Verkäufer
Marcus Campbell Art Books, London, Vereinigtes Königreich
Verkäuferbewertung 4 von 5 Sternen
AbeBooks-Verkäufer seit 28. November 1997
25 x 17 cm 541 pp with 9 colour and addditional b&w illustrations. Wrappers, a fine copy. Bestandsnummer des Verkäufers 18276
Looking at the artworld of the 1960s, Caroline Jones explores pervasive imagery of the American artist at work and the implications of those images for understandings of their art. Jones investigates artists' break with Abstract Expressionism after the 1950s, demonstrating that the traditional modernist view of the solitary, suffering individual artist did not seduce artists who came of age in the burgeoning American economy of the 1960s. Far from the countercultural stance associated with the decade, Jones argues that the artists examined here, including Stella, Warhol, and Smithson, identified their work with postwar industry and corporate culture - and revealed the anxieties of this identification through the slippages and darker implications of their art. The text draws on extensive interviews with artists and assistants as well as close readings of the artwork. The author concludes that the work of the 1960s was transformative precisely because it was "mainstream" - central to the visual and economic culture of its time.
Reseña del editor: Looking at the artworld of the 1960s, Caroline Jones explores pervasive imagery of the American artist at work and the implications of those images for understandings of their art. Jones investigates artists' break with Abstract Expressionism after the 1950s, demonstrating that the traditional modernist view of the solitary, suffering individual artist did not seduce artists who came of age in the burgeoning American economy of the 1960s. Far from the countercultural stance associated with the decade, Jones argues that the artists examined here, including Stella, Warhol, and Smithson, identified their work with postwar industry and corporate culture - and revealed the anxieties of this identification through the slippages and darker implications of their art. The text draws on extensive interviews with artists and assistants as well as close readings of the artwork. The author concludes that the work of the 1960s was transformative precisely because it was "mainstream" - central to the visual and economic culture of its time.
Titel: Machine in the Studio Constructing the ...
Verlag: The University of Chicago Press, Chicago
Erscheinungsdatum: 1996
Einband: Softcover
Auflage: First Edition.
Anbieter: Magers and Quinn Booksellers, Minneapolis, MN, USA
paperback. Zustand: Very Good. 0002-. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. Artikel-Nr. 1499819
Anzahl: 1 verfügbar
Anbieter: Saint Georges English Bookshop, Berlin, Deutschland
Soft cover. Zustand: Very Good. Excellent condition, unmarked text, uncreased spine, Light edge wear to paper covers. Ships from Berlin Bookshop bxn134. Artikel-Nr. 10004534
Anzahl: 1 verfügbar
Anbieter: Antiquariat Rohde, Hamburg, Deutschland
broschiert. Zustand: Sehr gut. XXII, 541 S. ; Ill. ; Sprache: Englisch sehr guter Zustand, leichte Lagerspuren am Einband, kleine Bleistiftnotiz im Vorsatz, Seiten an den Ecken teilw. minimal knickspurig Sprache: Englisch Gewicht in Gramm: 1200. Artikel-Nr. 53220
Anzahl: 1 verfügbar