Cyprus and the Balance of Empires: Art and Archaeology from Justinian I to the Coeur de Lion: 20 (Archaeological Reports) - Hardcover

...In this volume, each essay offers some valuable perspective or suggestion that contributes to our broader understanding of the art, history, and archaeology of late antique, Byzantine, and medieval Cyprus. Review of Biblical Literature, 8.18.16 Beautifully and extensively illustrated throughout, the strengths of this collection lie in the impressively long periods covered and the inclusion of binary approaches such as urban/rural life (Rautman), interior/exterior view of the islands (Papacostas) and religious/secular life (Parani). Much recommended. Medieval Archaeology, Vol 59 (2015)

Between 491 and 1191 AD, Cyprus was influenced by various political and cultural centres that vied for dominance in the Eastern Mediterranean. This collection of essays primarily focuses on the island's archaeology when it was governed by the Byzantine capital of Constantinople. Greek and Orthodox Christian identity was cultivated during this period, which provided a sense of unity among the various provinces; and yet, the surviving historical and archaeological data concerning Cyprus is unique in that it expresses both local and regional characteristics. By investigating the various threads, whether textual, numismatic, architectural, or artistic, narrative has emerged that challenges our past assumptions. The themes covered in this volume developed from a conference held in Nicosia, organized by the Cyprus American Archaeological Research Institute celebrating the 50th year anniversary of the Republic of Cyprus. An international group of experts explored several themes such as: the impact of recent archaeological discoveries; the shift from studying Late Antique urbanism to rural development; indicators of Cypriot identity; shifts in population settlement, production and trade; cultural interaction between Islam and Christianity; the significance of ceramic and numismatic evidence; monumental figural arts and their iconographical interpretation. The resulting chapters provide new and previously unpublished data, and should be considered a major contribution to Late Antique and Medieval studies. 151 colour and black & white illustrations included.