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Turner and Constable: Sketching from Nature /anglais: sketching from nature : works from the Tate Collection - Softcover

 
9781849762069: Turner and Constable: Sketching from Nature /anglais: sketching from nature : works from the Tate Collection
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Reseña del editor:
Accompanying a major UK touring exhibition which includes approximately 60 works by Turner, Constable and their contemporaries from the Tate collection, this richly illustrated book explores the development, variety and innovation of the landscape oil sketch in British art, from its appearance in the 1770s; through to its flourishing during the first two decades of the nineteenth century; and its effective disappearance, save for Constable's persistence, during the 1820s. with an insight into the different modes artists of this period used for oil sketching, Michael Rosenthal and Anne Lyles show how each practitioner approached similar subjects - at a time when oil sketching outdoors was still comparatively unusual. The result is an introductory study into the techniques of sketching, and the often surprising connections that can be drawn between the artists involved. These stimulating comparisons prompt questions about the importance of oil sketching in this period and how finished works were planned, evolved and executed. Featuring works by Turner and Constable alongside artists such as George Stubbs, John Linnell, William Henry Hunt, John Sell Cotman, John Crome, Francis Danby, Thomas Jones, George Robert Lewis and Augustus Wall Callcott, this timely study re-investigates many beautiful and revealing sketches which, brought together here, showcase a direct naturalism of a kind unprecedented in the history of British art.
Biografía del autor:
Michael Rosenthal is emeritus professor at the University of Warwick, England. Anne Lyles is a leading authority on the art of John Constable and the editor of Constable: The Great Landscapes. Steven Parissien is director at Compton Verney, an art gallery in Warwickshire, England.

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  • VerlagTATE
  • Erscheinungsdatum2013
  • ISBN 10 1849762066
  • ISBN 13 9781849762069
  • EinbandTapa blanda
  • Anzahl der Seiten120
  • Bewertung

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Michael Rosenthal
Verlag: Tate Publishing (2014)
ISBN 10: 1849762066 ISBN 13: 9781849762069
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Michael Rosenthal,Anne Lyles,Steven Parissien
Verlag: Tate Publishing (2013)
ISBN 10: 1849762066 ISBN 13: 9781849762069
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Buchbeschreibung Paperback. Zustand: Very Good. Turner and Constable: Sketching from Nature This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9781849762069

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Rosenthal, Michael, Lyles, Anne
ISBN 10: 1849762066 ISBN 13: 9781849762069
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Buchbeschreibung Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. GRP97994351

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Michael Rosenthal
ISBN 10: 1849762066 ISBN 13: 9781849762069
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Buchbeschreibung Paperback. Zustand: Very Good. Accompanying a major UK touring exhibition which includes approximately 60 works by Turner, Constable and their contemporaries from the Tate collection, this richly illustrated book explores the development, variety and innovation of the landscape oil sketch in British art, from its appearance in the 1770s; through to its flourishing during the first two decades of the nineteenth century; and its effective disappearance, save for Constable's persistence, during the 1820s. with an insight into the different modes artists of this period used for oil sketching, Michael Rosenthal and Anne Lyles show how each practitioner approached similar subjects - at a time when oil sketching outdoors was still comparatively unusual. The result is an introductory study into the techniques of sketching, and the often surprising connections that can be drawn between the artists involved. These stimulating comparisons prompt questions about the importance of oil sketching in this period and how finished works were planned, evolved and executed. Featuring works by Turner and Constable alongside artists such as George Stubbs, John Linnell, William Henry Hunt, John Sell Cotman, John Crome, Francis Danby, Thomas Jones, George Robert Lewis and Augustus Wall Callcott, this timely study re-investigates many beautiful and revealing sketches which, brought together here, showcase a direct naturalism of a kind unprecedented in the history of British art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR006384274

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