2 volumes : illustrations (chiefly colour) ; 29 x 34 cm. Summary:"A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots Explores the sacred geometry of each letter form of the Arabic alphabet as attributed to renowned 10th-century scribe Ibn Muqla Traces Ibn Muqla's system to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam A richly illustrated, two-volume presentation of decades of research with more than 430 full-color illustrations Calligraphy is the central visual art of Islam. At its core resides a perennial challenge: What letter shapes traced by human hands are rightful bearers of the divine message? The answer lies in the "Proportioned Script" of Ibn Muqla, renowned scribe, man of letters, and minister under the great Abbasid Caliphate in 10th-century Baghdad. Emphasizing harmony and geometry, Ibn Muqla's system has governed the practice of Arabic scribal art up to the present day. In this two-volume, richly illustrated study, Ahmed Moustafa and Stefan Sperl analyze each letter form of Ibn Muqla's perfected penmanship and share their decades of research on Islamic letter shapes, revealing the history, linguistics, philosophy, theology, and sacred geometry that underlie this spiritual art form. In volume one the authors reveal the trilogy of prophecy, penmanship, and geometry at the foundation of Ibn Muqla's Proportioned Script. Providing a fully illustrated analysis of Islamic calligraphy's geometrical principles as transmitted in surviving writings and key manuscript sources, they examine the geometric grid of square, circle, and hexagon that informs the pen strokes of each letter shape and explore how the golden ratio appears within the matrix of the grid. They examine the development of Ibn Muqla's system in the context of the sciences, arts, and penmanship of 10th-century Baghdad and trace its origins to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam. In volume two the authors analyze the calligraphic forms of each letter of the Arabic alphabet. They decode the sacred geometry of each form as it appears within the geometric grid, providing letter samples from ancient sources. Unearthing the theoretical and scientific foundations of Arabic calligraphy, this landmark study examines the aesthetic implications of Ibn Muqla's theory for the visual, verbal, and aural arts of Islam as well as the Islamic mystical tradition"-.

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Bibliografische Details

Titel

The Cosmic Script: Sacred Geometry and the Science of Arabic Penmanship

Verlag

Thames and Hudson Ltd

Ver�ffentlichungsdatum

2014

Sprache

Englisch

ISBN-10

0500517665

ISBN-13

9780500517666

Bindung

Hardcover

Ausgabe

1st Edition

Zustand

New

Verk�uferkataloge

Islam
Art

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Inhaltsangabe

This landmark study is the first comprehensive exploration of the ‘Proportioned Script’, an Arabic writing system attributed to the Abbasid wazir (minister) Ibn Muqla and the master scribe Ibn al-Bawwab that has dominated the art of Arabic and Islamic penmanship from the 10th century to the present day. Volume One, ‘Sources and Principles of the Geometry of Letters’, traces the origin of the Proportioned Script to the cross-cultural encounter between Greek learning and the scientific, artistic and philosophical pursuits of classical Islam. On the basis of instructions in surviving sources it identifies a grid module that serves as a common foundation for the design of all the Arabic letter shapes. In Volume Two, ‘From Geometric Pattern to Living Form’, the authors construct each of the letter shapes on the grid module and compare their findings to samples traced by two classical master scribes. They conclude by examining the religious, aesthetic and cosmological significance of the Proportioned Script in the wider context of the Islamic cultural heritage. Drs Moustafa and Sperl have succeeded in unearthing the very foundations of Arabic penmanship, with implications for the arts of Islam as a whole.

�ber die Autorinnen und Autoren

Ahmed Moustafa is an acclaimed artist and scholar in the art of Islam. Numerous of his works have been acquired by major museum and private collections worldwide, including the British Museum and the Ashmolean Museum in Oxford.

Stefan Sperl is Senior Lecturer in Arabic at the London School of Oriental and African Studies. His published work covers aspects of classical Arabic literature, Islamic Studies and Middle Eastern Studies.

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Joseph Burridge Books
United Kingdom

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