steidl 2013 (48 Ergebnisse)

Hardcover. 24 x 30 cm. Purple original cloth in landscape format with gold embossed cover titles. About 40 sheets with b/w photographs and some short texts in English and Polish are included. Good specimen. --- Oryginalna fioletowa oprawa plócienna w formacie poziomym ze zlotymi wytloczonymi tytulami okladek. Zawiera okolo 40 arkuszy z czarno-bialymi fotografiami i krótkimi tekstami w jezyku angielskim i polskim. Dobry egzemplarz. --- Lilafarbener originaler Leinenband im Querformat mit goldgeprägten Einbandtiteln. Enthalten sind etwa 40 Blatt mit s/w Fotografien und einzelnen kurzen Texten in englisch und polnisch. Gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Nehmen Sie sich ein gutes Buch mit auf die Sommerwiese. Bei uns werden Sie fündig! -- Wir kaufen Ihre werthaltigen Bücher! Sex.

HC. Zustand: Gut. Opb, Ou. 310s., in gutem Zustand, [GSA10,4a] Deu 400g.

Gewicht in Gramm: 550 leichte gebrauchsspuren,innen sauber.

Zustand: Near Fine. First edition (hardback). 8vo (27cm by 18cm), c. 120pp. Illustrated throughout in b&w. Original black cloth, b&w illustrations inlaid on the front board, no dustwrapper. Slight rubbing of the boards, else this book is in very good condition. ISBN 9783869303109.

Ohne Stempel, keine An-und Unterstreichungen, sehr guter Zustand. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

gut erhalten. Gewicht in Gramm: 550.

Gr.-8°. Ill. Opbd. 207 S. Durchgehend mit s/w ganz- oder doppelseitigen Abb. (Nahezu tadellos. Bilder auf Anfrage).

28,5x13,5 cm. 83, (1). Photographs only. Publisher's hardcover. A very good copy.

Buch. Zustand: Neu. Neuware - Household Inventory Record is a new readymade in the series of Robert Frank's late visual diaries. Composed of polaroids, the thin and upright volume continues the journey into Frank's realm and imagery, showing us snapshots from his travels, of his friends and everyday curiosities.

Buch. Zustand: Neu. Neuware - '.with the so-called civilised workers, almost without exception their civilisation was only skin deep.' O. Pirow, quoting South African Prime Minister J. B. M. HertzogFor this book Santu Mofokeng collected private photographs which urban black working and middle-class families in South Africa commissioned between 1890 and 1950, a time when the government was creating policies towards thosedesignated as 'natives'. Painterly in style, the images evoke the artifices of Victorian photography. Some of them are fiction, a creation of the artist in terms of setting, props, clothing and pose - yet there is no evidence of coercion. We believe these images, as they reveal something about how these people imagined themselves. In this work Mofokeng analyses the sensibilities, aspirations and self-image of the black population and its desire for representation and social recognition in times of colonial rule and suppression.The Black Photo Album / Look at Me: 1890-1950 is drawn from an ongoing research project of the University of Witwatersrand in Johannesburg.

Buch. Zustand: Neu. Neuware - The pictures in Ether, Sheikh's first book in colour, were made as a way to honour the experience of death and to try tocomprehend its significance. Benares (Varanasi) is one of India s sacred cities, where many Hindus come to die in the belief that they will find salvation. As he walked its streets by night, Sheikh observed sleeping figures, shrouded in blankets, lost to an oblivion that seemed, in that holy city, to offer a simulacrum of death. In watching these ambiguous figures, which hover in the imagination between a dream state, sleep and death, Sheikh recalled his own experience with his dying father and their passage together through his father's final days. He remembered it as an invaluable period of emotional connection with the body and soul of the person he knew and loved, a connection that reached back to his paternal ancestors, who had travelled south from northern India a century before.To lose oneself in sleep is to abandon the senses and leave the way open to a dream state in which mind and body separate. Just as, in death, the soul leaves the physical body behind and takes to the air, becoming ether.

