ulae (32 Ergebnisse)

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Leichtere Gebrauchsspuren. 1. Auflage. with many b/w-illustrations and 17 coloured plates; clothbound with illustrated jacket.

Zustand: Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

hardcover. Zustand: Good. Ex-library book with stickers and/or stamps throughout.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth. Zustand: Near Fine. Hardcover in slipcase. 4to. 70 full page illustrations.

hardcover. Zustand: Good. General shelf wear to cover/spine/binding. Pages are overall clean. Good reading copy.

[90] pages. Good copy. Sprache: Englisch Gewicht in Gramm: 1100 4° grey cloth without dustjacket.

Zustand: Gut. 1. Auflage. 32 x 25 cm. [100] unpaginierte S. OLeinen mit OUmschlag. Umschlag stärker gebrauchsspurig (Kanten stark berieben), sonst gutes Exemplar. Text in Englisch. Mit 18 Farbtafeln und einigen schwarz-weiß Abbildungen im Text.

Erstausgabe, Fotoband, nicht paginiert, Quart, sehr gutes Exemplar, Original-Pappband, im Original-Pappschuber,

Original Wraps. First edition. Approx. 90 pages in text. Forty-five full-page photographs by Rauschenberg printed recto only. Introduction by Richard Ackley. Some cover wear. Orig.stiff white wrappers. Very good in near fine slipcase.

Hardcover. Zustand des Schutzumschlags: No Dust Jacket. Stated First Edition; First Printing. 129 pages; some B&W illustrations. Light to; - Your satisfaction; Good 11.34 X 8.66 X 0.75 inches somewhat moderate foxing on the exterior edges of textblock and on front and rear endpapers. Minor fading on the covers' top edges. Good condition otherwise. No other noteworthy defects. No markings. is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned securely boxed. All orders ship on the same or next business day. Buy with confidence.

First Edition. Fine copy in the original silver gilt-blocked, stiff-card wrappers. Complete with a fine white cloth slipcase. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 45 pages; Description: iii p. , 45, [1] leaves of plates : chiefly ill. ; 33 cm. Subjects: Rauschenberg, Robert, 1925-. Photography, Artistic. Boston (Mass. ) --Pictorial works. 4 Kg.

Zustand: Good. Good condition. No Dust Jacket (artistic photography, New York City) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Very Good. 4to. 129pp. Blue cloth-covered boards in navy-blue cloth-covered slipcase. Decorative blindstamp and titling to front board (repeated on slipcase); silver titles and blindstamped decoration along spine. Light sunning to exposed cloth along spine. Dime-sized dampstain to front board beneath title; a few faint surface scratches to rear board. Slipcase is a bit scuffed. Binding is tight and square; internally, all clean and unmarked. In an edition of 250 signed, numbered copies this is no.4: signed by Bucky Fuller on verso of front free endpaper, facing half-title. Signed by Author(s).

Relié. Zustand: Bon. Pas de jaquette. Terry Winters (illustrator). In folio relié toile d'éditeur sous étui toilé. 166 pages , 75 oeuvres reproduites Tirage à 500 exemplaires Dos passé . Exemplaire signé au crayon par l'artiste. Signé par l'illustrateur.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. Features text by Clifford Ackley and a brief statement by Nancy Dine. Includes 25 color plates along with several black and white figures. A clean near fine copy in black cloth boards and in a clean very near fine dust jacket. Signed by Dine on the title page. A nicer than usual copy of this book that because the dust jacket is uncoated is very prone to wear. Signed.

Softcover. Zustand: Near Fine. First edition, trade issue. Introduction by Clifford Ackley. Quarto. Printed wrappers. Spine tanned and wrappers with a tiny bit of foxing and soil, near fine in a very near fine unprinted slipcase. A collection of the artist's photographs of Boston.

Hardcover. Zustand: Fine. Dust Jacket Included. Text in english, folio, clothbound in slipcase, not paginated, illustrated, fine copy.

Broschiert Sehr gut. Zustand: 0. Text (kaum) englisch. Im Kunstleder-Schuber, intakt. Silbergeprägter broschierter Einband mit Rückentitelei, Fleckchen am Rücken entlang, ansonsten tadellos. III, 45 s/w Fototafeln, nahezu neuwertiger Zustand. +++ A soft-cover monograph in its original faux-leather slipcase, 45 b/w photographs, NEAR MINT CONDITION. +++ 26 x 33 cm, 1,1 kg. +++ Stichwörter: Foto Fotografie Photographie Photography New England USA Gewicht in Gramm: 1100.

Hardcover. Zustand: Gut. Schutzumschlag. Künstler: Johns, Jasper . Verleger: Universal Limited Art Editions Ulae . Datum: 1982. mit teils ganzs, Farbabb. Englisch . Text by Judith Goldman. 4. gepr OLeinen mit OU. OSchutzumschlag mit Gebrauchsspuren, Buch hingegen tadellos erhalten, gutes Exemplar.

