Thames hudson ltd mai 2021 (9 Ergebnisse)

Buch. Zustand: Neu. Neuware - This irreverent introduction to art gives children the confidence to respond to art on their own terms, and - most importantly - to have fun with it. Under the playful guidance of Leo, the museum cat, readers encounter abstract, Surrealist, nude and contemporary art, ancient sculpture, still lifes and portraits. But instead of being told facts to memorize, they're equipped with the knowledge that allows them to come up with their own interpretations of famous art works. Knowing how symbols work, they'll decipher clues in Frida Kahlo's self-portrait; understanding Surrealism, they'll decide for themselves what Joan Miró's abstract doodles are all about. This book shows that art isn't about knowing the right answers - it's about having fun, making up your own mind and seeing things from a different angle.With 46 illustrations. Wright, Jay Daniel (illustrator). …

Buch. Zustand: Neu. Neuware - Why do horses wear shoes How do horses 'speak' And why can't horses burp Answering twenty curious questions about the equine species, this book is a charming blend of zoology, history and popular culture that celebrates why horses have been such beloved companions for centuries. Featuring a myriad of different horse breeds, readers will discover what's so unique about a horse's body and its behaviour, and why they deserve to be well cared for. Snowden-Fine, Lily (illustrator).…

Taschenbuch. Zustand: Neu. Neuware - Focusing on the British Isles, the author explores a period of huge societal change - the Neolithic, or 'New Stone Age' - through the most iconic artifact of its time: the polished stone axe, using an ancient stone axe-head brought to him by a local quarry worker as a guide to the revolution that changed the world. These formidable creations were not only crucial tools that enabled the first farmers to clear the forests, but also objects of great symbolic importance, signifying status and power, wrapped up in expressions of religion and politics. Mixing anecdote, ethnography and archaeological analysis, the author vividly demonstrates how the archaeology on the ground reveals to us the evolving worldview of a species increasingly altering their own landscape; settling down together, investing in agricultural plots, and collectively erecting massive ceremonial monuments to cement new communal identities. As a direct result of the invention, and intensification, of agriculture, the planet entered the Anthropocene, or the current 'age of humanity': an era in which we are changing the world around us in significant, accelerating and often unpredictable ways. As the author poignantly concludes, our ancestors set us on the path to the modern world we live in; now seven billion humans must face the challenges that presents.With 76 illustrations, 24 in colour.…

Buch. Zustand: Neu. Neuware - What did the Earth look like 300 million years ago Here's a chance to travel back through time and discover the days when the Earth was a very different place. In this cleverly designed book, lifting the tracing paper pages is like peeling back the layers of history, allowing readers to compare animals living in prehistoric landscapes with the fossils they left behind. The changing face of our planet comes to life, while the science behind the Earth's geology and climate is clearly explained. Packed with fascinating illustrations, this is a wonderful way to understand the story of evolution, from the earliest single-cell lifeforms to the mighty dinosaurs and onwards to the first human beings. Winner of a Non-Fiction Special Mention, Bologna Ragazzi Awards 2021. …

Taschenbuch. Zustand: Neu. Neuware - The Great Builders surveys the careers of forty great architects whose engineering skills were crucial to their success. Sixteen nationalities and seven centuries of architectural innovation make for a survey of spectacular scope and depth: from churches and fortresses to bridges and high-tech skyscrapers, it includes masterpieces from all over the world and covers 700 years of architectural history. Here is Brunelleschi, who built the 'unbuildable' dome of Florence Cathedral; Sinan, a Christian engineer who became chief architect to the Ottoman court; Joseph Paxton, scribbling down a design for the Crystal Palace, London, on a piece of blotting paper; and James Bogardus, an early American evangelist of the opportunities offered by cast-iron architecture. Rapid advances in industrial production inspired experiments with new materials and techniques, gradually allowing a whole new architecture to emerge: reinforced concrete, plate glass and steel were central to the creations of Le Corbusier, Auguste Perret and Mies van der Rohe, for instance; and, in the High-Tech architecture of the present day - represented by Norman Foster, Frank Gehry and Santiago Calatrava, among others - computer-aided design has seemingly tested the boundaries of the possible.With 26 illustrations, 19 in colour.…

