Verkäufer
Peter Harrington. ABA/ ILAB., London, Vereinigtes Königreich
Verkäuferbewertung 5 von 5 Sternen
AbeBooks-Verkäufer seit 26. Juli 1999
First edition of "one of the oddest and most beautiful books of the whole century" (McLean). The use of colour is its most iconic feature, with equal angles, lines, or polygonal regions assigned one of the three primary colours. It is rare in both the original cloth (as here) and in the original wrappers. Byrne (1810 1880) was a self-educated Irish mathematician and engineer who "considered that it might be easier to learn geometry if colours were substituted for the letters usually used to designate the angles and lines of geometric figures. Instead of referring to, say, 'angle ABC', Byrne's text substitued a blue or yellow or red section equivalent to similarly coloured sections in the theorem's main diagram" (Friedman). His style remarkably prefigures the modernist experiments of the Bauhaus and De Stijl movements. Exhibited at the Great Exhibition in London 1851, the book was praised for the beauty and artistry of the printing. However, the selling price of 25 shillings was almost five times the typical price for a Euclidean textbook of the time, placing it out of reach of educators who might make use of this new way of teaching geometry. The technical difficulty of keeping the coloured shapes in register greatly increased production costs, and it was therefore never a viable book for cheap mass-production, preventing Byrne's method from becoming widespread or effecting any major change in the teaching of geometry. Even so, its beauty and innovation ensure it remains among the most desirable of illustrated books from the Victorian period. Friedman, Color Printing in England 43; Keynes, Pickering, pp. 37, 65; McLean, Victorian Book Design, p. 70. Susan M. Hawes & Sid Kolpas, "Oliver Byrne: The Matisse of Mathematics", Convergence (Mathematical Association of America), Aug. 2015. Quarto. Geometric diagrams printed in red, yellow, and blue; printed in Caslon old-face type with ornamental initials by C. Whittingham of Chiswick. Original red straight-grain cloth, expertly rebacked preserving the original gilt-blocked spine, covers with ornamental blind panelling, front with gilt tooling, pale yellow endpapers, gilt edges. Bookseller's blindstamp (G. W. Holdich, Hull) to front free endpaper. Extremities gently rubbed, spine darkened, corners and inner hinges professionally restored, foxing and offsetting to contents as usual, the diagrams sharp and bright. A very good copy. Bestandsnummer des Verkäufers 151310
Titel: The First Six Books of The Elements of ...
Verlag: London: William Pickering, 1847
Auflage: 1. Auflage
Anbieter: Gwyn Tudur Davies, Aberystwyth, Vereinigtes Königreich
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Hbk, 2 volumes (xxix, 268 pages, 95 pages) : illustrations (chiefly colour), facsimiles, portraits ; 24 centimetres. In Solander Box. A clean unmarked copy in fine condition. Full-colour facsimile reproduction of Byrne's 1847 edition, accompanied by a volume of commentary. [Mathematics, Greek ; Early works to 1800 - Geometry History - Euclid's Elements -Geometry -Trigonometry] r1079 / m16505. Artikel-Nr. 016505
Anzahl: 1 verfügbar
Anbieter: Burnside Rare Books, ABAA, Portland, OR, USA
Zustand: Very Good. First Edition. First edition, first printing. Bound in contemporary half calf single ruled in gilt over marbled boards; compartments richly tooled in gilt, six raised bands with red morocco spine labels lettered in gilt; all edges marbled. Illustrated with geometric title page vignettes and diagrams printed in red, yellow, and blue, ornamental initials by Mary Byfield at Chiswick Press. Very Good, neatly rebacked and repaired at tips, light rubbing to covers. Ex-libris Ampleforth Abbey with their shelf number label to front pastedown and their nineteenth-century purple gothic-style stamp on the recto of the flyleaf; additional monastic purple stamp at recto of front flyleaf and rear pastedown. Contents lightly toned with scattered foxing throughout. Nearly a century before Dutch painter Piet Mondrian took the world by storm with his 1930 painting Composition with Red, Blue and Yellow, 19th century Irish mathematician and civil engineer, Oliver Bryne, produced this highly unusual and starkly illustrated Euclidean academic textbook. Celebrated for its brilliant arrangement of primary colors the text is scattered with a myriad of geometrical combinations and complex numerical figures, "the stark use of primary colors was envisaged by Byrne as a teaching aid" in which "each page is a unique riot of red, yellow, and blue, attaining a verve not seen again on book pages till the days of Dufy, Matisse, and Derain" (McLean). It was one of a small number of books displayed at the World Exhibition in 1851, favored for its pleasing and attractive printing style. Unfortunately, costing nearly 25 shillings, the work remained out of reach for the academics Byrne intended it to. The extortionate production used newly invented four color printing methods and subsequently bankrupted the firm in 1853. The work remains a cornerstone of academic textbooks heralded for its graphic elements and is truly a masterpiece of Victorian illustrated books. Artikel-Nr. 140947806
Anzahl: 1 verfügbar
Anbieter: Whitmore Rare Books, Inc. -- ABAA, ILAB, Pasadena, CA, USA
First edition. Quarto. Original drab boards, dark green cloth backstrip, printed paper label on front cover, partly unopened. Geometric title page vignette and diagrams printed in red, yellow, and blue, engraved headpieces, ornamental initials by C. Whittingham of Chiswick, text printed in Caslon old-face type. Binding worn and bumped, spine ends a little chipped, 3 cm split to cloth along front joint, rear joint cracked but holding firm, contents heavily foxed as often. The only edition of Byrne's stunning rendering of Euclidean geometry, it has been deemed "one of the oddest and most beautiful books of the whole century" (McLean). Printed in primary colors using four-color printing, Byrne's choice of method was both practical and aesthetic. In addition to creating a beautiful text, "the stark use of primary colors was envisaged by Byrne as a teaching aid" in which "each page is a unique riot of red, yellow, and blue, attaining a verve not seen again on book pages till the days of Dufy, Matisse, and Derain" (McLean). Byrne (1810-1880) was a self-educated Irish mathematician and engineer who "considered that it might be easier to learn geometry if colours were substituted for the letters usually used to designate the angles and lines of geometric figures. Instead of referring to, say, 'angle ABC', Byrne's text substitued a blue or yellow or red section equivalent to similarly coloured sections in the theorem's main diagram" (Friedman). His style prefigures the modernist experiments of the Bauhaus and De Stijl movements. Friedman, Color Printing in England 43; Keynes, Pickering, pp. 37, 65; McLean, Victorian Book Design, p. 70. Artikel-Nr. 6958
Anzahl: 1 verfügbar