Passion of the Western Mind: Understanding the Ideas That Have Shaped Our World View - Softcover

Tarnas, Richard

 
9780345368096: Passion of the Western Mind: Understanding the Ideas That Have Shaped Our World View
Softcover
ISBN 10: 0345368096 ISBN 13: 9780345368096
Verlag: Random House Publishing Group, 1993

Inhaltsangabe

"[This] magnificent critical survey, with its inherent respect for both the 'Westt's mainstream high culture' and the 'radically changing world' of the 1990s, offers a new breakthrough for lay and scholarly readers alike....Allows readers to grasp the big picture of Western culture for the first time."
SAN FRANCISCO CHRONICLE
Here are the great minds of Western civilization and their pivotal ideas, from Plato to Hegel, from Augustine to Nietzsche, from Copernicus to Freud. Richard Tarnas performs the near-miracle of describing profound philosophical concepts simply but without simplifying them. Ten years in the making and already hailed as a classic, THE PASSION OF THE WESERN MIND is truly a complete liberal education in a single volume.

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Über die Autorin bzw. den Autor

Richard Tarnas is a Harvard-educated historian and professor of philosophy and psychology, and the author of The Passion of the Western Mind. In 2006 he published Cosmos and Psyche: Intimations of a New World View, which received the Book of the Year Prize from the Scientific and Medical Network in the UK. He is the founding director of the Philosophy, Cosmology, and Consciousness graduate studies program at the California Institute of Integral Studies, and also teaches on the faculty of Pacifica Graduate Institute.

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"[This] magnificent critical survey, with its inherent respect for both the 'Westt's mainstream high culture' and the 'radically changing world' of the 1990s, offers a new breakthrough for lay and scholarly readers alike....Allows readers to grasp the big picture of Western culture for the first time."
SAN FRANCISCO CHRONICLE
Here are the great minds of Western civilization and their pivotal ideas, from Plato to Hegel, from Augustine to Nietzsche, from Copernicus to Freud. Richard Tarnas performs the near-miracle of describing profound philosophical concepts simply but without simplifying them. Ten years in the making and already hailed as a classic, THE PASSION OF THE WESERN MIND is truly a complete liberal education in a single volume.

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The Greek World View
 
To approach what was distinctive in a vision as complex and protean as that of the Greeks, let us begin by examining one of its most striking characteristics—a sustained, highly diversified tendency to interpret the world in terms of archetypal principles. This tendency was in evidence throughout Greek culture from the Homeric epics onward, though it first emerged in philosophically elaborate form in the intellectual crucible of Athens between the latter part of the fifth century B.C. and the middle of the fourth. Associated with the figure of Socrates, it there received its foundational and in some respects definitive formulation in the dialogues of Plato. At its basis was a view of the cosmos as an ordered expression of certain primordial essences or transcendent first principles, variously conceived as Forms, Ideas, universals, changeless absolutes, immortal deities, divine archai, and archetypes. Although this perspective took on a number of distinct inflections, and although there were important countercurrents to this view, it would appear that not only Socrates, Plato, and Aristotle, and Pythagoras before them and Plotinus after, but indeed Homer and Hesiod, Aeschylus and Sophocles all expressed something like a common vision, reflecting a typically Greek propensity to see clarifying universals in the chaos of life.
 
Speaking in these broad terms, and mindful of the inexactness of such generalities, we may say that the Greek universe was ordered by a plurality of timeless essences which underlay concrete reality, giving it form and meaning. These archetypal principles included the mathematical forms of geometry and arithmetic; cosmic opposites such as light and dark, male and female, love and hate, unity and multiplicity; the forms of man (anthrōpos) and other living creatures; and the Ideas of the Good, the Beautiful, the Just, and other absolute moral and aesthetic values. In the pre-philosophical Greek mind, these archetypal principles took the form of mythic personifications such as Eros, Chaos, Heaven and Earth (Ouranos and Gaia), as well as more fully personified figures such as Zeus, Prometheus, and Aphrodite. In this perspective, every aspect of existence was patterned and permeated by such fundamentals. Despite the continuous flux of phenomena in both the outer world and inner experience, there could yet be distinguished specific immutable structures or essences, so definite and enduring they were believed to possess an independent reality of their own. It was upon this apparent immutability and independence that Plato based both his metaphysics and his theory of knowledge.
 
