Tolkien’s Theology of Beauty: Majesty, Splendor, and Transcendence in Middle-earth - Hardcover

Coutras, Lisa

 
9781137553447: Tolkien’s Theology of Beauty: Majesty, Splendor, and Transcendence in Middle-earth

Inhaltsangabe

 In this book, Lisa Coutras explores the structure and complexity of J.R.R. Tolkien’s narrative theology, synthesizing his Christian worldview with his creative imagination. She illustrates how, within the framework of a theological aesthetics, transcendental beauty is the unifying principle that integrates all aspects of Tolkien’s writing, from pagan despair to Christian joy.

J.R.R. Tolkien’s Christianity is often held in an unsteady tension with the pagan despair of his mythic world. Some critics portray these as incompatible, while Christian analysis tends to oversimplify the presence of religious symbolism. This polarity of opinion testifies to the need for a unifying interpretive lens. The fact that Tolkien saw his own writing as “religious” and “Catholic,” yet was preoccupied with pagan mythology, nature, language, and evil, suggests that these areas were wholly integrated with his Christian  worldview. Tolkien’s Theology of Beauty  examines six structural elements, demonstrating that the author’s Christianity is deeply embedded in the narrative framework of his  creative imagination.   

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Über die Autorin bzw. den Autor

 Lisa Coutras holds a PhD in Theology from King’s College London, UK, and an MTh in Applied Theology from the University of Oxford, UK.

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In this book, Lisa Coutras explores the structure and complexity of J.R.R. Tolkien’s narrative theology, synthesizing his Christian worldview with his creative imagination. She illustrates how, within the framework of a theological aesthetics, transcendental beauty is the unifying principle that integrates all aspects of Tolkien’s writing, from pagan despair to Christian joy.

J.R.R. Tolkien’s Christianity is often held in an unsteady tension with the pagan despair of his mythic world. Some critics portray these as incompatible, while Christian analysis tends to oversimplify the presence of religious symbolism. This polarity of opinion testifies to the need for a unifying interpretive lens. The fact that Tolkien saw his own writing as “religious” and “Catholic,” yet was preoccupied with pagan mythology, nature, language, and evil, suggests that these areas were wholly integrated with his Christian  worldview. Tolkien’s Theology of Beauty  examines six structural elements, demonstrating that the author’s Christianity is deeply embedded in the narrative framework of his  creative imagination.   

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