Opera on Stage. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: University of Chicago Press, 2002
- Erstausgabe
- Hardcover
- Gebraucht

Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 3. August 2006
Nicht verfügbar
Hardcover
Zustand: Gebraucht - Gut
EUR 39,14
Artikelbeschreibung des Verkäufers
Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Bestandsnummer des Verkäufers 18405300-75
- Titel
- Opera on Stage
- Verlag
- University of Chicago Press
- Erscheinungsjahr
- 2002
- Zustand
- Very Good
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 0226045919
- ISBN-13
- 9780226045917
- Auflage
- 1st Edition.
- Artikelgewicht
- 1,715 Pfund
- Abmessungen
- N/A
<div><i>The History of Italian Opera</i> marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art.<br><br><i>Opera on Stage</i>, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, <i>Opera on Stage</i> will be welcomed by scholars and opera enthusiasts alike.</div>
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Über die Autorin bzw. den Autor
<div><b>Lorenzo Bianconi</b> is a professor of musical dramaturgy at the University of Bologna, Italy. He is the author of <i>Music in the Seventeenth Century</i>. <br><br><b>Giorgio Pestelli</b> is a professor of music history at the University of Turin, Italy, and music critic for <i>La Stampa</i>. He is the author of <i>The Age of Mozart and Beethoven</i>. Together they edited <i>Opera Production and Its Resources</i>, also published by the University of Chicago Press.</div>
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