Buch. Zustand: Neu. Neuware - Distance and Desire - accompanying the same-titled exhibition in Neu-Ulm - is the first major publication to stage a dialogue between the ethnographic visions of late nineteenth and early-twentieth century African photography and engagements with this imagery by contemporary artists. Presenting an extraordinary range of portraits, albums, postcards, cartes de visite, and books from Southern Africa, as well as recent photography and video art from The Walther Collection, the catalogue includes original thematic essays by leading art historians, anthropologists, and cultural critics.Distance and Desire offers new perspectives on the African archive, reimagining its diverse histories and changing meanings.Distance and Desire investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitters posing in stylized studios, critically addressing the politics of colonialism and the complex issues of gender and identity. Among many diverse topics, the catalogue examines in-depth a series of cartes de visite from the Diamond Fields in Kimberley, the figure of the Zulu, the history of South Africa's prominent studio photographers, A.M. Duggan-Cronin's extensive ethnographic study The Bantu Tribes of South Africa, and the archive of elegant family portraits reproduced by the contemporary artist Santu Mofokeng in The Black Photo Album / Look at Me: 1890-1950. The catalogue also reveals how the heritage of African imagery figures in the practices of contemporary African and African American artists, whose compelling photography and video art reworks the archive through satire or appropriation.

Buch. Zustand: Neu. Neuware - Berenice Abbott was one of the most versatile photographic artists of the twentieth century and her work has been published and publicized since the beginning of her career in 1925. She is best known for her Paris portraits of the 1920s and her documentation of New York City in the 1930s but, like most great artists, Abbotts reputation has rested on a small portion of her lifes work. For every time one of her most famous photographs has been published there are many others that could have served the same purpose but were not used because they are less well known. In Abbotts case there is an unusually large body of unknown work because during the most potentially creative time of her life, the circumstances of her existence were very complicated, largely due to lack of work and income, particularly between the years 1929 to 35 and 1940 to 1959. Many of the photographs she did manage to create in those years were not sufficiently commercial to attract a publisher and she was financially unable to publicize them on her own, develop a project to its natural conclusion or, in some instances, even undertake a project of interest. The Unknown Abbott attempts to correct this situation and make some of Abbotts outstanding but largely unknown work available to a wider public. Gerhard Steidl had published the two volume Berenice Abbott in 2008 and Documenting Science in 2012. These books are currently out of print but are going to be reissued by Steidl in the near future. Steidl met with the editors Hank ONeal and Ron Kurtz in late January 2011 to discuss future Abbott projects. This was when they began thinking of a series of Abbott books, dealing with various aspects of her career. Hank ONeal and Ron Kurtz have chosen to present five volumes of work, ranging from her earliest photographs in New York City to documents of American cities before the Civil War, vigorous lumberjacks in Californias High Sierra Mountains, the sophisticated bohemia of Greenwich Village as well as the amusements of Daytona Beach. The Unknown Abbott is a very ambitious project that will present hundreds of outstanding Abbott images for the first time. Her reputation is already very secure, but these previously unknown images will further clarify the range of her photographic activity beyond her portraits in Paris, Changing New York and Documenting Science.

Softcover. Sehr guter Zustand. Broschur, Maße: 26 x 23 cm, 77 Seiten. Einband minimal berieben. Fotografien und Texte von Leonard Freed. Einführung von Florian Ebner. Essay von Paul M. Faber. Gewicht: 316.

Hardcover, 280 pages, ENG. edition, 280 x 190 x 25 mm, NEW, illustrated by the well-known style of Dine, in color / b/w. ISBN 9783869306445. Inspired by a semi-autobiographical book by the mid-20th century German printmaker HAP Grieshaber, I have used his idea to create a story of fifty years as a printmaker. The book includes interviews with my printers and memories of my life around the prints I made at that time. I have made over a thousand prints so far and I am not done yet. There are ?key? images illustrated, and the text attempts to marry the technical with my emotional feeling for the mediums, etching, lithography, woodcut and silkscreen. I have included recipes for variations on intaglio and some stories of my friendships with these gifted artisans who have produced this work.? Jim Dine 1150 g.

