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Buchbeschreibung Zustand: Good. Original gilt lettered black boards and spine, dust jacket, illustrations in b/w, 4to. Artikel-Nr. 220830
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Buchbeschreibung Zustand: Good. Original gilt lettered black boards and spine, dust jacket, illustrations in b/w, 4to.; Name on endpapr. Artikel-Nr. 307323-KJ22
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Buchbeschreibung Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:057108768X. Artikel-Nr. 8675819
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Buchbeschreibung 1970, 228pp. Illustrated. Cloth, with dust jacket. In good condition. Artikel-Nr. 64679
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Buchbeschreibung Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. A very good hardback copy: firm, clean, square and tight with no underlining or splits, just mildly bumped; complete with a very good moderately rubbed and shelf-worn dustjacket. Not from a library so no such stamps or labels. Collation: pp. 228, includes a number of illustrative plates and illustrations within text. Artikel-Nr. 053674
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Buchbeschreibung Original publisher's black cloth hardback, gilt lettering spine and frontcover, gilt ornamentation frontcover, pictorial dustjacket, 4to: 228pp., 121 plates and hundreds of text-illustrations, notes, list of illustrations, bibliography, index. Fine copy. Artikel-Nr. 533154
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Buchbeschreibung Zustand: Gut. Umschlag leicht berieben, sonst gutes Exemplar. - Anatomy of Printing is a detailed analysis of the various factors in art and history that have affected the design of the printed page. John Lewis describes the conditions of Western Europe that led to the development of a universal script and to the invention of the printing press and movable typesetting. He traces the work and lives of various printers and the development of the craft as a medium of communication from the time of Gutenberg's experiments with the adjustable typemould and the modified wine press of the Rhine vineyards to modern computerized typesetting and the web-fed multi-colour offset press. The constantly changing social, political, economic and artistic backgrounds are considered in some detail by the author, who shows how the printing press, as well as being a disseminator of ideas, has often been a mirror of its age, reflecting changing styles in art and architecture. These influences are traced from the time of the Italian Renaissance and the subsequent introduction of the roman typeface to the Reformation and Martin Luther's vast output of propaganda printing; to the use of the press by religious and social critics such as Erasmus, Thomas More, Rabelais, Calvin, Voltaire, Tom Paine and Karl Marx; to the effect on the design of the printed page of the writings of art critics and typographers such as J. J. Winckelmann, A. W. Pugin, John Ruskin, William Morris, D. B. Updike, Stanley Morison and Jan Tschichold; to the influence of artists and architects from Holbein, Diirer, Cranach, Rubens, Palladio, Inigo Jones, Vanbrugh and Wren, Hogarth, Flaxman and Bewick to the twentieth-century Cubists, Constructivists and Dadaists. ISBN 057108768x Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. Abb. Originalleinen mit Schutzumschlag. Artikel-Nr. 1116557
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