The new collection of poems by Kathryn Simmonds, The Visitations, published by Seren, is the follow-up to her Forward-Prize winning Debut, Sunday at the Skin Launderette.
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Kathryn Simmonds’ first book of poetry ‘Sunday at the Skin Launderette’ won the Forward Prize for best first collection in 2008. She is a graduate of the Creative Writing MA at the University of East Anglia. Love and Fallout is her first novel and was a finalist in the Lucy Cavendish Fiction Prize before it was published. In 2013-14 she was the first poet-in-residence at the Charles Causley Trust in Launceston, Cornwall.
I,
Sunday Morning,
Oversleeping,
April,
The New Mothers,
The Visitations,
On the Island of San Michele,
The Reluctant Natives,
What I Did in My Summer Holidays,
Self-Portrait with Washing-up Glove,
The Unborn,
Heartsongs,
Madonna of the Pomegranate,
In Service,
Hotel Pool,
When Six O'Clock Comes and Another Day has Passed,
In a Church,
Elegy for the Living,
Experience,
II,
Life Coach Variations,
III,
Apocryphal,
To her Unconscious,
The Daydreams,
Hermits,
Late December,
Love Song in a Bleached Room,
The Grudge,
The Hem,
In the Woods,
Conversation with a Lime Tree,
Lucid,
The Great Divide,
Kitsch,
In Brief,
Forgiveness,
Nocturne,
23,
I
Sunday Morning
Since I've stopped praying
I've got so much more done:
the fridge is cleaner, I read more fiction,
the telephone is less often off the hook.
Since I've done away with God
I've done the bathroom up
and tried a dozen different recipes.
Since I've stopped considering the nature
of the soul, the infinite, all that,
I've found the joy of gardening;
I garden without concern
for the intricate glory of the Hollyhock.
The news is always on, the multitudes
keep dying, and what's one less prayer
circling the stratosphere?
He'll find me, if he chooses,
he'll lift me like a woolly two-year-old,
secure me to the fold. Meanwhile
I'm eating chocolates in bed,
the words of the psalms dissolving like an old dream,
I'm right here with a magazine,
– Shock New Pictures, All Your TV Favourites –
the church bells making a distant din,
the duvet warm and comforting,
the tumble dryer just spinning, and spinning.
Oversleeping
And there are the clothes you dropped, the arms of a green shirt
raised in surrender, the slough of nylon
and a dress of apricot wool.
Sit up and see the sheets fine-wired with pubic hair and eyelashes,
skin cells scattered like flakes of prehistory.
Your clothes have been going out of fashion,
quickly like the turning of a pear, slowly like a bone bleaching.
No matter,
reclaim the leather boots you loved so much,
zip them right up to the knee and walk;
you are Jairus' daughter, passing through
the convalescent house, its shelves of misremembered books,
its shivers of dust.
What else is there to do but open windows, let the outside tumble in
like washing from a glorious machine?
The day is half over, but still blue. Step out and balance
on the ledge. Below a brown bird darts
over the garages
and is gone,
another yanks a worm from its clay bed and flies with it –
fly worm, fly!
The pillow-creases in your cheek smooth to make you young again.
Your leg hair stands to gold attention. Courage now, step out,
feel the plummet, then the catch and you're up,
swimming in cold, eyes streaming.
There is the park where you broke your wrist, there is the church
where you first met God and the playground of children
whose children are running through cities now, as the river
runs, a silver speck, coursing underneath
the disappearing viaduct, running through the valley, past
fields where horses gather, trapped in their nature.
The houses reposition themselves
and there are your arms, the arms that used to be useless,
parting pale belts of cloud.
April
Spring again
But from where no telling
Sweet as the spring
That went before
Same old story
But still compelling
Blossom reminding
What blossom is for
Question the trees
But they're not telling
How they obey
An impossible law
Question the mind
But it's not telling
How it gives back
What was gone for sure
Something stirs
In a blacked-out dwelling
Forces the lock
Of a double-locked door
That face again!
But from where no telling
Sweet as the face
That was lost before
The New Mothers
They have mastered the buggy –
they understand the awkward catch,
what force of pressure makes it give.
They wheel with confidence, more
confidence, they wheel through afternoons
of amnesiac light, through mornings
loud with rain and evenings when
the sky is soothed to pink, thinking of
the secrets recently unshelled, the ones
their mothers kept so long, the bloody
songs of sealed rooms which day by day
grow faint and fainter still.
They pass by women being wheeled,
women sinking in their chairs who once
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