steidl dangin (17 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Numerous color plates. Oblong folio, white cloth with picture laid in on front cover, acetate dust wrapper, slipcase. (Gottingen: Steidl Dangin, 2004). Fine.

Wrappers. Zustand: Near Fine. Unpaginated, but approximately 130 pages. Square format paperback, bound in printed stiff paper French fold covers. No text. Minimal shelfwear to the edges. Else, the binding is tight and solid, with an uncreased spine and clean, unmarked interior. Haunting and erotic black and white images.

Paperback. Zustand: Very Good. Trade PB. 4to. Published by Steidl, Gottingen, Germany. 2004. 128 pgs. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. In this collection of 120 black-and-white photographs, Roni Horn takes us on a journey through a locker room in Reykjavik, Iceland. With minimal movement between the camera and subject in succeeding frames, and through the use of a slow-shutter technique, this finely crafted body of work provokes the viewer to contemplate the subtleties of each image. A blur behind a portal suggests that someone else is in the locker room with the viewer. Room numbers, open and closed doors, and intersecting hallways give clues to the surroundings, and as we turn each page of the book, we sense the subtle shifting of time and space in photographs that reflect a sculptor's attention to the details of surfaces, repetition and form. EB; 9.4 X 9.3 X 0.5 inches; 128 pages.

Hardcover. Zustand: Very Good. Hardcover. 4to. Steidldangin, Gottingen, Germany. 2005. 120 pgs. Illustrated. Text in English. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Boulevard is a visual tale of two disparate cities: Paris and Los Angeles. In the early 1970s Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a quiet calm and finding composition in even the most random corners. He often focused his lens on his native New York and published a monumental series of photographs examining the modern architecture of the United Nations. In the late 1970s and then again in the early 1980s, Bartos traveled to Los Angeles and to Paris. These two influential trips would have a strong and lasting impact upon his vision. And yet, until recently, Bartos had never considered the two cities--or bodies of work--together. In this book, an intriguing dialogue takes place before our eyes. As we venture through the scarcely inhabited hotel rooms, backyards, gas stations, and, inevitably, city streets, we are struck by the graphical relationships, the surprisingly similar color palate between the two. There is a magnetism and repulsion operating here polar opposites--in art and life--that at unexpected moments converge and suddenly attract. Novelist, essayist and travel writer Geoff Dyer examines the two. EB; 11.7 X 9.8 X 0.8 inches; 120 pages.

First edition and first printing. Oblong hardcover. Features a preface by Geoff Dyer. Includes 59 color images by Bartos. A fine copy in a fine dust jacket. Still in the publisher's shrinkwrap slit open to verify edition.

First edition and first printing. Oblong hardcover. Edited by Jessica Baravarian. Features an introduction by Norman Locks. A collection of 51 color photographs by Robinson. A fine copy in cloth boards and in a fine dust jacket. Signed and warmly inscribed by Robinson on the title page. Uncommon as such.

Hardcover. Zustand: Very Good. Hardcover. 4to. Published by Steidl, Gottingen, Germany. 2004. 112 pgs. Illustrated. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. In Half-Frame, Marcy Robinson transforms simple objects into awe-inspiring forces. A rare half-frame camera discovered in a closet during Robinson's teen years inspired the title. The instrument, originally her grandfather's, uses only half the area of a 35-millimeter frame. Robinson exploits this to establish a unique viewpoint. She freezes the details of everyday scenes using plays on light and proportion that make photos, beds, window shades, traffic cones, chandeliers, paintings, grassy knolls and trees appear larger than life, yet diminutive and fragile. She makes the ordinary extraordinary: a wooden telephone pole spears a cloudy blue sky, a ghostly rectangle of dirt crosses the sinking black lines of a gutted swimming pool, the face of Dorothy from The Wizard of Oz peers out from a lone coffee mug standing before a window of dark iron bars; or tiny dead deer lies across the never-ending yellow lines of a highway. The disproportion of such tender objects against dark or vast scenery, like the deer stretched out on the infinite ribbon of the interstate, strikes the eye like a flame. This collection--never before seen--gives the viewer a unique gift: new eyes with which to gaze on our environment. The result is that neither the small nuances nor the intimate relationships they denote to the artist go unnoticed. EB; 10.2 X 9.1 X 0.9 inches; 112 pages.

