Pp. 301-304 omitted in pagination. Collation: a-r4 s6 t-z4 A-E4 F6 G-M4 N6 O4 P6 Q4. Froben's devices on the title page and at the end. Colophon on l. Q4v. Woodcut decorative initials. Roman, italic, and greek type. With 33 in-text woodcut illustrations: 23 (4 of which are repeated) of ships, 3 of clothing (a female figure, a senator in a toga and a soldier), and 7 of vases.Second collected edition bearing the same dedication addressed by Lazare de Baïf to the King of France Francis I (Paris, 25 August 1536) and Charles Estienne's short preface as the first edition (Paris, Robert Estienne, 1536). Both editions include the De re navali, the De re vestiaria and the De vasculis by Baïf, as well as Antonio Telesio's treatise on colours, first published in Venice in 1528.Baïf scholarly reputation rests on these three Latin works: De re vestiaria (first edition: Basel, J. Bebel, 1526), dedicated to Jean de Lorraine, which contains his annotations to the law Vestis, ff. de auro et argento legato (Digest xxXIV il 23-5) and at the time of its publication earned him the second rank after Budé among the French scholars; De vasculis (first edition: Basel, H. Froben, 1531), dedicated to the chancellor Antoine du Bourg; and finally De re navali first appeared in Robert Estienne Paris edition of 1536. This latter edition, as well as the present Froben edition, is accompanied by illustrations derived from sketches of the pillar of Trajan and other monuments which had been obtained for Baïf by the French ambassador to Rome, François de Dinteville. After Froben reprint, another edition, expanded and revised by the author, was published posthumously by Robert Estienne (Paris, September 1549). Charles Estienne rearranged Baïf's work for the use of young students (various editions, 1535-37).Lazare de Baïf (Bayfius, Bayfus) was born around 1496 of a noble family of Anjou at the Château des Pins near La Fleche. After studying law, he went to Rome with Christophe de Longueil (c. 1516) and studied with Janus Lascaris and Marcus Musurus, no doubt at the recently established college on the Quirinal. After several years Baïf returned to France and taught law and letters at the University of Angers. In these years he laid the groundwork for his learned publications, investigating the practical side of ancient life on the basis of the Corpus juris, according to the method developed by Budé. In 1525 Baïf entered the service of Cardinal Jean de Lorraine. After taking part in the peasants war in Alsace, he followed the cardinal to Lyon. They were on their way to Spain, but the freeing of King Francis I made that further trip unnecessary. In 1527 he was named apostolic protonotary, a position which enabled him to receive two abbeys in commendam. In 1529 Francis I appointed him resident ambassador to Venice, and he left for his new post on 25 June. In Venice Baïf showed great zeal in producing scrupulous diplomatic dispatches. Baïf received Girolamo Aleandro, Giambattista Egnazio, and Lazzaro Bonamico, and appealed to Francis I in favour of Michelangelo. He also corresponded with Pietro Bembo, Jacopo Sadoleto, Germain de Brie, and Erasmus, and continued his philological and archeological research. He even began studying Hebrew, presumably with Elias Levita. From May 1530 Baïf employed as his secretary Pierre Bunel of Toulouse. In February 1532 his illegitimate son, Jean-Antoine, was born, a future poet of the Pléiade to whose education Baïf always paid careful attention, entrusting him to excellent tutors such as Charles Estienne and Jacques Toussain. At the beginning of 1534 Baïf was recalled from Venice at his own request. Returning to Paris, he set up house in the suburb of Saint-Marceau, keeping his son with him. On 17 November 1530 he had been appointed clerical councillor in the Parlement. In 1538 he was named master of requests in the royal household. In 1540 he was sent to the confere. Book.

Kupferstich auf Papier von Conrad Meyer (1618-1689). Plattengrösse: 23,5 x 14,5 cm. Blattgrösse: 33 x 22 cm. Aus der Kupferstichreihe von Conrad Meyer: "Wahrhafte Contrafet etlicher Hocherleuchteter Herren, durch welche Gott in den letsten Zeiten sein Heilig Evangelium Klahr . herfür Leuchten lassen". - Johannes Oekolampad war studierte an versch. Orten in Heidelberg, Tübingen und Stuttgart Theologie, war lutherischer Theologe, später Zwinglianer und wirkte ab 1518 in Basel. - Das Blatt etwas knitterfaltig und wasserrandig. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

Zustand: Gut. Ca. 31 x 21 cm (bis zum Plattenrand beschnitten und in älterer Zeit flächig auf getöntem Untersatzpapier montiert). *Diethelm Röist wurde 1524 bis1544 zum Bürgermeister von Zürich ernannt. Sprache: Deutsch Gewicht in Gramm: 1010 Blatt aus dem großformatigen Porträtwerk "Portraits aller Herren Burger-Meistern, der vortrefflichen Republique, Stadt und Vor-Orths Zürich" (1756).

