At the height of the Napoleonic Wars, a new generation of painters led by the precociously talented David Wilkie took London's art world by storm. Their novel approach to the depiction of everyday life marked the beginning a trajectory that links the art of the Age of Revolution with the postmodern culture of today.
What emerged from the imagery of Wilkie and other early 19th-century British genre painters―among them William Mulready, Edward Bird, and the controversial watercolorist Thomas Heaphy―was a sense that common people were increasingly bound up with the exceptional events of history, that traditional boundaries between country and city were melting away, and that a more regularized and dynamic present was everywhere encroaching upon the customary patterns of the past.
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David H. Solkin is professor of the social history of art, Courtauld Institute of Art. He is the author of Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England and editor of Art on The Line: The Royal Academy Exhibitions at Somerset House 1780–1836, both published by Yale.
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Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Plates bright and vivid. Nice book in great condition. Hardcover. English. See images for condition. About the book >.>.> At the height of the Napoleonic Wars, London's art world was taken by storm by a new generation of painters, whose novel approach to the depiction of everyday life critics loudly trumpeted as a sign of the nation's cultural pre-eminence. Led by the precociously talented David Wilkie, this highly successful artistic movement sought to transform what was generally regarded as a low and vulgar pictorial tradition, with its roots in seventeenth-century Flanders and Holland, into a vehicle for entertaining but improving narratives which would set new standards of truthfulness in their imitation of nature. But on a deeper level, as David Solkin shows in this provocative yet highly accessible study, the same phenomenon also registered the profoundly ambivalent feelings of a country in the throes of accelerating economic growth, and of conflict both at home and abroad. What emerges from the imagery of Wilkie and his colleagues - among them William Mulready, Edward Bird and the controversial watercolourist Thomas Heaphy is a wide. Artikel-Nr. Batch-FM491-VG-10891
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New Haven and London, Yale University Press, 2008. 30 x 25,5 cm. Hardcover with dustjacket. With illustrations in color and b/w. IX, 270 pages. AS NEW [Art Art / English ]. Artikel-Nr. #112771
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Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. ix, 270 pages : illustrations (some colour) ; 30 cm. Summary:With its plethora of illustrations, many of works published here for the first time, 'Painting Out of the Ordinary' will be compulsory reading for anyone interested in British art and society of the Romantic era. Artikel-Nr. 23jbew149
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Gebunden. Zustand: New. Über den AutorDavid H. Solkin is professor of the social history of art, Courtauld Institute of Art. He is the author of Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England and editor of. Artikel-Nr. 867658801
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