Sternberg press berlin (137 Ergebnisse)

softcover. Zustand: Fine copy. 1st. 12mo, 141 pp., Edited by Nikolaus Hirsch & Markus Miessen., Still shrink-wrapped from the publisher. Lawler, Louise (illustrator).

First Edition. First edition. Softcover. 95 pages. Features texts by Paul Wombell and Gilles Deleuze along with a conversation between Bob Nickas and Kalpakjian. Inlcues numerous color illustrations, A fine copy in French style wrappers.

Softcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Ohne Schutzumschlag. 1. Auflage. 59 pages with many coloured illustrations on plates.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. Arte. Libro ilustrado. Catálogo exposición. Edición bilingüe español-inglés.

Soft cover. Zustand: Fine. Fine - Pages are mostly intact and not marred by notes or highlighting, but book spine has slightly faded in color. This publication documents the 2016 exhibition One, No One and One Hundred Thousand, which took place at Kunsthalle Wien Karlsplatz. Curated by Luca Lo Pinto, the show took its inspiration from Oulipo, a literary strategy whose objective was to propose new "structures" for writing that were mathematical in nature. Using A Thousand Billion Poems, a 1961 book by Raymond Queneau, one of Oulipo's founders, as a manifesto for the exhibition, nine artists were invited to create new works in a display that would change depending on the wishes of the visitor. Investigating and reformulating the conventional structure and limitations of exhibition making, One, No One and One Hundred Thousand challenged curatorial authorship and explored potentiality. The main actor of the exhibition was the viewer who was not a consumer but a coproducer, alongside the artists and the curator. This publication, which comprises photographs, dates, time stamps, and the names of the visitors, is a record of the 178 unique exhibitions realized. With artist contributions by Darren Bader, Jason Dodge, Phanos Kyriacou, Adriana Lara, Jonathan Monk, Marlie Mul, Amalia Pica, Martin Soto Climent, Lina Viste Grønli.…

First Edition. First edition. Softcover. 280 pages. Text in English with an introduction by Reto Pulfer and additional contributions by Anselm Franke and Benoit Maire. Includes numerous color illustrations, index, biography, and a selected bibliography A fine copy in wrappers.

Hardcover. Zustand: Fine. 1st Edition. Berlin/NY: Sternberg Press, 2009. First edition. 109pp; b&w and color plates. 4to. Photo-illustrated boards; no jacket as issued. Fine. Photographs taken in and around Tokyo's Nakano-sakaue subway station by German artist and photographer Olaf Holzapfel (b. 1967). With a text in German and English by Andreas Spiegel. …

Zustand: Gut. 100 copies (Buch 2). 33, [unpaginiert ca. 60] S., mit zahlreichen Abbildungen; unpaginiert ca. 40 S., Ill. 1) 2015. 2) Texts. 2 Bücher zusammen 1) Herausgeberinnen/Editors: Eva Maria Stadler und Mirjam Thomann; Texte/Texts: Tom Holert, Eva Maria Stadler. Übersetzung/Translation: Karl Hoffmann.1) Einband mit minimalen Gebrauchsspuren. Sonst guter Gesamtzustand. 2) Einband mit leichten Gebrauchsspuren. Sonst guter Gesamtzustand. Sprache: Englisch Gewicht in Gramm: 558 Lex. 8° (=25-30cm), Broschiert; Softcover (geheftet). Guter Original-Umschlag (Buch 1).…

Paperback. Zustand: Very Good. Paperback in very good condition. Published for the exhibition at Timothy Taylor Gallery, London from 12th October to 12th December 2015. HCW. Used.

24 cm, Broschiert. Zustand: Wie neu. 287 Seiten, Illustrationen, Zustand: neuwertig. OVP. Originalverpackt. 106 ISBN 9783956792601 Aufgrund der EU-Verpackungsverordnung (PPWR) erfolgt der Versand nur nach Deutschland, ins Nicht-EU-Ausland und nach Österreich. Für einen Versand in alle anderen EU-Länder (außer Österreich) nutzen Sie bitte Paketweiterleitungsdienste und hinterlegen bei der Bestellung eine deutsche Versandadresse. Due to the EU Packaging Regulation (PPWR), we ship only to Germany, non-EU countries, and Austria. For shipping to all other EU countries (except Austria), please use a package forwarding service and provide a German shipping address when placing your order. Sprache: Englisch Gewicht in Gramm: 576.…