0. Sprache: Deutschu.

Legatura coeva in piena pergamena, dorso con titolo e autore manoscritto verticalmente in epoca più recente. (12)-32-(1) pagine numerate. Frontespizio con fregio centrale silografato, testatine e finalini silografati. Antonio Loredan, membro di una nobile famiglia veneziana, fu governatore a Spalato, Albania Veneta e in Morea; fu uno deicomandanti durante l`assedio di Scutari (1474) e considerato un eroe di guerra tanto che gli venne riconosciuto il titolo di \"cavaliere di San Marco\" e successivamente quello di \"Procuratore di San Marco\", la più prestigiosa carica vitalizia della Repubblica di Venezia subito dopo il Doge. Esemplare inbuone condizioni conservative, alcune carte iniziali con rpiega di stampa centrale.

Editore Franco Cosimo Panini, Modena, 2006. FAKSIMILE: Königsblaues Seidensamt über Holzdeckeln mit vergoldetem Silber Dekorationen (je Deckel mit 4 ornamentierten Buckeln sowie 1 üppigen Emaille-Ornament des vorderen Deckels) & 2 Schließen sowie mit Rundum-Goldschnitt, Seiten, gr.4° (39,5 x 28 x 8,5 cm). KASSETTE: Weißer pergamentartiger Original-Pappband, beide Deckel mit hellem goldbeesticktem Stoff bezogen sowie mit ornamentierten Buchbeschlägen (wohl aus Messing) als Eckenschutz ausgestattet, 2° (43,5 x 31 x 11 cm). FAKSIMILE: Einband ohne Gebrauchsspuren, Papier ohne Bräunungsspuren, Buchblock sauber (also ohne Unterstreichungen & Randglossen). CASSETTE: Oberfläche ohne Gebrauchsspuren, Rücken andeutungsweise angestaubt. Sehr schönes Exemplar. Zustand: sehr gut. GEWICHT (mit Verpackung): > 20 Kg. - Achtung! Hinweis: Gewichtsbedingt & wegen der Transportversicherung gelten höhere Portosätze als die automatisch angezeigten. Wir behalten uns vor, das faktische Porto zu berechnen. PLEASE NOTICE: Due to weight & transportation insurance the shipping costs are more expensive than here automatically marked. Changes reserved due to the de facto shipping. [STANDORT Buchmalerei, unten - 1 Karton 'CD'].

Eighth edition of the Bible printed by Koberger (his first was 1475). Date from the colophon at end of text on fol. 427. Text in black letter, two columns, 53 lines. Red initials, rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 [of 462] leaves. 1 vols. Folio. ISTC ib00575000; GW 4250; Goff B575. Provenance: George Livermore (Harvard bookplate recording 1859 deposit, with ink release dated 1894); General Theological Seminary, gift of Cornelius Vanderbilt and Dean Augustus Hoffman (bookplates and blindstamps) Twentieth century orange morocco by Zaehnsdorf, preserving earlier gauffered and gilt edges. Spine darkened from smoke, minor rubbing. First leaf remargined at foot; some traces of damp and stains from old marginal tabs, internally clean overall, closed tear in fol. 388. Very good plus Text in black letter, two columns, 53 lines. Red initials, rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 [of 462] leaves. 1 vols. Folio Eighth edition of the Bible printed by Koberger (his first was 1475). Date from the colophon at end of text on fol. 427.