Zustand des Schutzumschlags: mit Schutzumschlag. Erste Ausgabe. 31 x 36 cm. Erste Auflage, Nicht paginiert, [78 S.]. Originalpappband, OU. Sprache: Englisch, Abbildungsfolge. Tadellos. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.

Hardcover. Zustand: Very Good. Hardcover. 4to. Steidl/Dangin, Gottingen, Germany. 2006. 25 un-numbered pages with ills. , printed recto only, interleaved with an equal number of glassine leaves imprinted with the poetry. #71 of a limited edition of 700 copies. Brand new and still sealed in the original publisher's box. "Désir d'une femme pour un homme", poèmes futiles can be read as an intimate conversation between a man and a woman in words and images. It is also a collection of poems and drawings that began, strangely enough, with a fashion story. In the hands of Mathias Augustyniak, one half of the design duo M/M Paris, drawing is a powerful and introspective tool, a link between hidden worlds. As a Creative Director, Augustyniak often employs drawing to bring out the hidden message in photography. In the case of "Libertine," a subliminally erotic fashion story by Inez van Lamsweerde and Vinoodh Matadin, Augustyniak's subconscious caught up with him, ultimately leading him on a 13-day journey of the mind and the soul. The sexually explicit yet playfully childlike drawings gathered here track the path of that journey--a very personal, though not solitary or self-centered experience. Augustyniak in turn passed the drawings on to the French novelist Stéphanie Cohen and commissioned the set of accompanying poems. Published in both French and English, the spare, enigmatic, and highly charged verse stands as a body of work all its own. In other words, the drawings don't necessarily illustrate the poems, just as the poems don't necessarily clarify the drawings. The two are in conversation and sometimes even contradiction. EB; 15.0 X 11.2 X 0.6 inches; 52 pages.

Hardcover. 36 : 27 cm. Original full cloth binding in the original white slipcase. Only the slipcase is slightly dusty. (452) uncounted pages, 192 numbered plates. Very well preserved. -- Original-Ganzleinenband im weißen Original-Schutzumschlag. Nur dieser leicht angestaubt. (452) nicht gezählte Seiten, 192 Tafeln nummeriert. Sehr gut erhalten. Source Lehmanns: anima | persona is Brigitte Lacombe s second book, a collection of revelatory portraits of Bill Clinton, Meryl Streep, Martin Scorsese, Bob Dylan, Nelson Mandela, Maya Angelou, Joan Didion and many more of her most influential contemporaries. Lacombe s honest and intelligent photos document artists, writers, directors, actors and political figures in both private and public moments, intimate and theatrical. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Jahresanfang mit unterhaltender Lektüre! - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! OesiVit3.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. This is a fine hardcover copy with a fine dust jacket with no wear. Completely clean. Text in English. Essays by Robert Storr, Robert Nickas, Russell Ferguson, Lewis Baltz, Nancy Spector, Joseph Kosuth, and Miwon Kwon among others. Illustrated in color and black & white. Chronology. Bibliography, Exhibition history. 11" high X 9" wide, 410 pages. A beautiful copy of the first edition. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover. Zustand: New. 1st Edition. Two volumes in slipcase, both books issued without dust jacket. Both volumes are stated First Edition. Two volume set, bound in publishers black satin finish cloth with inset color photo plates. A pristine set, both new and unread.

Dangin. Steidl. 2006. Nummer 305 von insgesamt 700 Exemplaren. 4°. Original Gebunden. Schutzumschlag. Noch in Originalverpackung mit Siegel ! Tadellos. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Softcover. Limited Edition, one of 1000 copies (this being No. 78). Comprises over 50 studio portraits by noted Italian fashion and commercial photographer Paolo Roversi. Near Fine in wrappers, with slight lift to two corners of the rear binding, in publisher's Near Fine slipcase. Oversize volume, shipping billed at cost.