1446 (20 Ergebnisse)

First Edition. Near fine paperback copy; edges very slightly dulled and slight creasing. Remains well-preserved overall; tight, bright, clean. Physical description; 111 pages : illustrations (chiefly color) ; 27 cm. Notes; Published to accompany the exhibition Visions of Paradise, The National Gallery, London 4 November 2015--14 February 2016. Contents; Matteo Palmieri : apothecary, humanist, statesman and patron -- Painting the cosmos : heaven and earth -- The importance of 'place' in the Palmieri Altarpiece -- (Mis)Identifying Botticini : style and attribution. Subjects; Botticini, Francesco (1446-1497) Exhibitions. Palmieri, Matteo (1406-1475) Art patronage. Altarpieces, Italian Italy Florence 15th century. 1 Kg.

Couverture souple. Zustand: Bonne Condition. Quelques marques au stylo.126 p.Envoi soigné.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; B.I.O.S. final report ; no. 1867. Physical description; vii, 86 p., [16] p. of plates : ill. ; 25 cm. Notes; "B.I.O.S. Team no. 1446"--T.p. Includes bibliographical references (p. 84-86) and index. Subjects; Iron and steel bridges - Germany. Construction industry - Germany. Industries - Germany. Technology - Germany. Genre; Illustrated. 3 Kg.

Paperback edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Scattered foxing throughout. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; [12] pages, 63 pages of plates : chiefly illustrations ; 17 cm. Subjects; Brunelleschi, Filippo 1377-1446. Brunelleschi, Filippo. Architecture, Renaissance Italy Florence. Architecture Italy Florence. Architects Italy ; Biography. Church buildings Italy Florence. Italy Florence. 3 Kg.

1 CD + booklet im Jewelcase; Zustand: Sehr gut. Sehr guter Zustand. /lager cds 005 ISBN: 035627703829 Sprache: Deutsch Gewicht in Gramm: 200.

No Binding. Zustand: Very Good. An original antique engraving . Printed in 1834. Mounted - matted - and ready to frame. Very good condition . Mount size approx 10 x 12 inches 30 x 34 cms. Shows Knights jousting in a mock tournament in Nuremberg in 1446.

First edition in publisher's original colour illustrated deep French flap card wrap covers. Quarto 10½'' x 8¼''. Contains 112 printed pages of text with colour illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Unused and unopened new book. Member of the P.B.F.A. ISBN 9781857095944 ART [Italian].

Paperback. Zustand: Brand New. 688 pages. 11.69x8.27x1.38 inches. In Stock.

Hardcover. 24,4 x 17,2 cm. Red original hardback (cardboard) with illustated cover. 2 parts in 1 book with 589 pages, written in arabic language. Outside and inside clean book in good condition // 24,4 x 17,2 cm. Couverture cartonnée rouge originale avec couverture illustrée. 2 parties en 1 livre de 589 pages, écrit en langue arabe. Livre propre à l'extérieur et à l'intérieur en bon état. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Arab.ik.

First Edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains well-preserved overall. Physical description; 400 pages : illustrations, facsimiles,plans ; 29cm. Notes; Translation of Filippo Brunelleschi. Subjects; Brunelleschi, Filippo 1377-1446. Architects Italy Biography. Architecture, Renaissance Italy. 3 Kg.

Orig.-Karton. Zustand: Gut. 35,5 x 25,5 cm. 3 Bll., XCVIII Seiten, 1 Bl., 132 Seiten. Sprache: Englisch Gewicht in Gramm: 1001.

Blatt-Maße: ca. 35 x 23 cm. Platte: ca. 30 x 19,5 cm. -- Schönes, großes Kupferstich-Portrait aus dem 18. Jh. -- gut erhalten. || Beautiful, large engraved portrait from the 18th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 20.

1. Original-Kupferstich von Professor Blasius Höfel (in der Platte signiert) nach einem Gemälde von Pietro Perugino und Kopie von Sigmund von Perger auf Büttenkarton, unterhalb des Bildes kleiner blindgeprägter Stempel "Haas", bildliche Darstellung ca. 12,5 x 10 cm, Blattgröße ca. 22 x 16 cm, im oberen Rand alte Montagespuren (war gerahmt), sauber und sehr gut erhalten 1100 gr.

orig. cloth. 24x16cm, 284,(12) pp., Series: Recherches publiées sous la direction de l'Institut de lettres orientales de Bayrouth, t. 85. Séries 4: Histoire., Arabic text. Includes a 12-page French introduction: "Tarih Bayrut : ré cits des anciens de la famille de Buhtur B. 'Ali, émir du Gharb de Beyrouth". Full title reads: "Tarikh Bayrut, wa-huwa akhbar al-salaf min dhurriyat Buhtur ibn 'Ali Amir al-Gharb bi-Bayrut [ta'lif] Salih ibn Yahyá,ashrafa 'alá tahqiqihi Fransis Hurs al-Yasu'i wa-Kamal Sulayman al-Salibi, bi-ishtirak ma'a Antwan Kutan [wa-akharin]". Rubbed. Binding soiled. Binding corner bumps. Good.

