Twelve edition new (5 Ergebnisse)

Paperback. Zustand: Very Good. New. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Fair. New. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Dust Jacket Included. CONDITION: Very Good in Very Good jacket; top edge lightly foxed; in darkening jacket with light edgewear all around, closed tears: two half inch tears and one two inch, but no loss of paper, one name on free front endpaper; unclipped 3.75. Juvenile hardback. Max's wooden soldiers, led by Butter Crashey, decided to talk to him. Could they be the ones who had belonged to the Bronte children long ago, the ones who had inspired Charlotte, Emily, Anne, and Branwell to create imaginary kingdoms? ABE Heritage Seller since 1996; conservative AB condition grading. We ship all our books in cardboard protection. International shipping. /Bernarda Bryson, illustrator. /Bernarda Bryson, illustrator. (illustrator).…

Zustand: Please see description. Original blue cloth with gilt lettering, spine discolored, edges of spine damaged, corner flyleaf / frontispice cut out (corner of image lacking) exlibris stamp in front, some minor foxing, else in good condition.

Folio. Newly bound in half mid-tan calf with marbled boards, raised bands on spine in gilt-ruled compartments with titling gilt. 1f. (recto title, verso blank), 44, 34, 54, 43 pp. Engraved throughout. Occasional minor soiling and staining including gradually fading stain to inner margin of Op. 1 extending into music for approximately 30 pages; several drops of wax staining music on p. 27, Op. 2, with music remaining mostly legible excepting figured bass in one beat; small stain to blank inner margin of final eight pages of Op. 4. Lacking frontispiece portrait engraving of Corelli by Van de Gucht after the Howard painting. Second edition of the full score, Vol. II of which contained the score of the Concerti Grossi, Op. 6. Marx p. 92, no. 7; 116, no. 30; 137, no. 26; and 158, no. 26. Smith & Humphries 402. BUC p. 216. RISM C3798. "Corelli exercised an unparalleled influence during his lifetime and for a long time afterwards. . To Corelli belong equally the distinctions of being the first composer to derive his fame exclusively from instrumental composition, the first to owe his reputation in large part to the activity of music publishers, and the first to produce 'classic' instrumental works which were admired and studied long after their idiom became outmoded." Grove Music Online Johann Christoph Pepusch (1667-1752), the editor, was a German composer, theorist, and antiquarian who pursued his career in London; he, like many other German, French, and English composers of his time ,drew heavily on the Italian style and music theory in his approach to composition. The title page asserts that these sonatas "also make compleat Lessons for the Harpsicord," raising intriguing questions about 18th century performance practice and the adaptability of chamber compositions for solo instruments. An attractively printed edition.…