Giacomelli's landscape is both real and invented, just as his eye is both visionary and visual. It is a pretext to represent another situation. His landscapes are 'written landscapes' in which the horizon is almost completely eliminated: a fusion of time and non-time. In his landscapes, the relationship between countryside and memory, between Giacomelli and a denied and accepted mother earth, is more dramatic, resulting in a dry and great representation. He captured the marks, material and furrows of the earth and in them he found parallels with human bodies, since the earth, in his poetics, is the flesh of man.
Text in English and Italian.
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Giacomelli's landscape is both real and invented, just as his eye is both visionary and visual. It is a pretext to represent another situation. His landscapes are "written landscapes" in which the horizon is almost completely eliminated: a fusion of time and non-time. In his landscapes, the relationship between countryside and memory, between Giacomelli and a denied and accepted mother earth, is more dramatic, resulting in a dry and great representation. He captured the marks, material and furrows of the earth and in them he found parallels with human bodies, since the earth, in his poetics, is the flesh of man.
Overall, his work is characterized by the richness of its internal references and of the developments that make it unique, both in its separate parts and as a whole. Hence his landscape series is deeply linked to another important chapter in his work: Motivo suggerito dal taglio dell'albero (Motif suggested by the cut of a tree). Both of these studies are the best demonstration of his approach and his way of constructing an image. This is particularly true of this series of pictures, starting from the small details of nature, which convey a human breath. Like a visual alchemist, Giacomelli transforms the image into a "double vision".
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Taschenbuch. Zustand: Neu. Neuware - Il paesaggio di Giacomelli è insieme reale e inventato, così come il suo sguardo è visionario e visivo al contempo. È il pretesto per rappresentare una situazione altra. Le sue sono 'terre scritte', dove l'orizzonte è quasi del tutto eliminato: un incastro di tempo e non-tempo. Nei suoi paesaggi il rapporto tra campagna e memoria, tra Giacomelli e una terra-madre negata e accettata si fa più drammatico, traducendosi in un'asciutta e grande rappresentazione. Della terra egli coglie i segni, la materia, i solchi, tuttavia trovando in essi corrispondenze con i corpi dell'uomo, perché la terra, nella sua poetica, è la carne stessa dell'uomo. Nel complesso la sua opera è caratterizzata dalla ricchezza di rimandi interni e di sviluppi che la rendono inconfondibile, nelle parti come nell'insieme. Così la serie del paesaggio è profondamente legata a un altro importante capitolo della sua opera: 'Motivo suggerito dal taglio dell'albero'. Entrambe queste ricerche sono le più dimostrative del suo modo di procedere e di costruire. In questa serie di scatti, in particolare, partendo dai piccoli dettagli della natura, che veicolano in sé un respiro umano, come un alchimista dello sguardo Giacomelli trasforma l'immagine in un 'doppio visivo'. Das Urheberrecht an bibliographischen und produktbeschreibenden Daten und an den bereitgestellten Bildern liegt bei Informazioni Editoriali, I.E. S.r.l., oder beim Herausgeber oder demjenigen, der die Genehmigung erteilt hat. Alle Rechte vorbehalten. Artikel-Nr. 9788836636907
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