Leather. Zustand: Very Good with no dust jacket. Illustrated by Not Attributed (illustrator). B/w; Bound in full brown and decorated leather with gilt spine. Afonso, King of Portugal. Sound and VG but leaves have occasional speckling foxed spots. B/W plates with tissue covers. Title page is dated 1505. But appears to be the later 1917 signed printing. Red and black Portuguese text. Apparently chroicles, "1111 6 December 1185) , also called Afonso Henriques, nicknamed the Conqueror (Portuguese: O Conquistador) , the Founder (O Fundador) or the Great[citation needed] (O Grande) by the Portuguese, and El-Bortukali ([in Arabic ] "the Portuguese") and Ibn-Arrink or Ibn Arrinq ([in Arabic ] "son of Henry", "Henriques") by the Moors whom he fought, was the first king of Portugal." Courtesy of Wikipedia. Colophon has a penciled date of 1918. A difficult work to locate. Signed on the second blankas well as the limitation page.

Edition : Paris Edition., Contemporary full mottled calf on wooden boards, boards with blind-ruled panels and floral corner pieces. Nineteenth century rebacking with raised blind bands, gilt title on morocco label on two., [colophon: ?In Sole aureo, uici Diui Jacobi Par=//rhisiensis.terminatum est hoc solenne Decreta=//lium volumen Per magistrum Bertholdum Rembolt. . anno Domini millesimo quingentesimo decimo, die vero XIII. augusti.As trained lawyer, Pope Gregory edited and systematised the numerous compilations of early legal pronouncements or decisions, codifying them, while excising portions, or ?Exravagantes? , thereby creating the 1234 Decretalium or Decretals. The work was published by Pope Bonifacius vii. In the present legal example, the Decretals are accompanied by flanking commentaries by Bernardus Bottoniensis and Johannes Andreas; the work also includes Dr. Lodovico Bolognini?s legal tables. This body of canonical law would form the basis of canon law until, in 1917, the law was further elaborated. Posterity would remember Pope Gregory for his Decretales, Papal Inquisition, ultimately with devastating long-term effects on Europe, and his call for the Crusade of 1239 to retake Jerusalem. In 1233 Gregory IX would institute the Papal Inquisition to bring order and to deal with heresy, appointing papal inquisitors - Inquisitores haereticae pravitati ? in 1231. A consequence of the Decretals would become the suppression of followers of Judaism. The doctrine of servitus camerae imperialis, or servitude immediately subject to the Emperor's authority, promulgated by Frederick II directly proceeded from and built on the Decretals. The prevention of Jews to participate in the political life of Christian states continued well into the 19th century. Other population would experience similar suppression or persecution, either directly by popes, or indirectly their emperors or vassal [s kings]., Size : Folio (385x254mm), Text in Latin. Gothic script in red and black ink.Commentary in two columns flanking the central text, likewise in two columns. Illustrated by numerous rubricated, ornamental initials; headings and openings mostly in red; the opening of the first of five books ornamented by a large, central historiated wood-cut initial, large woodcut on recto of cclvii. , Upper free endpaper and lower margin of fol.I stamped: ?Bibl. Patr. DOM. S.J./ +/IHS/V/MILLTOWN PAR.?, pertaining to an Irish Jesuite parish; few unobtrusive ink marginalia throughout, i.e. fol. ccxli and verso of final leaf. , References : Renouard, ICP, I, 1510, n° 66; BP16_101501; Brunet (general); Andrew Pettegree, Malcolm Walsby, editors: FB III & IV:Books published in France before 1601 ., p.899., Ll: bl. 2, cccxxx, [aa1-8, bb1-6, cc1-8, dd1-9], bl.2. A superb example of fine and decorative early printing. Title is missing as usual, otherwise in near fine condition, text is clean and vibrant.

Zustand: Good. Pen lithograph. 28 x 21 cm. (image). 35 x 25 cm. (sheet). Very Good. Light surface soiling, a short tear at left sheet edge. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques, choix de dessins d'après les grands maitres de toutes les Ecoles, tirées du Musée de S.M. le roi de Bavière par Strixner, Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty, and was published by J Stuntz in Munich in 72 parts each of 6 sheets, with 432 prints in total, between 1810 and 1816 (so Düssler: no complete copy is recorded in London, and the BM only has oddments from it). It was followed by the separate series of plates after paintings, the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv', 87 1965, pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821.

orig.wrappers. Zustand: Mionor rubbing. VG. 22x14cm, (8),60,(46) pp, Series: Srimadhavanandagranthamalayah caturtham [4.] puspam. In Sanskrit. Prefatory matter in Hindi. Title in roman on added title-page:"Anubhavasutram and Vatulasuddhakhyatantram". Verse work on the fundamentals of Saivism.

