White space gallery (22 Ergebnisse)

Paperback. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Zustand: G+. First Edition. 4to A slim volume - good copy with very minor shelf wear. Book.

HARDCOVER. Zustand: As New. 1st Edition. 4to in thick boards, unpaginated, approx. 80pp on various types of paper, photos in colour and b/w, etc . [CONDITION: A well preserved AS NEW unread and unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: Near fine. No dj, as issued. First Edition. 25 x 28cm 144pp near fine hardback signed by the photographer on the title page with colour reproductions throughout.

Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Hardcover. English. See images for condition. About the book >.>.> Dmitry Konradt is part and parcel of St Petersburg. I can't remember when we met: ages ago, some time in the late 1970s, amidst the burgeoning rock and new music scene of Leningrad. I organised concerts and festivals, he photographed musicians. "The Second Culture', as we called the underground art world we both belonged to, did not wish or strive for official recognition. We felt quite content in our isolated, small and yet unlimited realm of self-created freedom. Video cameras were rare and unaffordable and it is only thanks to enthusiastic photographers like Konradt that we now have visual documentation of the golden age of the Russian music underground. The only outlet then for publishing these images was a couple of typewritten 'samizdat' rock periodicals: bi-monthlies or even quarterlies, they could let only a handful of these photographs see the light of day. And yet Dima carried on. At every concert he would be seen crouching inconspicuously with his camera at the corner of the stage, looking for the right.…

Hardcover. Zustand: Good. No Jacket. THE BOARDS ARE LIGHTLY RUBBED. THERE ARE PENNED MARKS TO THE TITLE PAGE. THE BINDING IS TIGHT. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

10,5 x 15,5 cm. 1 Blatt. OKarton-Karte. Sehr gutes Exemplar. Einseitig bedruckte Karte, postalisch gelaufen, verso adressiert an die Galerie Yellow, Liege. [Vgl. Wide White Space - Behind the Museum, 1995. S.299, Nummer 62].

10,5 x 15,5 cm. 1 Blatt. OKarton-Karte. Sehr gutes, frisches Exemplar. Einseitig bedruckte Karte, verso vakat. [Vgl. Wide White Space - Behind the Museum, 1995. S.336, Nummer 98].

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. With suppliment. Softcover. English. Pub Year 2016, See images for condition. About the book >.>.> Antanas Sutkus: In Memoriam: To Vilnius and Kaunas Ghetto Survivors is a poignant photographic work that reflects on the mass extermination of Jews during World War II as witnessed by the author, Antanas Sutkus. Born in 1939 and of Lithuanian descent, Sutkus grappled with the painful history of his homeland, where his grandparents informed him of the atrocities committed against the Jewish community, particularly from 1941 to 1944 within the Vilijampole ghetto and at the 9th Fort, previously designated ?Enterprise 1.0058.? This brutal chapter in Lithuania?s history left him with feelings of shame and guilt over the widespread suffering and loss experienced by the Jewish people.The book explores a complex interplay of historical memory, cultural identity, and the impact of genocide. It draws a vivid contrast between the rich cultural legacy of the Jewish community in Lithuania, stretching back to the era of Grand Duke Gediminas, and the tragic annihilation of this vibrant segment of society. This cultural richness encompassed synagogues, libraries, and the joyous sounds of Jewish life, all of which vanished in the face of systematic violence, as 200,000 men, women, and children were executed and disposed of in mass graves across the countryside.Beginning in 1988, Sutkus dedicated his lens to capturing the lives of Kaunas Jews who survived the Holocaust. Through intimate photographs, he formed personal connections that resonate with themes of understanding, penitence, purification, and rebirth. In Memoriam Album vividly showcases Sutkus's commitment to documenting this painful narrative, highlighting both the intensity of his artistic vision and the heart behind his efforts to confront and remember a sorrowful past.…

Softcover. Zustand: gut. 2016. Antanas Sutkus: In Memoriam: To Vilnius and Kaunas Ghetto Survivors In englischer Sprache. pages.

Soft cover. Zustand: Very Good. 1st Edition. Sm.8° - unpag. - 10 B/w reproductions (Drawings). Exhibition Catalog: Georg Baselitz (1938) German painter who studied in the former East Germany, before moving to what was then the country of West German. Text in Flemish language. Original wrappers. In Very good condition.…

Soft cover. Zustand: Fine. 1st Edition. Sm.8° - 111pp - Color & B/w photo-reproductions. Published as exhibition Catalog: Antanas Sutkus (1939) Lithuanian photographer. Sutkus is a recipient of the Lithuanian National Prize for Culture and Arts, the Order of the Lithuanian Grand Duke Gediminas, and the Dr. Erich Salomon Award. First edition, published in 1600 copies, text in English language. Original boards. In Fine condition.…

