Terrain editions (119 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Joseph Smrkowski, John Heartfield, Madame Aussoir, Jean-Claude Silbermann, Gustave Moreau, Andre Breton, Jean-Francois Bury, Jacques Derain, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of the revolutionary manifesto of Tull, Benjamin Mendoza, Jacques Bazin, Jacques Vache, Jean-Claude Silbermann, Robert Benayoun, Hassan Fathy, Maurice Blanchard, Pierre Boujut, Earl Spartre, Stephen Schwartz, Christian Rochefort, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Softcover. Zustand: Near Fine. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Tel Quel, the Kings of Bretagne, Alain Legrand, Yves Ellequet, Henri-Francois Rey, E. Kienholz, M. Fontenet, the Ministre de Travail, Georges Bataille, Jindrich Styrsky and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Walter Benjamin, the Student Revolution of 1968, Jean-Paul Sartre, Herve Telamaque, Regis Debray and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Charles Fourier, Benjamin Peret, William Shakespeare, Josef Stalin, Eva Beuys, Joseph Beuys, Lilo Klapheck, Konrad Klapheck, a month-by-month horoscopic calendar for 1970, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Softcover. Zustand: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Sharon Tate and Bernadette Devlin, Georges Pompidou, Carlos Franqui, the photography of Nicole Pierre and Man Ray, poetry, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.