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Female Performance Practice on the Fin-De-SièCle Popular Stages of London and Paris: Experiment and Advertisement (Women, Theatre and Performance) - Hardcover
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This study focuses on seven women who used the fin-de-siècle’s popular stage as a space to develop their experimental performance practices: acts that won them international fame and critical acclaim. The diverse entertainment careers of Maud Allan (1873-1956), Jane Avril (1868-1943), Loïe Fuller (1868-1926), Sylvia Grey (1866-1958), Yvette Guilbert (1867-1944), Letty Lind (1862-1923) and Cissie (Cecilia) Loftus (1876-1943) encompassed song, dance, impersonation and acting. In accounts, reviews, autobiographical writings, interviews and other cultural products associated with them it is clear that individual female celebrities understood their work as creative, professional and original performance practice. The absence of their creative work from studies of performance history reveals much about hierarchical approaches to cultural environments, gender and physical, non-scripted performances that demands to be interrogated. -- .
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Über die Autorin bzw. den Autor
Catherine Hindson is Lecturer in Performance Studies at the University of Bristol
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This study focuses on seven women who used the fin-de-siècle's popular stage as a space to develop their experimental performance practices: acts that won them international fame and critical acclaim. The diverse entertainment careers of Maud Allan (1873-1956), Jane Avril (1868-1943), Loïe Fuller (1868-1926), Sylvia Grey (1866-1958), Yvette Guilbert (1867-1944), Letty Lind (1862-1923) and Cissie (Cecilia) Loftus (1876-1943) encompassed song, dance, impersonation and acting. In accounts, reviews, autobiographical writings, interviews and other cultural products associated with them it is clear that individual female celebrities understood their work as creative, professional and original performance practice. The absence of their creative work from studies of performance history reveals much about hierarchical approaches to cultural environments, gender and physical, non-scripted performances that demands to be interrogated.
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Female performance practice on the fin-de-siècle popular stages of London and Paris: Experiment and advertisement (Women, Theatre and Performance)
Verlag:
Manchester University Press, 2007
ISBN 10: 0719074851
ISBN 13: 9780719074851
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Female Performance Practice on the Fin-De-Si?Cle Popular Stages of London and Paris
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Female performance practice on the fin-de-siècle popular stages of London and Paris: Experiment and advertisement (Women, Theatre and Performance)
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Female Performance Practice on the Fin-de-siecle Popular Stage of London and Paris: Experiment and Advertisement
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Hardcover. Zustand: Brand New. 227 pages. 8.50x5.75x1.00 inches. In Stock. Artikel-Nr. __0719074851
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Female Performance Practice on the Fin-De-Siècle Popular Stages of London and Paris: Experiment and Advertisement
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Gebunden. Zustand: New. This book focuses on seven celebrity performers working between the mid 1880s and 1910. Maud Allan, Jane Avril, Loie Fuller, Sylvia Grey, Yvette Guilbert, Letty Lind and Cissie Loftus achieved international fame, whilst simultaneously creating new and innov. Artikel-Nr. 594911355
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Female Performance Practice on the Fin-De-Siècle Popular Stages of London and Paris : Experiment and Advertisement
Verlag:
Manchester University Press Nov 2007, 2007
ISBN 10: 0719074851
ISBN 13: 9780719074851
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Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
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Buch. Zustand: Neu. Neuware - This study focuses on seven women who used the fin-de-siècle's popular stage as a space to develop their experimental performance practices: acts that won them international fame and critical acclaim. The diverse entertainment careers of Maud Allan (1873-1956), Jane Avril (1868-1943), Loïe Fuller (1868-1926), Sylvia Grey (1866-1958), Yvette Guilbert (1867-1944), Letty Lind (1862-1923) and Cissie (Cecilia) Loftus (1876-1943) encompassed song, dance, impersonation and acting. In accounts, reviews, autobiographical writings, interviews and other cultural products associated with them it is clear that individual female celebrities understood their work as creative, professional and original performance practice. The absence of their creative work from studies of performance history reveals much about hierarchical approaches to cultural environments, gender and physical, non-scripted performances that demands to be interrogated. Artikel-Nr. 9780719074851
Anzahl: 2 verfügbar