Tiguri excudebat C. Froschoverus (Christoph Froschauer),anno 1543 .1 volume in-folio (24 x 38 cm), [4] bl. + [35] + [1] bl. + 387 ff (en réalité 775 pp.) + [2] bl. + 98 ff (en réalité 197 pp.) + 114 ff. (en réalité 228 pp.) + [39] + [2] bl. pp. Magnifiques lettrines illustrées en tête de chaque livre, quelques-unes, au début de l'ouvrage, ont été anciennement aquarellées.Très belle reliure en plein veau marron clair moucheté, dos à 6 nerfs ornés, pièce de titre en veau brun et lettres dorées. Petit manque à la coiffe supérieure, autrement ouvrage en très très bon état. Intérieur comme neuf. Cette bible comporte une nouvelle traduction de l'Ancien Testament et des apocryphes due à Leo Juda (1482-1542), complétée et revue par Theodor Bibliander (1504-1564), Petrus Cholinus (1508-1542), Rudolf Gwalther (1519-1586), Conrad Pellican (1478-1556) et Heinrich Bullinger (1504-1575), ainsi qu'une révision du Nouveau Testament d'Erasme de 1535. Nonobstant son petit tirage, cette bible est le plus grand accomplissement intellectuel de l'Église de Zurich, et elle aura une place importante dans les efforts des Protestants de présenter les Écritures en latin pour les étudiants, le clergé et les cultivés.Curieusement, sa préface ne fait aucune mention de Uldrich Zwingli, quand bien même celui-ci avait édité en 1531 la première bible de de l'Eglise de Zurich tout en étant le plus important personnage de l'Église réformée de Zurich. Le motif de cette omission tient au fait qu'Heinrich Bullinger avait le projet de reconstruire l'Église de Zurich, après la désastreuse défaite zürichoise de Kappel en 1531, dont on tint Zwingli pour responsable. Cette nouvelle bible devait être l'expression d'un nouvel ordre Réformé, défini par la piété, l'apprentissage, l'éducation, la modération et l'intégrité institutionnelle; il ne convenait plus d'y associer le nom de Zwingli.

Legatura coeva in piena pergamena con unghie; al taglio inferiore autore e titolo manoscritti; mancanza della carta di sguardia anteriore; (8 cc.nn, di cui l`ultima carta è bianca)-437, (12 cc.nn.). Marca tipografica silografataal frontespizio, grande veduta cittadina incisa al verso del titolo all`interno di un ovale e in orizzontale. Iniziali silografate e abitate su fondo nero; marca tipografica incisa al verso delll`ulltima carta. Lo Scardeone \"in questa sua opera ebbe il merito di rischiarare molti punti di storia patria, d`offrire peregrine notizie di persone e di opere loro, cui il tempo distrusse\" Celebre opera in cui sono tra gli altri ricordati scienziati come il Vesalio e artisti come A. Mantegna, nonchè monumenti come la statua del Gattamelata di Donatello. \"Scardeone`s history of Padua is particularly important for its transcriptions of epigraphs, descriptions of monuments, and chapter on artists such as Mantegna and Squarcione. Its woodcut of the city is `the first accurate compilation of visual data on the city`s buildings`\". (Oxford Art on-line). Esemplare in ottimo stato di conservazione; piccola traforatura di tarlo al margine esterno delle ultime carte.

Legatura in piena pergamena rigida con unghie. Tracce di titolo manoscritto al dorso. Primo volume:(20), 1-298, da 397a 465 [mancano le pp. 299-396], (7, di indice), pagine numerate. Le pagine da 299 a 396 sono state mutilate per ragioni censorie come in quasi tutti gli esemplari. BelFrontespizio xilografico con titolo entro bordura architettonica con putti, grottesche, e stemma mediceo con motto entro cartiglio.Prima rara edizione di una rinomata raccolta di componimenti toscani curata da Anton Francesco Grazzini, detto il Lasca. La raccolta contiene componimenti di carattere carnascialesco, ritenuti osceni per l`epoca e, per tale ragione la maggior parte degli esemplari si ritrovano mutili di diverse pagine perchè censurate, vennero amputate quasi sempre le stessepagine come quelle mancanti al nostro esemplare. Secondo volume: 103-(1b) pagine numerate compreso il frontespizio con titolo e bella marca tipografica del Torrentino, ripetuta all`ultima pagina.Prima rara edizioneseparata di questi canti pubblicati per la prima volta - con alcune differenze - nell`opera precedente. Gamba 693 \"Raro\". Esemplare in buone condizioni., sporadiche macchioline o tracce di sporco.

