Druck auf Anfrage Neuware - Printed after ordering - Scientific Essay from the year 2017 in the subject Didactics - English - Literature, Works, Johannes Gutenberg University Mainz, language: English, abstract: Since 9/11 many Muslims struggle with their identity and are exposed to xenophobia, violence, vicious defamation, harassment or displacement. In short the notion 'Muslim' in relation to that day has become a stigma. It is against this background and the post-traumatic aftermath of September 11, 2001 where many novelists disposing of a Muslim background wrote their novels. The logical consequence from this was that Muslim writing as such has become more complex stressing the standpoints of hearer and teller as elements of distortion. Interesting though is the fact that some novels dealing with Islam and Muslim characters have taken up and used the Oriental stereotypes where Muslims are - according to Said - seen as 'either oil suppliers or potential terrorists'. For a long time Muslim characters in literature have been connected to this negative image which Said also labels as 'other' and Spivak as 'subaltern'. The 'hybrid' in which many Muslim characters are often set is also (still) equated with the 'exotic' thus ignoring the energy of Bhabha' s term and its positive realizations in fiction. It is therefore one aim of this essay to throw light on this matter and to shortly reflect the present influence of 9/11 on Muslim writing.

Bestandsnummer des Verk�ufers 9783668545816

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Bibliografische Details

Titel: The Influence of the 9/11 novel on Muslim Writing
Verlag: GRIN Verlag
Erscheinungsjahr: 2017
Sprache: Englisch
ISBN-10: 3668545812
ISBN-13: 9783668545816
Einband: Taschenbuch
Zustand: Neu

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Scientific Essay from the year 2017 in the subject Didactics - English - Literature, Works, Johannes Gutenberg University Mainz, language: English, abstract: Since 9/11 many Muslims struggle with their identity and are exposed to xenophobia, violence, vicious defamation, harassment or displacement. In short the notion 'Muslim' in relation to that day has become a stigma. It is against this background and the post-traumatic aftermath of September 11, 2001 where many novelists disposing of a Muslim background wrote their novels. The logical consequence from this was that Muslim writing as such has become more complex stressing the standpoints of hearer and teller as elements of distortion. Interesting though is the fact that some novels dealing with Islam and Muslim characters have taken up and used the Oriental stereotypes where Muslims are - according to Said - seen as 'either oil suppliers or potential terrorists'. For a long time Muslim characters in literature have been connected to this negative image which Said also labels as 'other' and Spivak as 'subaltern'. The 'hybrid' in which many Muslim characters are often set is also (still) equated with the 'exotic' thus ignoring the energy of Bhabha' s term and its positive realizations in fiction. It is therefore one aim of this essay to throw light on this matter and to shortly reflect the present influence of 9/11 on Muslim writing.

�ber die Autorin bzw. den Autor

Matthias Dickert, geb. 1955, ist von Beruf Gymnasiallehrer (Englisch, Sport, katholische Religion). Studium an der Philipps Universit�t/Marburg und Durham University (GB). Forschungsschwerpunkt: Migrationssoziologie/ Islamische Autorinnen und Autoren im gegenw�rtigen englischen Roman. Zahlreiche Ver�ffentlichungen (z.B. Blickpunkt der Forschung, Zeitschrift f�r Interdisziplin�re �konomische Forschung, GRIN Verlag); Vortr�ge an europ�ischen Hochschulen. Doktorarbeit �ber das Thema Islam, Islamic Fundamentalism and the Question of Identity in Muslim Writing.

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