Zustand: Gut. Ca. 110 S.; farb. Illustr.; 32 cm. Gutes Ex.; Umschlag stw. mit kl. Läsuren. - Englisch. - Jasper Johns, Jr. (* 15. Mai 1930 in Augusta, Georgia) ist ein vielseitiger US-amerikanischer Maler, Plastiker, Bühnen- und Kostümbildner. Er gilt als ein Wegbereiter der Pop Art, ohne dass sein bildnerisches Werk dieser Stilrichtung zuzurechnen ist. . Typische Johns-Werke wie Flag (1954/55, Museum of Modern Art, New York) oder Three Flags (1958, Whitney Museum of American Art, New York) entstanden in einer für Johns spezifischen Technik. Der Bildträger wird mit einer Collage aus Zeitungsausschnitten grundiert, ein populäres Bildmotiv wird gewählt und in einer Kombination aus Ölmalerei und Enkaustik (eine auf die Antike zurückgehende Malweise, bei der das Pigment mit flüssigem Wachs gebunden wird) auf den Bildträger aufgetragen. Durch das verfließende, aber schnell trocknende Wachs entstehen spezielle Oberflächenqualitäten. Die Collage bleibt durch die Farbschichten sichtbar. . Ab 1954 fand er die typischen Motive, die man heute mit Johns verbindet, wie die Targets, die amerikanische Flagge, die Landkarte der Vereinigten Staaten, die Buchstaben und Wörter und die Zahlen. Im Jahre 1957 begann eine Bekanntschaft mit Leo Castelli, der 1958 eine erste Einzelausstellung von Jasper Johns organisiert. Alfred Barr kaufte erste Werke für das Museum of Modern Art (MoMA) an. Rauschenberg, Johns und Emile de Antonio produzierten ein John-Cage-Retrospective-Konzert in der New Yorker Town Hall. Er schuf letzte Schaufensterdekorationen für Tiffany. . (wiki) / . Johns' working methods suggest he is a painter focused on the idea of perception. Linking past and present he ties perception to memory and creates a dialogue between an image's past history and its present appearance. Yet, perceptual concerns represent only one aspect of Johns' art. Other levels of meaning operate as obsessively. One sees recurring themes: fragmentation seen in body parts, entrapment suggested in veiled grays, hidden meanings indicated by an X, an overlapping panel, the impression of an iron. But even if each repetition is charted, each reappearance duly noted, it will only lead to another possibility. Johns has created a system of interconnected meanings that is open-ended. The Savarin holds a constant place in Johns' iconography of systems and things. It operates according to its own set of rules. The Savarin does not travel through paintings like the Watchman or rotate like the circle. Unlike other cast objects -the ale cans and the lightbulb - the Savarin never appears divided or separated. Wholeness is its chief characteristic. In a series of 1978 lithographs, Johns framed the Savarin in an old-fashioned oval, colored it bright blue, veiled it in reds. He has varied its color, size, medium, and surroundings over the years, but has never altered its position. It has never been shown from the back or the side, but is seen in an uncompromising position - brushes stopped like those in the 1960 Painted Bronze-head on, it stands alone, like a compliant subject in front of a lens. (Judith Goldman) ISBN 0910435049 Sprache: Deutsch Gewicht in Gramm: 1000 Originalleinen mit Schutzumschlag.

4°, 2 Bl., 2 Bl., III, 70 Bl., 3 Bl., 70 ganzseitige s/w-Tafeln, ZUSTAND -1, Schuber minimal lichtrandig. Original-Leinenband mit silbergeprägtem Deckel- und Rückentitel in Original-Leinenschuber.

Soft cover. Zustand: Fine. 4°. 3 S. Text (Clifford Ackley) und 45 ganzs. s/w Fotografien. OKart., OSchuber. Sehr gutes Exemplar. Book.

Soft Cover. Zustand: Very Good. 3 pp of text and 46 b/w photographic illustrations. 4to.

Boards. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Allegra Goldy (illustrator). First Edition. A nice Association copy: INSCRIBED (IN YEAR-OF-PUBLICATION) BY BUCKMINSTER FULLER TO AUTHOR BRENDAN GILL (THE NEW YORKER, ARCHITECTURAL DIGEST, ETC.) on the front free endpaper. A very sharp copy to boot of the 1982 stated 1st edition. Clean and Near Fine in a crisp, Near Fine dustjacket. Quarto, nicely illustrated by Buckminster Fuller's daughter, Allegra Goldy. Signed.

Hardcover. Zustand: Near Fine. 1st Edition, Limited Edition. Near fine copy in light blue cloth with navy cloth slipcase. Spine is sun-faded. Slipcase has light rubbing. Signed and numbered 193/250. Signed by Author(s).

4°. III S., 45 Bl. mit 70 ganzs. Abb. OKart. mit silbergepr. Rücken- u. Deckeltitel in Orig.-Pappschuber. Erste Ausgabe. - "The photos of 'In + out City Limits' make no attempt to totally document, moralize or editoralize the specific locations. They are a collection of selected provocative facts (at least to me) that are the results of my happening to be there" (R. Rauschenberg). - "(K)aum ein anderer Künstler des 20. Jahrhunderts hat so viele Gattungs- und Stilgrenzen übersprungen wie Robert Rauschenberg" (Hanno Rauterberg, in: Die Zeit vom 14. Mai 2008). - Schuber geringf. berieben, Rücken leicht gebräunt, sehr gutes Exemplar. Sprache: englisch.

folio. unpaginated. 70 b/w illus. cloth. cloth slipcase (some discolouration on slipcase).

First edition. 4to. pp.92 (unpaginated), colour and black and white illustrations throughout, signed by the artist on the title page; bound in grey cloth boards with blind-stamped titles and multi-coloured endpapers; very good dust jacket; light shelfware and wear to extremities with some creasing to head of spine.