S.l. (Antwerp ?), no publisher (Plantin-Moretus Press ?) , 1609 (for the first two parts), 1601 (for the third part). Format in-4°, (22,5 x 17 cm), Engraved title page (triple title within pictorial renaissance style border) +(18)nn pp + 174 pp (Gaurico text) + (2)nn pp (blank) + (24) nn pp + 16 pp + engraved title page + engraved portrait + 98 full page engraved plates each with 2 ills. + 49 plates eeach with 4 ills. Bound in contemporary full vellum, gilt decorated spine with a trace of the missing title label. Vellum a bit soiled but still a fine copy with a nearly stainless interior., This is the second edition of Goorle's book on his collection of antique Roman cameo rings; enlarged with a text by Gaurico and one by Demontosius. Similarly to the first edition also published without a place of imprint nor a printer's name. The title page of this edition is a reworked plate of the first edition; the year 1609 and titles of the 2 added works were included in the title text. We compared this so-called second edition with the first edition (presumably printed in 1601) and can confirm that for this second ''imprint'' the left-over sheets of the first imprint were used, with the addition of 12 plates at the end (ills.numbered 149 - 196). All the dedications and privileges of the first edition are included. Apart from the two added text (Gurico & Demontosius) the only new element is a laudatory text by Matthias Martini, written in Antwerp and dated April 1607.This addition made to the second edition makes it very likely that both editions were printed in Antwerp. A study of the nice initials (36 x 36 mm) will allmost certainly revail the Antwerp printer (Moretus ?). The reason for the concealment of the printer's name may be found in the bitter religeous struggle which was raging in the Netherlands. Goorle, of Antwerp descent was in the service of the stadthouder Adolf van Nieuwenaar in Utrecht but also befriended with Ernest of Bavaria, Prince-elector archbishop of Cologne, bischop of Liège, an ardent supporter of the Counter-reformation.

Zustand: Good. Small folio. 20 x 30.5 cm. 17th Century roan binding with 7 raised bands in very good condition. Contemporary notes on title page. [20]pp; 258 leaves, [12]pp; 198 leaves. Woodcut head and tail pieces throughout.OCLC Number: 933877615 for first volume. Second volume not in OCLC. THEOPHYLACTUS. In quatuor Domini nostri Iesu Christi Euangelia, enarrationesluculentissimae. - In evangelium Matthaei Enarratio. Paris, Johannem Foucherium (exchalcographica Pierre Vidoue), 1542. 2 parties en un volume in folio, basane, dos orné(reliure du XVII°)Très beau titre gravé. Le premier livre est traduit par Jean Lonicer (1499-1569),professeur d'hébreu à Strasbourg, très lié avec Luther. Le second par JeanOecolampade (1482-1531), disciple du kabbaliste Reuchlin, ami d'Erasme et deMelanchton. Nombreux ex-libris manuscrits de l'époque au titre. Le titre de la secondepartie manque.

Zustand: Gut. Format (Blatt): 31,5 x 20 cm. *Wilhelm III. der Tapfere (* 30. April 1425 in Meißen; 17. September 1482 in Weimar) war ein Fürst aus dem Hause Wettin und führte den Titel Herzog von Sachsen. Er war der jüngste Sohn von Friedrich I., dem Kurfürsten von Sachsen, und Katharina von Braunschweig-Lüneburg. Sprache: Deutsch Gewicht in Gramm: 200.

Zustand: Gut. Format (Platte): 32 x 24,5 cm. Blattgröße: 47 x 36 cm. *Blatt aus der von dem Basler Verleger Mechel 1780 bis 1795 herausgebenen graphischen Folge der Werke Holbeins d.J., gestochen von dem in Augsburg geborenen und in Basel tätigen Kupferstecher Bartholomäus Hübner (1727-1795). - Der dargestellte Jakob Meyer zum Hasen (1482 in Basel; gest. 1531 ebenda) war von 1516 bis 1521 Bürgermeister der Stadt Basel. Von Beruf Geldwechsler, war er der erste Basler Bürgermeister, der weder dem Adel noch einer Achtburgerfamilie, sondern einer Zunft angehörte. Über sein Leben ist nur wenig bekannt. Sein Name ist heute vor allem wegen seiner Rolle als Auftraggeber der Darmstädter Madonna von Hans Holbein dem Jüngeren ein Begriff. - Leicht gebräunt, insgesamt gut erhalten, breitrandig. Sprache: Deutsch Gewicht in Gramm: 1200.

0. *** Selten. *** Am oberen Rand etwas gebräunt, ansonsten gute Erhaltung. Sprache: Deutschu.

0. Selten. - Sehr schönes Blatt, gute Erhaltung. Sprache: Deutschu.

Kupferstich v. Wilh. Chr. Rücker, um 1760, 28 x 17 (H).