First Edition. First edition. Softcover. 130 pages. From the publisher: "This book is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. Staging self-initiated actions, and also participating in larger demonstrations organized by ACT UP, Art+Positive practiced an improvisational approach to activism at the intersection of the AIDS crisis and the culture wars of the late 1980s and early 1990s. Their multiplatform projects were especially focused on fighting AIDS phobia, censorship, homophobia, misogyny, and racism within the art world." Features text contributions by Dr. Daniel S. Berger, John Neff, Collin Pressler, Ray Navarro, Aldo Hernandez, David Wojnarowicz, Hunter Reynolds, and Debra Levine. Includes numerous illustrations. A fine copy in wrappers and in a very near fine die-cut dust jacket.…

ca. 27cm x 20cm. 279, (1) p. Original coloured illustrated boards (softcover) with title to spine and to cover. Very good condition. With numerous coloured illustrations. (Original price: 28 ). =================== LIEBE KUNDEN, ICH MACHE MEINE DIESJÄHRIGE HERBSTAKTION MIT 30% AUF DEN GESAMTEN BESTAND. DIE AKTION LÄUFT BIS EINSCHLIESSLICH SONNTAG 25. OKTOBER. WICHTIG: DER 30%-RABATT WIRD ERST NACH IHRER BESTELLUNG ABGEZOGEN, SIE ERHALTEN EINE EMAIL MIT DEN AKTUALISIERTEN ZAHLUNGSINFOS VON MIR. ICH FREUE MICH WIE IMMER AUF IHR INTERESSE AN MEINEN SELTENEN BÜCHERN, ARCHIVALIEN UND UNIKATEN.====================.…

[unpaginated]; 35 x 25 cm.; black-and-white & color; edition size 1200; unsigned and unnumbered; offset-printed; Exhibition catalogue / artist''''s book featuring seven fold-out posters housed in a printed folder published in conjunction with show "Alexandra Mir - The Space Age," held at M - Museum Leuven, Belgium, November 28, 2013 - February 16, 2014. Curated by Eva Wittocx with a text by Martin Herbert. Graphic design by Yvonne Blanco. "On Saturday 28 August, 1999, against a background of puffing industrial plumes, a pinkish-blue sky, and the sound of bongo drum beats, Aleksandra Mir, dressed in a smart white dress and with American flag in hand, scaled the side of a moonscape of sand dunes and makeshift craters to become the first woman on the moon. The performance First Woman on the Moon marked the beginning of Mir''''s exploration of outer space as she staged a moon landing by transforming a Dutch beach into the moon''''s surface using the help of local people and heavy machinery. Mir''''s projects offer her own take on popular cultural myths and historical events, by combining religious iconography with NASA imagery or symbols of space travel. Her work reflects on these events that span half a millennium of human--mostly male-dominated--quest, transforming or deconstructing them into a make-believe world of her own. Mir resists and modifies her work creates its own authenticity and truth. The Space Age consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M ? Museum Leuven which encompasses fourteen years of Mir''''s career (1999?2013)." -- publisher''''s statement. Fine. In publisher issued shrink wrap. Due to large size and weight of this publication additional shipping charges will be required for international orders.…

1. Auflage. 192 Seiten. OBr., Groß-Oktav, 192 S.; rechte obere Ecke leicht gestaucht, sonst sehr ordentliches Exemplar.

Softcover/Paperback. Zustand: Gut. 461 S. Good condition. Ex library with stamps and back label. Cover shows wear, upper corner mildly bumped. Pages clean. Numerous ill. Sprache: Englisch Gewicht in Gramm: 1100.

Hardcover. Zustand: Near Fine. None. First Edition. Large 8vo in glossy pictorial boards, lacking dust-jacket, 127 pages, English text. Light age-toning to pages, else Fine.

First Edition. 26 x 15 cm unpaginated with b&w illustrations throughout. Hbk. fine.

First edition. 9.5" x 6.25"; 172 pages. This book melds together text and visual imagery drawn from the stored contents of a Manhattan lockup. This singular and largely unpublished material had been retained there untouched since Clive Entwistle's death in 1976 at the age of 59. In 1960, following the inclusion of his work in the exhibition Visionary Architecture at MoMA, New York, Clive Entwistle relocated from Paris to Manhattan and remained there until his death, with intermittent periods in Tangier and London. This expansive collection of personal effects, largely spanning the final 16 years of his life.Clive Entwistle was a ennigmatic architect who was in Gurdjieff's circle in the 1940's. There are some references to Gurdjiief's work and influence on him in these notes. Cloth bound in flex-boards in fine condition with remainder dot to foot of page edges.…

Sehr guter Zustand Softcover / Original Klappbroschur.

[84] pp.; 22.4 × 32.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published on the occasion of an exhibition held as part of the Art Positions section of Art Basel Miami Beach held December 7 - 10, 2006. "The Meaning of Flowers consists of a full color artist-designed book where each botanical print is graced by a caption suggesting new meanings: insecurity, doubt, fatigue, betrayal and reconciliation are some of the thoughts associated with the Poppies, Orchids and other Hybrid Tea Roses depicted ? at the same time, they are symptoms and elements that comprise the majority of romantic relationships." -- publisher's statement. Fine. In publisher's shrink wrap. Due to large size and weight of this publication additional shipping charges will be required for international orders. …

