Verwandte Artikel zu Art and Contemporaneity: édition française (Think Art)
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Críticas:
Didi-Huberman exploits the formal presence of "Cube "to construct a metaphoric and polyphonic interplay of critical facets which allows him to engage with a range of Giacometti s aesthetic investigations. --Timothy Mathews, author of Alberto Giacometti: The Art of Relation"
Reseña del editor:
Alberto Giacometti's 1934 Cube stands apart for many as a typical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional - a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait - or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work.
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- VerlagDiaphanes
- Erscheinungsdatum2015
- ISBN 10 3037345209
- ISBN 13 9783037345207
- EinbandTapa blanda
- Auflage1
- Anzahl der Seiten248
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The Cube and the Face : Around a Sculpture by Alberto Giacometti
Verlag:
Diaphanes Apr 2015
(2015)
ISBN 10: 3037345209
ISBN 13: 9783037345207
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Buchbeschreibung Taschenbuch. Zustand: Neu. Neuware - Alberto Giacometti's 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional-a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait-or what Didi-Huberman terms 'abstract anthropomorphism.' Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work. Artikel-Nr. 9783037345207
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