Tomkins (38 Ergebnisse)

Paperback. Zustand: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Hess, Isabel C (illustrator).

Stapled wraps. Zustand: VG. 11th Edition. Paperback in Very Good condition. . 8vo 8" - 9" tall. 112 pages. Interior is clean and unmarked. Paper is age-toned. A couple of dog-eared pages. Some light wear and rubbing to exterior. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.…

Paperback. Zustand: Brand New. 56 pages. 11.69x8.50x0.12 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fair. First edition. Duodecimo, 304 pages, embossed leather, gilt, spine chipped and detached Thompson's AMERICAN LITERARY ANNUALS & GIFT BOOKS 1825 - 1865 reports THE ROSE OF SHARON as the longest-lived of American literary annuals. This includes a poem by Mrs. Sawyer, " Lake Winnipisogee ", which is accompanied by a full-page engraving of Lake Winnipisogee. With 7 plates ( most engraved by H. W. Smith ), including one, " The Morning Ride " which was engraved from a Daguerreotype. Among the other contributors are Horace Greeley, J. G. Adams, Thomas Starr King, Mrs. Livermore, Pliny Miles, B. P. Shillaber. Steel-plate engravings (illustrator).…

Hardcover. Zustand: Good. sixth edition. 5 x 7 1/4 inches. x, 406 pages. full calf binding. Condition is Good; covers lightly scuffed but well preserved, previous owner's name on front endpaper dated 1842, title page up to page 30 have a water stain near gutter, light foxing throughout, binding is tight. STK.…

Zustand: Very good. Stipple engraved plate, image size 19.5 x 25 cm., mounted on board.

Gouda; zonder jaar; G.B. van Goor Zonen; zachte kaft; 11x15 cm.; 2e druk; ill.; versjes en plaatjes door David Tomkins; 15 p. Goed exemplaar.

Hardcover. Zustand: Good. No D/J. First Edition. Light rubbing to extremities. Fading to spine. Large mark/stain to rear board. Previous owners inscription to ffep. Spotting to page edges.

Hardback. Zustand: Good. Reprint. Fiftieth Issue. Large Hardback, bound in red cloth with printed titling to spine and upper board. 32.5 × 21cm, 115pp + unpaginated diary. An interesting brewery diary. The first half of the book is packed with tables and general information for brewers, including sections on boiler house & engineering, the brewing room (from analysis of grains and brewer's casks to gauging grains in mash tun and the reduction of worts and party gyles, customs and excise, the laboratory, and finally weights and measures, customs and stamp duties, postal information etc. The second half is the actual diary (unused) showing a week per page and interspersed with advertising of WTC's goods and services. White Tomkins & Courage were manufacturers of flaked malts, oatmeal, hop products etc. Condition: Good condition for age. The red cloth is a little tanned and faded with a few marks. The contents are in good condition also, with secure binding and clean pages though there are a few posts of foxing to the endpapers and pastedowns. **PLEASE NOTE: As this is a heavy book, postage may have to be increased for overseas (non-UK) buyers, or decreased where appropriate. Please see the COX AND BUDGE BOOKS website for full shipping details or drop us an email**.…

24 x 17 cm., 106 pag. LEA LAS CONDICIONES DE ENVIO DE LA LIBRERÍA. ENVIOS GRATUITOS HASTA 1 KILO, MAS DE 1 KILO SE COBRA SUPLEMENTO. Texto en Ingles. Union con el lomo con grapas en un estado no muy bueno. Escrito en la pagina de cortesia (Ver fotos). Tapa blanda, aceptable estado de conservacion. Tapas deslucidas. Señales de uso. …

Bildgröße 44x30 cm.

Zonder plaats; zonder jaar; Vroom & Dreesmann; halflinnen; ill. door David Tomkins; Diamantjes no. 7, Juweelen-uitgaaf; 44 p. Goede staat, met wat hele lichte gebruikssporen.

Stipple engraving, on folio sheet, for his work 'Rural Sportd creasing on right edge, This a proof before title and artist's names, and is an earlier state than the proof in the British Museum.

Soft cover. Zustand: Very Good. 4th Edition. 98 Pp. Fourth Edition, Specially Printed For The Jamboree. Signed In Blue Ink By Tomkins Below His Photograph On First Page Standing With Chief Flying Hawk [The Additional Signature In Black On The Inside Front Cover Is Printed]. Light Wear, Much Less Than Usually Seen, No Chipping, With Very Light Dampstaining On First And Last Few Pages In Areas Immediately Adjacent To Spine Edge, Maximum Depth 1/2". Drawings Throughout (illustrator). Signed by Author(s).…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN.