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Soft cover. Zustand: As New. Excellent Condition - Cover and pages are intact and not marred by notes or highlighting. Languages: German and English. For anyone not used to today's postmedium condition, Klaus Weber's constructions could be mistaken for the experiments or inventions of a scientist or engineer. The main element of many of his works is a force or species belonging to the natural world, meteorological or biological: wind, sunbeams and rainfall, as well as plants and insects. Brought into combination with industrial materials of various kinds, Weber's assemblages look as if they should be more at home on the laboratory bench than the gallery floor. Here, the natural world is made to behave as it rarely does: heavy rainfall follows a moving car on a dry day; a small tornado issues forth from an ordinary vacuum cleaner; mushrooms emerge through tarmac; a plant hangs in the air without soil; a cactus is not a single plant, but two conjoined, with a pot at either end; a vast moth appears on the equities pages of a newspaper. Some of Weber's work recalls the mermen that taxidermists made from gibbons and fish that found their way into some Victorian natural history museums at a time when the veracity of the duckbilled platypus was doubted and Darwin's Origin of the Species was shaking the intellectual foundations of the West. For his first large-scale solo exhibition at the Secession in Vienna, Klaus Weber installed Sonnenorgel [Sun Organ], a heliostatic mirror, on the institution's roof. The heliostat collects the sunlight and projects a concentrated ray into the exhibition space. There, the light strikes an octagonal mirror object that scatters reflexes across the room, illuminating the exhibits as though with a spotlight or merely streaking them and thus establishing an immaterial connection between them, interrelating them like actors sharing a script and stage. In this way each work receives fluctuating light waves that have travelled some 150,000,000 kilometres rather than the usual few metres from a gallery's lighting track. The display is illustrated in the book by use of a special insert. This comprehensive catalogue documents for the first time the artist's oeuvre and reveals a recurring sense of limit-experiences: accidents, organism mutations, altered states, incursions from the outside. These apparent aberrations do not open up escapist or apocalyptic fantasies: instead, by intervening in the kinds of urban spaces that dominate our "advanced" cities, they undermine the sovereignty of order, and open up a space where alternative conceptions of social reality can be thought and acted upon.…

Softcover. Zustand: Gut. 170 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. M07134 9783956790591 Sprache: Englisch Gewicht in Gramm: 1050.

Tadelloser, frischer Zustand. Hardcover / Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Tadelloser Zustand. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Softcover. Zustand: Gut. 126 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L14778 9783956790751 Sprache: Englisch Gewicht in Gramm: 250.

Zustand: Gut. 343 S. : zahlr. Ill. ; 24 cm; kart. Gutes Ex. - Englisch. // Monday Begins on Saturday is the title of a fantasy novel from the 1960s about a magical research institute in the Soviet Union, written by Arkady and Boris Strugatsky. It is also the title of the first edition of Bergen Assembly, a new triennial of contemporary art. The project-which takes the form of an exhibition and this book-imagines a contemporary rewriting of the novel as an archipelago of fictitious research institutes. Through an aggregate narrative of essays, works of fiction, artworks, heterogeneous research materials, and curatorial notes, it delves into the idea that contemporary "artistic research" may be the place where the dialectical materialist magic of Monday Begins on Saturday has its afterlife. (Verlagstext) // INHALT : Beginning -- Monica Maeland Foreword Zi Qi Dong Hai -- Preface: Energy Comes from the East Evelyn Holm -- Introduction, or How I Learned to Stop Worrying and Love Mondays Ekaterina Degot, David Riff "We were nearing our destination. . -- Inter-Institutional Committee for Theoretical Conundrums -- Jan Verwoert -- Four Enriched Inquiry Institutes Our Literal Speed Our Literal Speed Boris Groys -- Subjectivity: Production and -- Reproduction -- Pavel Pepperstein -- The Skyscraper-Cleaner -- Pine Marten -- Renata Salecl -- Perverse Belief in Science -- Benedict Seymour -- Primer' -- Institute of the Disappearing Future -- Kiluanji Kia Henda Soviet Photography Ilya and Emilia Kabakov Socialist Sci-Fi Konstanze Schmitt Pelin Tan and Anton Vidokle Ritwik Ghatak Uriel Orlow -- Ivan Melnychuk and Oleksandr Burlaka-Grupa Predmetiv Minze Tummescheit and Arne Hector-cinéma copains Mariusz Tarkawian Gnezdo Group -- Institute of Pines and Prison Bread -- Aleksandr Rodchenko Wong Men Hoi Imogen Stidworthy -- Institute of Defensive Magic -- Dimitri Venkov Pedro Gômez-Egaha Clemens von Wedemeyer Stephan Dillemuth Roee Rosen -- Institute of Perpetual Accumulation Mrinal Sen Yuri Leiderman and Andrey Silvestrov Andreas Siekmann and Alice Creischer // (u.v.a.) ISBN 9783943365740 Sprache: Englisch Gewicht in Gramm: 900.…

Soft cover. Zustand: Very Good. Paperback, 175p, 20 cm. Good/very good, clean, unmarked.

8°. 22 x 15 cm. Orig.-Karton. Bd. 1: 220 S., 2 Bll. mit zahlreichen Abbildungen; Bd. 2: 94 S., 1 Bl. Englische Ausgabe mit beiliegender deutscher Übersetzung (sehr gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 850.

Broschiert. mit Schutzumschlag. Quart. 120 S. Broschur mit Schutzumschlag. Mit zahlr. farb. und schw.-w. Abb. Umschlag mit minimalem Einriss, gutes Exemplar.