Taschenbuch. Zustand: Neu. Neuware - Manifesting in a broad range of media, from massive land and environmental works and extensive sculpture parks to giant public murals, 'destination art' demands to be found and met in its own space and on its own terms. Some works require a committed pilgrimage to find - in deserts, forests, and quarries, on farmland and in mountains, in ghost towns and nature reserves. Others might be hidden gems in urban environments. What unites them in every instance is an artistic symbiosis between the installation and its setting. Through the eyes of renowned art historian Amy Dempsey, the magic of public art comes alive - and while the art is undoubtedly important, the journey there is often equally so. Perfect both for armchair adventurers and keen globetrotters, Destination Art offers a clear way in to a vast subject. From the vibrant Rainbow Village in Taiwan and the Rock Garden of Chandigarh, to Antony Gormley's Inside Australia at Lake Ballard, Dempsey expertly guides readers through the most exciting and significant destination artworks in the world. Each featured installation is accompanied by a short essay, stunning photographs and useful information on key works and where to find them.With 104 illustrations in colour.…

Buch. Zustand: Neu. Neuware - A SUNDAY TIMES BESTSELLER'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what What have we learned . The only real things in life are food and love, in that order, just like [for] our little dog Ruby. and the source of art is love. I love life.' DAVID HOCKNEY Praise for Spring Cannot be Cancelled: 'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking' The Times 'Lavishly illustrated. Gayford is a thoughtfully attentive critic with a capacious frame of reference' Guardian 'Hockney and Gayford's exchanges are infused with their deep knowledge of the history of art . This is a charming book, and ideal for lockdown because it teaches you to look harder at the things around you' Lynn Barber,The Spectator 'Designed to underscore [Hockney's] original message of hope, and to further explore how art can gladden and invigorate . meanders amiably from Rembrandt, to the pleasure principle, andouillette sausages and, naturally, to spring' Daily Telegraph On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see. but about how to live. With 142 illustrations in colour.…

Buch. Zustand: Neu. Neuware -Why do horses wear shoes How do horses 'speak' And why can't horses burp Answering twenty curious questions about the equine species, this book is a charming blend of zoology, history and popular culture that celebrates why horses have been such beloved companions for centuries. Featuring a myriad of different horse breeds, readers will discover what's so unique about a horse's body and its behaviour, and why they deserve to be well cared for. 48 pp. Englisch. Snowden-Fine, Lily (illustrator).…

Buch. Zustand: Neu. Neuware - A prolific artist with a protean output, Georg Baselitz has rethought the conventions of a range of media, predominantly painting and sculpture, over the course of a career of some sixty years. Born in 1938, Baselitz was expelled from art school in East Berlin in 1956 for 'socio-political immaturity', and moved to the western half of the city. By the late 1950s, he had rejected the dominant tendencies of both sides of the country and his singular achievement was to reintroduce the figure, compromised and discredited though it was by both Nazism and Communism, into art. By drawing attention to art by 'outsiders', such as psychiatric patients, and invoking a Parisian model of existentialist art and literature, Baselitz proposed an alternative European tradition that did not eliminate the human subject. In alluding later to movements in German painting such as Expressionism as well as to artists like Munch, he also consciously rehabilitated the kind of art that was condemned by Hitler as 'degenerate'. The book follows the development of Baselitz's unique style from his earliest work through to the most recent creations of his eighth decade. Calvocoressi's masterful construction of a chronological narrative helps us to evaluate Baselitz's work in terms of the disruptions of his life - historical upheavals witnessed alongside an astonishing career.With 406 illustrations in colour.…