[1-55056-646-6] 2000. (hardcover) Very good, no dust jacket. v, 646pp. Externally fine, but bottom right hand corner has some dampstaining throughout the textblock.

rigide. Zustand: Satisfaisant. D'après les Dessins de P. W. Tomkins, 1 vol. in-4 (24,5 x 34 cm) format à l'italienne reliure postérieure demi-chagrin vert, London Publishers bi Tomkins, A Paris chez Ostervald l'Ainé, s.d. (circa 1806), 25 planches gravées en deux couleurs Très rare ouvrage dans lequel Tomkins, graveur de Sa Majesté, a gravé des dessins de la princesse Elizabeth. Etat satisfaisant (traces d'épingle sur la plupart des planches, petit mq. au titre gravé, rel. frotté, qq. restaurations d'accrocs en marge) pour cette vraie curiosité. Langue: Français.…

Zustand: Good. Stipple engraving. 28.5 x 23.5 cm. (sheet). Very Good. Light toning in the margin areas. Text on the reverse.

Zustand: Good. Stipple engraving. 28.5 x 23.5 cm. (sheet). Very Good. Light toning in the margin areas. Text on the reverse.

Zustand: Good. Stipple engraving. 28.5 x 23.5 cm. (sheet). Very Good. Light toning in the margin areas. Text on the reverse.

Zustand: Good. Stipple engraving. 28.5 x 23.5 cm. (sheet). Very Good. Light toning in the margin areas. Text on the reverse.

Hardcover. Good: solid; corners and tips worn; 1" tear in cloth at edge of spine; spine gilt faded but clearly legible; small early name stamp on front endpaper; soiling at pp 142-143; waterstain on rear endpapers only; pages generally very good, near white. Hardcover in green cloth, gilt spine titles, 8vo, xxi + 360 pp. . . .…

8vo, pp. [iv], 7, [1], 1-56; with an engraved frontispiece and 24 plates, and two engraved vignettes; in early or original marbled boards, with pebble-grain spine, foot of spine with old library shelf-mark (upper cover detached); rather a frail binding and with some leaves starting from the binding; uncut. Second edition: first published as a quarto in 1796. The neo-Spenserian verses are by Sir James Bland Burges (1752-1824), who in 1821 changed his name to Lamb (for inheritance reasons), and were written to accompany illustrations by Princess Elizabeth, the talented daughter of George III. Her tutor, the professional artist Peltro William Tomkins (1759-1840), made the engravings. This book is strikingly like an old-fashioned emblem book, of the type that had been popular almost two centuries earlier. Compare Michiel Snyders' Amoris Humani et Divini Effectus Varii (1626), for instance. Jackson, Annals of English Verse, p. 489. …

Technic: Steel engraving, colorit: black/white, condition: Binding hard cardboard with marbling and leather, with gold embossing on the spine, size (in cm): 42,5 x 33,5 cm, Volumes 1?2 and 3?4 contain 13 engraved plans and 291 steel engravings on 125 sheets. Engravings of the most noble The Marquis of Stafford's Collection of Pictures, in London, arranged according to schools, and in Chronological oder, with remarks on each picture. By William Young Ottley (1771-1836), Esq., F.S.A. The executive part under the management of Peltro William Tomkins (1759-1840), Esq., Historical engraver to her Majesty. Publisher Bensley & Son for Longman, Hurst, Rees, Orme & Brown, Cadell & Davies and P.W. Tomkins, London.…

Hardcover. Zustand: Very Good. London: Printed for P. W. Tomkins, 1798. Large Folio (18 1/4" x 14 3/4", 460mm x 370mm). Engraved title and dedication pages. With 6 full-page engravings and 15 engraved vignettes throughout. Illustrated with engravings by F. Bartolozzi and P. W. Tomkins, historical engravers to their Majesties; from original pictures painted for the work by W. Hamilton, R. A. Bound in full red calf paneled gilt. On the smooth spine, author and title gilt to the second panel, publication date to the foot and others with decoration. Marbled endpapers. James Thomson (1700-1748) was a Scottish poet and playwright, known for his poetry cycle "The Seasons" and poem "The Castle of Indolence" and the lyrics of "Rule, Britannia." "The Seasons" was published in parts between 1726 and 1730. Armorial bookplate of Thomas Hutton (1757-1845).…

Hardback. Zustand: Very Good. A fascinating album of over ninety early twentieth century postcards of the Wiltshire towns of Calne and Melksham. A wonderful album of eighty-four postcards, with a further eight postcards present and loosely inserted.The vast majority of these postcards - which are dated between 1904 and 1937 - depict the streets of the town of Calne in southwestern England, a designated Area of Outstanding Natural Beauty. There are also a small number of postcards depicting the streets of the nearby town of Melksham, also in Wiltshire.Among the most interesting postcards are four postcards depicting King Edward VII's July 1907 visit to Calne, and a 1937 postcard commemorating the coronation of King George VI.Forty-four of these postcards retain inscriptions and stamps to the reverse, where the rest of the postcards are left blank.A charming collection offering wonderful insight into this region in the first half of the twentieth century. Housed in a plastic ring binder, with 'Postcard Album' to the front board. Minor splits to front board head and tail, otherwise externally excellent. Internally, firmly bound. Light rusting to metal rings. Plastic sleeves in full working order. Postcards bright, with instances of light handling marks to reverses, former owners inscriptions to reverse of forty-four postcards, and inscriptions to right side of four postcards. Very Good. Not Stated (illustrator). book.…

