syracuse university press jun 2005 (7 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - New York Poems is dedicated to ''The City of New York: embattled, gallant, enduring'' by poet D. H. Melhem, who calls the Upper West Side her ''muse.'' D.H. Melhem looks at neighborhood struggles with blight and urban renewal (chastised as ''Negro Removal'').

Taschenbuch. Zustand: Neu. Neuware - During the quarter century between 1780 and 1806, Berlin's courtly and intellectual elites gathered in the homes of a few wealthy, cultivated Jewish women to discuss the events of the day. Princes, nobles, upwardly mobile writers, actors, and beautiful Jewish women flocked to the salons of Rahel Varnhagen, Henriette Herz, and Dorothea von Courland, creating both a new cultural institution and an example of social mixing unprecedented in the Germen past.

Taschenbuch. Zustand: Neu. Neuware - Syracuse University was one of the first major universities to develop a summer internship program to train the hundreds of new teaching assistants appointed each year. An outgrowth of that program, this book contains essays that represent a thoughtful effort by experienced teachers--many of whom have been involved with the national Preparing Future Faculty program--to explore various ways of engaging, encouraging, and stimulating students to learn. Topics cover lecturing, leading discussions, designing laboratory and studio courses, reaching for diversity, using technology, assessing students learning, and service learning.

Buch. Zustand: Neu. Neuware - This book explores the societal construction of 'black-on-black'referring to the 1980s when violence among African American perpetrators and victims increased. Massive job losses, debased identities, and rampant physical decay made American blacks seem ripe for explosive behavior. Many people blamed black lifestyle, values, and culture. David Wilson shows how America imbued a process of violence with race and accepted it as one of the country's most vexing ills during the Reagan era and afterward. Based on statistics, ethnographies, anecdotal accounts, and national reportage the findings are hard to dispute.Wilson tells of prominent conservative and liberal writers, reporters and politicians who collectively nurtured this issue, then parlayed it into 'truth' in the public mind. Mixing memoirs, critical geographical studies, and race theory, the book shows how vulnerable groups of society can become pawns in an acute process of racial demonization. And how, in America, this allowed blacks to be marginalized.

Taschenbuch. Zustand: Neu. Neuware - Early in his career, critics and collectors widely recognized that Harold Weston (1894-'1972), was capturing and saying something unusual in his paintings. 'There is a young American painter,' wrote Duncan Phillips, 'who stirs in me the hope for a re-birth on this new soil of something that was lost to the art of painting with the passing of Vincent van Gogh.' Along with 104 color and ten black-and-white plates of Weston's works compiled by his daughter, Nina Weston Foster, curator of the Harold Weston Foundation, the catalog includes essays that cover myriad aspects of Weston's life and art. The Adirondack Museum's chief curator Caroline M. Welsh explores nature and wilderness preservation as themes in twentieth-century art and places Weston in the context of his contemporaries who painted the Adirondacks. Theodore E. Stebbins, Jr., curator of American art at the Fogg Art Museum, provides a critical analysis of Weston as a twentieth-century American modernist painter. The biographical essay by Weston's art historian granddaughter, Rebecca Foster, follows the unfolding of a career in parallel to the unfolding of a life. Weston's rich technique is explored by Stephen B. Phillips, curator at the Phillips Collection, in an in-depth analysis of the painting.

Taschenbuch. Zustand: Neu. Neuware - Most research has accepted stereotypical images of Muslim women, treating their outward manifestations, such as veiling, as passive and oppressive. Muslim women have been depicted as different, and by exoticizing (orientalizing) them-or Islamic society in general-'they' have been dealt with outside of general women's history and regarded as having little to contribute to the writing of world history or to the life of their sisters worldwide. By approaching widely used sources with different questions and methodologies, and by using new or little-used material (with much primary research), this book redresses these deficiencies. Scholars revisit and reevaluate scripture and scriptural interpretation; church records involving non-Muslim women of the Arab world; archival court records dating from the present back to the Ottoman period; and the oral and material culture and its written record, including oral history, textbooks, sufi practices, and the politics of dress. By deconstructing the past, these scholars offer fresh perspectives on women's roles and aspirations in Middle East societies.

Buch. Zustand: Neu. Neuware - Early in his career, critics and collectors widely recognized that Harold Weston (1894-'1972), was capturing and saying something unusual in his paintings. 'There is a young American painter,' wrote Duncan Phillips, 'who stirs in me the hope for a re-birth on this new soil of something that was lost to the art of painting with the passing of Vincent van Gogh.' Along with 104 color and ten black-and-white plates of Weston's works compiled by his daughter, Nina Weston Foster, curator of the Harold Weston Foundation, the catalog includes essays that cover myriad aspects of Weston's life and art. The Adirondack Museum's chief curator Caroline M. Welsh explores nature and wilderness preservation as themes in twentieth-century art and places Weston in the context of his contemporaries who painted the Adirondacks. Theodore E. Stebbins, Jr., curator of American art at the Fogg Art Museum, provides a critical analysis of Weston as a twentieth-century American modernist painter. The biographical essay by Weston's art historian granddaughter, Rebecca Foster, follows the unfolding of a career in parallel to the unfolding of a life. Weston's rich technique is explored by Stephen B. Phillips, curator at the Phillips Collection, in an in-depth analysis of the painting.