Streaming, Sharing, Stealing: Big Data and the Future of Entertainment
Michael D. Smith
Verkauft von Kennys Bookstore, Olney, MD, USA
AbeBooks-Verkäufer seit 9. Oktober 2009
Neu - Softcover
Zustand: Neu
Anzahl: 15 verfügbar
In den Warenkorb legenVerkauft von Kennys Bookstore, Olney, MD, USA
AbeBooks-Verkäufer seit 9. Oktober 2009
Zustand: Neu
Anzahl: 15 verfügbar
In den Warenkorb legen2017. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
Bestandsnummer des Verkäufers V9780262534529
“Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires.”
—Financial Times
Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice.
In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries—and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how.
How can companies discover who their customers are, what they want, and how much they are willing to pay for it? Data. The entertainment industries, must learn to play a little “moneyball.” The bottom line: follow the data.
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