Leather. Zustand: Very Good. A superb illustrated folio edition of the best known poetical work of James Thomson. A folio edition of 'The Seasons', the best known poem by James Thomson.Illustrated with a frontispiece, six plates, and fifteen engraved vignettes and head and tail pieces, and an engraved dedication leaf. This edition is illustrated F. Bartolozzi and P. W. Tomkins, after W. Hamilton.Half-title is present.List of subscribers to the front.Collated, complete.'The Seasons' is a long blank verse poem, and reflects on the landscape of the countryside, a series of four poems, each focussing on one season of the year. For the poem, Thomson borrowed Milton's Latin influence vocabulary and inverted word order.This was an immensely popular and influential work when it was published, inspiring the likes of Thomas Gainsborough and J. M. W. Turner.The work wasn't just influential in the literary world, but also in the legal world; there were disputes over the publishing rights for the poem, and it led to two important legal decisions, Millar v. Taylor and Donaldson v. Beckett, both landmarks in the history of copywritings. In a modern quarter morocco binding with marbled paper to the boards. Externally, fine. Front free endpaper is edge worn with handling marks. Internally, firmly bound. Pages are bright and generally clean with scattered spots. Small tidemark to the head of the frontispiece and plates. Spots are heavier to the plates. Title page has been repaired. Very Good. F. Bartolozzi; P. W. Tomkins; W. Hamilton (illustrator). book.…

First Edition. Folio (c. 540 x 420 mm), 6 stipple-engraved plates (c. 430 x 330 mm) of femaleheads, all but the first protected by tissue-guards; each image lettered 'T. Cheesman delint et sculpt / London, Pubd by Thos Cheesman, Feby 10th 1797' below; dampstain to upper right corner and lower margin, edges creased, with a few small marginal tears and minor chipping, otherwise a good copy; stitched in the original blue wrappers, octagonal printed paper label to upper wrapper with title and imprint, with manuscript addition '& E. Orme Conduit St, corner of George St' below the imprint.First and only edition, extremely rare, of this complete series of six heads of young women wearing head scarves by 'one of Bartolozzi's most outstanding pupils'. A draughtsman, painter and stipple engraver who worked predominantly in London, Thomas Cheesman (1760c. 1834) a trained, like many other engravers of his generation, in the studio of Francesco Bartolozzi (17271815), who was working in London at the time (a portrait of Cheesman attributed to Bartolozzi can be found at the National Portrait Gallery, NPG 780). 'Cheesman has often been described as one of Bartolozzi's most outstanding pupils. If this was, indeed, the case, then it is probable that a number of early works by the pupil may have been signed off by this master and thus remain submerged within the corpus of Bartolozzi's work. Furthermore, Bartolozzi's influence long remained a defining feature of Cheesman's work. As the stipple engraving Adelaide (1792) shows, Cheesman's training with Bartolozzi encouraged him to develop a heightened sensitivity to literary and sentimental subjects' (ODNB). Cheesman produced some plates after favourite old masters, as well as taking commissions from modern artists including Benjamin West, George Romney, and John Trumbull, whose painting of George Washington was turned into a famous stipple-engraving by Cheesman in 1796. In the later 1790s and early 1800s Cheesman translated a number of religious, literary, or sentimental subjects into stipple-engravings. The present collection, the first in a number of engravings of heads of women and children of similar style and size, published by Cheesman in groups of four, five, or six, particularly between 1799 and 1801, includes six head-and-shoulders portraits of young women wearing a variety of headscarves, depicted in a neoclassical style very much influenced by Romanticism. Evidence of this can be found particularly in the last engraving in this set, depicting a young woman glancing towards the viewer, her head and shoulders directed to the right, wearing pearl-drop earrings and a turban with a jewel and plume at the forehead, with tresses of wavy hair escaping around her neck. After his partnership with Mariano Bovi and Michael Benedetti, engravers and printsellers in Titchfield Street, ended in 1790, Cheesman resided at 40 Oxford Street, and afterwards changed his address to 71 Newman Street and finally to 28 Francis Street. Between 1830 and 1834 Cheesman was employed at the behest of the Society of Dilettanti to document all the sculpture in the British Museum. He submitted his last exhibition piece to the Society of British Artists in 1834, after which nothing more is heard of him. No copies in the US. OCLC finds a single copy, at the Berlin Art Library. We have been able to locate one further set as loose plates at the British Museum (1978,U.1823; 1953,0214.70; 1953,0214.73; 1953,0214.72; 1953,0214.71; 1953,0214.74), without the original wrapper and printed label.…