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George Lyman Kittredge’s insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen).
Features of each edition include:“Gayle Gaskill offers appropriate tribute to G.L. Kittredge by updating his classic tradition with a mastery, thoroughness, and verve worthy of the original. This excellent edition is marked by impeccable scholarship that everywhere displays careful attention to detail and keen sensitivity to the needs of modern readers.” —John W. Mahon, Co-Editor, The Shakespearean Newsletter and Professor of English, Iona College
George Lyman Kittredge’s insightful editions of Shakespeare have endured in part because of this eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.
These plays are being made available by Focus Publishing with the permission of the Kittredge heirs.
Gayle Gaskill is professor of English at St. Catherine University in St. Paul, Minnesota. She has contributed articles to Who Hears in Shakespeare?: Auditory Worlds on Stage and Screen (Fairleigh Dickinson 2012), The Merchant of Venice: Critical Essays (Routledge 2002), The Shakespeare Newsletter, and the Greenwood Companion to Shakespeare. Her reviews have appeared in Renaissance Quarterly and Cahiers Élisabéthains.
|Gayle Gaskill offers appropriate tribute to G.L. Kittredge by updating his classic tradition with a mastery, thoroughness, and verve worthy of the original. This excellent edition is marked by impeccable scholarship that everywhere displays careful attention to detail and keen sensitivity to the needs of modern readers. John W. Mahon, Co-Editor,The Shakespearean Newsletter and Professor of English, Iona College
George Lyman Kittredge s insightful editions of Shakespeare have endured in part because of this eclecticism, his diversity of interests, and his wide-ranging accomplishments all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.
These plays are being made available by Focus Publishing with the permission of the Kittredge heirs.
Gayle Gaskill is professor of English at St. Catherine University in St. Paul, Minnesota. She has contributed articles toWho Hears in Shakespeare?: Auditory Worlds on Stage and Screen (Fairleigh Dickinson 2012),The Merchant of Venice: Critical Essays (Routledge 2002), The Shakespeare Newsletter, and the Greenwood Companion to Shakespeare. Her reviews have appeared inRenaissance Quarterly and Cahiers Élisabéthains.
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