Female performance practice on the fin-de-siècle popular stages of London and Paris: Experiment and advertisement (Women, Theatre and Performance) - Softcover

Hindson, Catherine

 
9780719090141: Female performance practice on the fin-de-siècle popular stages of London and Paris: Experiment and advertisement (Women, Theatre and Performance)

Inhaltsangabe

This book focuses on seven celebrity performers working between the mid 1880s and 1910.

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Über die Autorin bzw. den Autor

Catherine Hindson is Lecturer in Performance Studies at the University of Bristol

Von der hinteren Coverseite

This study focuses on seven women who used the fin-de-siècle’s popular stage as a space to develop their experimental performance practices: acts that won them international fame and critical acclaim. The diverse entertainment careers of Maud Allan (1873-1956), Jane Avril (1868-1943), Loïe Fuller (1868-1926), Sylvia Grey (1866-1958), Yvette Guilbert (1867-1944), Letty Lind (1862-1923) and Cissie (Cecilia) Loftus (1876-1943) encompassed song, dance, impersonation and acting. In accounts, reviews, autobiographical writings, interviews and other cultural products associated with them it is clear that individual female celebrities understood their work as creative, professional and original performance practice. The absence of their creative work from studies of performance history reveals much about hierarchical approaches to cultural environments, gender and physical, non-scripted performances that demands to be interrogated.

Aus dem Klappentext

This study focuses on seven women who used the fin-de-siècle s popular stage as a space to develop their experimental performance practices: acts that won them international fame and critical acclaim. The diverse entertainment careers of Maud Allan (1873-1956), Jane Avril (1868-1943), Loïe Fuller (1868-1926), Sylvia Grey (1866-1958), Yvette Guilbert (1867-1944), Letty Lind (1862-1923) and Cissie (Cecilia) Loftus (1876-1943) encompassed song, dance, impersonation and acting. In accounts, reviews, autobiographical writings, interviews and other cultural products associated with them it is clear that individual female celebrities understood their work as creative, professional and original performance practice. The absence of their creative work from studies of performance history reveals much about hierarchical approaches to cultural environments, gender and physical, non-scripted performances that demands to be interrogated.

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Weitere beliebte Ausgaben desselben Titels

9780719074851: Female Performance Practice on the Fin-De-SièCle Popular Stages of London and Paris: Experiment and Advertisement (Women, Theatre and Performance)

Vorgestellte Ausgabe

ISBN 10:  0719074851 ISBN 13:  9780719074851
Verlag: Manchester University Press, 2007
Hardcover