A monograph of the photographer's work with reproductions in color and black & white. Tall 4to, turquoise boards, glossy dust wrapper. New York: Distributed Art Publisher's Inc., (2017). Fine. Signed by Struth on flyleaf.

Bestandsnummer des Verk�ufers 294345

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Bibliografische Details

Titel

Thomas Struth

Verlag

D.A.P., New York

Erscheinungsjahr

2017

Sprache

Englisch

ISBN-10

1942884222

ISBN-13

9781942884224

Einband

hardcover

Illustrator

Thomas Struth

Zustand

fine

Zustand des Schutzumschlags

fine

Signiert

Signatur des Verfassers

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Inhaltsangabe

"With his largest, most revealing retrospective and a major traveling exhibition, German photographer Thomas Struth's continuing evolution is on display." -Carol Kino, Wall Street Journal

Since the 1990s, Thomas Struth has been one of the best-known and internationally successful photographers of the German art scene. Struth studied painting under Gerhard Richter and photography under Bernd and Hilla Becher, a combination that decisively influenced his vision.

This volume is a compilation of representative photographs from each series of works in Struth's oeuvre: street photographs from the 1970s and '80s; empathetic portraits (particularly of families); large-format "museum photographs"; nature studies; jungle photographs (New Pictures from Paradise); and, from the latest series, images from the world of science. As this compendium of his work shows, Struth has succeeded in setting new aesthetic standards thanks to his great precision, chromatic clarity, sound sense of composition and intellectual profundity.

Thomas Struth (born 1954) studied with the Bechers at the D�sseldorf Academy of Art. Struth is today a leading figure in German arts and international photography. He lives in Berlin and is represented in the US by Marian Goodman Gallery.

Cr�ticas

With his largest, most revealing retrospective and a major traveling exhibition, German photographer Thomas Struth's continuing evolution is on display.--Carol Kino "Wall Street Journal "

Deceptively simple, conceptually taut works... allowing us to see people wrapped up in an aesthetic experience while we are engaged in some variation of that experience. They overlay various types of viewing, encapsulating those rare moments when words fall away.--Andrew Russeth "Art News "

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