Soft cover. Zustand: Very Good. No Jacket. Gregorius Connarus. Papal Notary Apostolic. Latin manuscript on paper penned in humanist miniscule calligraphy with editorial corrections, deletions & marginal notes, signed & dated at end by the scribe & editor Johannes Maguntinus. Florence, written by Johannes Maguntinus, 5th March 1448. Quarto. (23.2 x 18.5 cm). [9] ff + [1 blank] + [6] ff . 3 texts in 1 volume. Folding marks in centre. Vellum. Comprising : 1) Epistola Gregorij connari Apostolice Sedii Protonotarii ad illustrem Virginem Ceciliam de Gonzaga, dated at end : Florence, 5th August, by the scribe & editor Johannes Maguntinus. 16 pages & 1 line of calligraphic text with corrections, deletions & marginal notes. (and :) 2. Gregorij Connarij comendet praescripta epistolam Victorino praeceptori suo v + emendet. Dated at end : Bologna, 3 July. One and three quarter pages of text with corrections & deletions. (and :) (3) Epistola Gregory connari Pronotary ad Joannes Monacum Cartusine. [11 1/2] pages of text with corrections, deletions & marginal notes, dated at end : Florence, 5 March 1448. 1. A letter of congratulation by the papal Proto-notary Apostolic Connarus to the 'illustrious virgin Cecilia de Gonzaga ' for becoming a Clarissan nun in 1445 at the age of 19. The Mantuan noblewoman (1426-1451) was a humanist scholar famous for her learning & chastity and her outstanding beauty and elegance. Educated by Vittorino da Feltre, she had become an accomplished classicist in a School founded by him in Mantua in 1423. Connarus praises her for renouncing worldly honours & pleasures and for devoting her life to God; he exhorts her to exchange her studies of the poets inspired by her tutor Vittorino for reading the works of the Holy Fathers. The letter would have been sent on behalf of the Venetian pope Eugene IV (1431-47), a friend of art and learning. Cecilia had rejected the wishes of her father, Gianfrancesco Gonzaga, Marquess of Mantua (1395-1444), who wanted her to make a dynastic marriage to Oddantonio da Montefeltro, first duke of Urbino. The marquess had invited Vittorino da Feltre to become tutor to his family of five children and to make Mantua a centre of art and learning. The manuscript is strictly contemporary to the events. Cecilia de Gonzaga died 3 years later in 1451 at the age of 26. (The outstanding early 15th century medallist Pisanello (c1380-c1455) favoured by the Gonzaga dynasty honoured Cecilia's noble character with a portrait showing her with a unicorn struck in 1447, predating this manuscript by one year). 2. Gregory Connarus here recommends the papal letter to Vittorino da Feltre (1378-1446) the celebrated humanist teacher of Cecilia de Gonzaga, amended with notes and comments by the editor Johannes Maguntius. Vittorino was trained at Padua and made his reputation as a teacher of Latin and Greek. In his new role in Mantua, he had permission to found and direct an innovative mixed boarding school for gifted boys and girls of all classes to impart humanist learning and culture; the School, his dream realized, became known as 'La Gioconda' for its happy environment and ensured his lasting fame as one of the first great modern educators. 3. A lengthy theological discourse by Connarus to a Carthusian monk, at a time when the Order was at its greatest influence across Europe. The scholarly manuscript deserves detailed study; it is well preserved; originally bound in a sammelband with consecutive numbers inked in centre blank tailend margins; for manuscripts by Johannes Maguntinus (Johann von Mainz), see : Marie Antonietta Casagrande Mazzoli & Mauro (University of Udine) 'La tabula ad regandum' recording 23 manuscripts by Johannes Maguntinus. Offered jointly: Vittorino da Feltre (Rambaldoni 1378-1446) humanist educator; posthumous circular medallion portrait by Pisanello [Antonio di Puccio Pisano] engraved c1800 by Johann Heinrich Lips. Victorinus Feltrensis Summus. Ex museo Pisanorum Veneto. 7.7 x 8 cm; overall size 15.6 x 14.5 cm; Dutch watermark.

Kupferstich v. Campiglia, um 1780, 9,5 x 22,8 (Plattengr.) Blattgr.: 19 x 30cm Oben in der Mitte XXX. Schöner, sauberer Druck.