14,8 x 10,5 cm. 1 Karte. Die "Antwerpen"-Seite mit etwas scharzen Farbschlieren, sonst gutes Exemplar. Einladung für eine Doppelausstellung in Antwerpen und Brüssel mit Nennung beider Städte in Blau und Rot auf Vor- und Rückseite der Karte. Antwerpen für den 4.2.1974, Brüssel für den 5.2.1974. [Vgl. Wide White Space - Behind the Museum, 1995. S.320 - 321, Nummer 82 + 83 mit Abbildungen]. …

8vo. (200 x 138 mm). [3 bifolia including wrappers]. Title and exhibition details to front wrapper with brief artistic biography of Broodthaers' verso, blank leaf, leaf with reproduction of Broodthaers' manuscript recto and 'Ma Rhetorique (Moule)' verso, leaf with 'Poème (Oeuf)' recto and 'Théorèmes (Frites)' verso, blank leaf, inner rear wrapper with publication history and texts on Broodthaer's work and rear wrapper with advertisement for the gallery; illustrated with reproduction of Broodthaers' manuscript and three monochrome illustrations. Original publisher's white stapled printed wrappers with titles and text in black. The scarce catalogue for Broodthaers' 'Moules Oeufs Frites Pots Charbon', his first major solo exhibition. Held at Antwerp's Wide White Space Gallery from 26th May - 26th June, 1966 (with the vernissage held on 26th May), Marcel Broodthaers' exhibition 'Moules Oeufs Frites Pots Charbon' was a typically poetic artistic exercise and the catalogue presented here, for the same exhibition, is no different. Although the catalogue incorporates standard biographical texts and timelines - it includes texts by Jean Deypreau ('A Fleur de Pot') and Pierre Restany ('Quand la Vie Devient Objet') - it works also as an artist book, featuring a reproduction of Broodthaer's repetitive inscription of several of the words of the title - he omits 'charbon' but includes 'coeur' - and three of his illustrated poem works: 'Ma Rhétorique (Moule)', 'Poème (Oeuf)' and 'Théorèmes (Frites)'. Each of these poem works is typically playful and typically gnomic incorporating absurdist repetitive text, word substitution, satirical aphorism and counterintuitive illustration. 'La pipe de Magritte est le moule de la fumée.' (from Broodthaers' text). The catalogue is scarce and OCLC locates copies at the National Gallery of Art, Washington, the Bibliothèque Kandinsky, Paris, the Kunstbibliothek of the Staatliche Museen, Berlin and the Vlaamse Erfgoedbibliotheek only; COPAC locates only a copy of the 1974 reprint in the UK.…

Hardcover. Zustand: Very Good. No Dust Jacket. Russian language. Larger sized hardcover with cloth, gilt decorated boards, no dust jacket, in very good condition. This Russian version published in a limited edition of 2000 copies. A few light blemishes to the boards. Binding is sound and pages are clear. LW. Used.…

Pas de couverture. Zustand: Très bon. Antwerpen, Wide White Space Gallery, 1972. Un feuillet 17,7 x 23,2 cm, impression noire sur papier bible recto seul. Edition originale de cette invitation à l'exposition d'Edward Kienholz organisée par la Wide White Space Gallery, du 6 décembre 1971 au 16 janvier 1972. Marque de pli central correspondant à un envoi postal.…

10,7:15 cm. Hinter dem Museum Behind the Museum Wide White Space 1966 ? 1976, 097.

[1] pp.; 17.6 x 23 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single side announcement published in conjunction with show held December 6, 1971 - January 16, 1972. Printed on thin tissue paper. Good. Folded in two as issued. Moderate handling wear and creases to head and tail edges of announcement with additional wear including two 1 mm. tears. Clean and unmarked.…

Zustand: Very Good+. Richard Long, Two lines walked through dust covered grass / Africa 1969 & Camp-fire ash / South America 1972, Wide White Space Gallery, Antwerp, 1973. 76 x 220mm. Artist card with two black-and-white photos printed on white stock. Produced on the occasion for Richard Long's exhibition at Wide White Space Gallery, 15th March 12th April, 1973. Condition: three crease lines to surface of darker image on recto, overall Very Good +.…

Soft cover. Zustand: Fine. Rare catalogue. In excellent condition. 8pp. stapled softcover.

[4] pp.; 21.2 x 14 cm. (closed); duotone; edition size unknown; unsigned and unnumbered; offset-printed aFolded exhibition announcement for show held November 15 - December 15, 1968. Card opens to image of a Ruthenbeck sculpture, printed in black, over a crimson background. [Illustrated] Very Good. Very light age to exterior, otherwise clean and unmarked. …

37,5:50 cm. 4fach gefaltet. Kleinplakat zur gleichnamigen Ausstellung. Hinter dem Museum Behind the Museum Wide White Space 1966 ? 1976, 099. Small poster, folded 4 times, published on the occasion of the exhibition.