Because the archetypal perspective outlined here provides a useful point of departure for entering into the Greek world view, and because Plato was that perspective’s preeminent theoretician and apologist, whose thought would become the single most important foundation for the evolution of the Western mind, we shall begin by discussing the Platonic doctrine of Forms. In subsequent chapters, we shall pursue the historical development of the Greek vision as a whole, and thereby attend to the complex dialectic that led to Plato’s thought, and to the equally complex consequences that followed from it.
 
Yet to approach Plato, we must bear in mind his unsystematic, often tentative, and even ironic style of presenting his philosophy. We should bear in mind too the inevitable and no doubt often deliberate ambiguities inherent in his chosen literary mode, the dramatic dialogue. Finally, we must recall the range, variability, and growth of his thought over a period of some fifty years. With these qualifications, then, we may make a provisional attempt to set forth certain prominent ideas and principles suggested by his writings. Our tacit guide in this interpretive effort will be the Platonic tradition itself, which preserved and developed a specific philosophical perspective it regarded as originating with Plato.
 
Having established that pivotal position within the Greek mind, we can then move backward and forward—retrospectively to the early mythological and Presocratic traditions, and then onward to Aristotle.
 
The Archetypal Forms
 
What has been commonly understood as Platonism revolves around its cardinal doctrine, the asserted existence of the archetypal Ideas or Forms. That assertion demands a partial shift, though a profound one, from what has come to be our usual approach to reality. To understand this shift, we must first ask, “What is the precise relation between the Platonic Forms or Ideas and the empirical world of everyday reality?” Upon this question turns the entire conception. (Plato used the Greek words idea and eidos interchangeably. Idea was taken over into Latin and English, while eidos was translated into Latin as forma and into English as “form.”)
 
It is crucial to the Platonic understanding that these Forms are primary, while the visible objects of conventional reality are their direct derivatives. Platonic Forms are not conceptual abstractions that the human mind creates by generalizing from a class of particulars. Rather, they possess a quality of being, a degree of reality, that is superior to that of the concrete world. Platonic archetypes form the world and also stand beyond it. They manifest themselves within time and yet are timeless. They constitute the veiled essence of things.
 
Plato taught that what is perceived as a particular object in the world can best be understood as a concrete expression of a more fundamental Idea, an archetype which gives that object its special structure and condition. A particular thing is what it is by virtue of the Idea informing it. Something is “beautiful” to the exact extent that the archetype of Beauty is present in it. When one falls in love, it is Beauty (or Aphrodite) that one recognizes and surrenders to, the beloved object being Beauty’s instrument or vessel. The essential factor in the event is the archetype, and it is this level that carries the deepest meaning.
 
It could be objected that this is not the way one experiences an event of this sort. What actually attracts one is not an archetype but a specific person, or a concrete work of art, or some other beautiful object. Beauty is only an attribute of the particular, not its essence. The Platonist argues, however, that this objection rests on a limited perception of the event. It is true, he answers, that the ordinary person is not directly aware of an archetypal level, despite its reality. But Plato described how a philosopher who has observed many objects of beauty, and who has long reflected on the matter, may suddenly glimpse absolute beauty—Beauty itself, supreme, pure, eternal, and not relative to any specific person or thing. The philosopher thereby recognizes the Form or Idea that underlies all beautiful phenomena. He unveils the authentic reality behind the appearance. If something is beautiful, it is so because it “participates” in the absolute Form of Beauty.
 
Plato’s mentor, Socrates, had sought to know what was common to all virtuous acts, so that he could evaluate how one should govern one’s conduct in life. He reasoned that if one wishes to choose actions that are good, one must know what “good” is, apart from any specific circumstances. To evaluate one thing as “better” than another assumes the existence of an absolute good with which the two relative goods can be compared. Otherwise the word “good” would be only a word whose meaning had no stable basis in reality, and human morality would lack a secure foundation. Similarly, unless there was some absolute basis for evaluating acts as just or unjust, then every act...

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Verlag
Random House Publishing Group
Erscheinungsdatum
1993
Sprache
Englisch
ISBN 10 
0345368096
ISBN 13 
9780345368096
Einband
Taschenbuch
Anzahl der Seiten
560
Kontakt zum Hersteller
preigu GmbH & Co. KG
mail@preigu.de

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Osnabrück
Niedersachsen
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Deutschland

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