syracuse university press jun 2011 (4 Ergebnisse)

Buch. Zustand: Neu. Neuware - The concept of an ''honest Tammany man'' sounds like an oxymoron, but it became a reality in the curious career of Ashbel P. Fitch, who served New York City as a four-term congressman and a one-term city comptroller during the late nineteenth century. Although little known today, Fitch was well respected in his own day and played a pivotal role on both national and local stages. In the U.S. Congress, Fitch was a passionate advocate of New York City. His support of tariff reform and his efforts to have New York City chosen as the site for an 1892 World Exposition reflected his deep interest in issues of industrialization and urbanization. An ardent defender of immigrant rights, Fitch opposed the xenophobia of the times and championed cosmopolitan diversity. As New York's comptroller, he oversaw the city's finances during a time of terrible economic distress, withstanding threats from Tammany Hall on one side and from Mayor William L. Strong's misguided reform administration on the other. In Ashbel P. Fitch, Remington succeeds in illuminating the independence and integrity of this unsung hero against the backdrop of the Gilded Age's corrupt politics and fierce party loyalty.

Buch. Zustand: Neu. Neuware - Examining a range of styles from the gritty vernacular sensibility of Weegee (Arthur Fellig) to the glitzy theatricality of Annie Leibovitz, Morris takes a thoughtful look at ten American photographers, exploring the artists' often ambivalent relationships to their Jewish backgrounds. Going against the grain of most criticism on the subject, Morris argues that it is difficult to label Jewish American photographers as unequivocal ''outsiders'' or ''insiders'' with respect to mainstream American culture. He shows it is equally difficult to assign a characteristic style to such a varied group whose backgrounds range from self-taught photographers to those trained in art school. In eclectic ways, however, the contemporary photographers highlighted in After Weegee carry on the social justice and documentary tradition associated with Sid Grossman, Aaron Siskind, and the primarily Jewish Photo League of the 1930s by chronicling the downside of the Reagan revolution of the 1980s. Rather than record movements or trends in current Jewish American photography, Morris focuses in-depth on the work of Bruce Davidson, Jim Goldberg, Mel Rosenthal, Diane Arbus, Lee Friedlander, Allen Ginsberg, Annie Leibovitz, Tyagan Miller, Aaron Siskind, and Marc Asnin. These photographers share a tendency toward socially informed expression and an interest in self-expression via the operations of photography, inevitably shaped by histories of socially conscious or documentary imaging. Moving between photo history, cultural history, and close readings of the images, Morris traces a common thread among contemporary secular Jewish American photographers, artists who link the construction of personal identity to the representation of history. After Weegee broadens our understanding of the relationship between Jewishness and contemporary photography, challenging us to take a fresh look at much of what has come to be canonized as modern, postwar, and art photography. ''Lucid, readable commentary on individual imagessome familiar but refreshed by his reading; others less known and happily brought to lightand more particularly on the meaning of images as arrayed in photo-textual form.''Sara Blair, author of Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century.

Buch. Zustand: Neu. Neuware - Deftly synthesizing a wide range of economic and historical theory, Hanna reinvigorates the current scholarship on early Ottoman history and provides a persuasive challenge to the largely shallow perception of artisans' role in Egypt's economy.

Buch. Zustand: Neu. Neuware - A study of the role of popular culture and women in particular in the shaping of Iranian modernity.