BOUND 32,8 x 26,6 cm. 48 S. mit zahlr. Abb. . Text in ENGLISH Mit einem Text von Paul Fournel. ISBN 9783869305486. That Belgian, he doesn't even leave you the crumbs, he's a cannibal! Christian Raymond In cycle racing there have been some amazing feats, stories of comeback and daring, of victory and tragedy, of personal sacrifice and bad luck ? and then there is the story of the greatest cyclist that ever lived: Eddy Merckx. This extraordinary Belgian notched up an incredible 525 victories in a career that spanned just over thirteen years. No surprise then, that even his teammates nicknamed him The Cannibal. Eddy Merckx was from a different time, a time when professional cyclists raced all year round, from the cold early season classics, to the hot summer grand tours. Today professional bike riders specialise in one event, yet Merckx was a true all-rounder, equally at home in the velodromes of Ghent as on the French Alps. He won all of the major bike races and more; the Cannibal was unique. This photographic collection is unique too, because it is the story of Eddy Merckx as seen by a fan. L?album d?Eddy does not show considered portraits or typical finish line celebrations, but intimate and personal images of Merckx. This book depicts races including the Tour de France and the 1971 World Championships in Barcelona, and shows many of the riders of the time such as Raymond Poulidor, Roger Swerts and Herman van Springel. The origin of the album remains a mystery: all we know about its possible owner is the inscription on the inside cover: Bien sportivement M. Louis LeCouf by Eddy Merckx. 0 g.

sonst. Bücher. Zustand: Neu. Neuware -Auf Long Island, am Atlantischen Ozean, thront hoch oben auf einer Düne ein Haus, das einem Riesen zu gehören scheint. Ganz in der Nähe dieses liebenswerten Monstrums steht ein kleines, ebenso verwunschenes Cottage. Der Rasen davor gehört Bluebell, der schwarzen Labradorhündin mit der ergrauten Schnauze. Hier liegt sie und wartet, dass die sieben Kinder, die im Sommer das Schloss des Riesen bewohnen, zum Spielen vorbeikommen oder dass ihre Besitzerin, Mary Ann, mit ihr zum Strand geht. Im Wasser ist Bluebell in ihrem Element. Kein anderer Hund schwimmt schneller als sie, kein anderer Hund hat je das Reich des Fischkönigs gesehen. Phantasievoll und mit großer Zärtlichkeit erzählt die sonst so scharfzüngige Maeve Brennan nicht nur von Bluebells Sehnsüchten, sondern auch von ihren eigenen heimlichen Träumen. Denn in Mary Ann, die in dem windschiefen Cottage am Meer ein provisorisches Zuhause gefunden hat, die gern kocht und ganz gegen ihre Gewohnheit sogar Zutrauen zu einem kleinen Mädchen fasst, ist unschwer die Autorin selbst zu erkennen.Steidl Verlag, Düstere Str. 4, 37073 Göttingen 80 pp. Deutsch.

Buch. Zustand: Neu. Neuware - Auf Long Island, am Atlantischen Ozean, thront hoch oben auf einer Düne ein Haus, das einem Riesen zu gehören scheint. Ganz in der Nähe dieses liebenswerten Monstrums steht ein kleines, ebenso verwunschenes Cottage. Der Rasen davor gehört Bluebell, der schwarzen Labradorhündin mit der ergrauten Schnauze. Hier liegt sie und wartet, dass die sieben Kinder, die im Sommer das Schloss des Riesen bewohnen, zum Spielen vorbeikommen oder dass ihre Besitzerin, Mary Ann, mit ihr zum Strand geht. Im Wasser ist Bluebell in ihrem Element. Kein anderer Hund schwimmt schneller als sie, kein anderer Hund hat je das Reich des Fischkönigs gesehen. Phantasievoll und mit großer Zärtlichkeit erzählt die sonst so scharfzüngige Maeve Brennan nicht nur von Bluebells Sehnsüchten, sondern auch von ihren eigenen heimlichen Träumen. Denn in Mary Ann, die in dem windschiefen Cottage am Meer ein provisorisches Zuhause gefunden hat, die gern kocht und ganz gegen ihre Gewohnheit sogar Zutrauen zu einem kleinen Mädchen fasst, ist unschwer die Autorin selbst zu erkennen.

Hardcover. Sehr guter Zustand. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Leinen mit Schutzumschlag, 1230 Seiten. Umschlag mit geringen Gebrauchsspuren, sonst tadellos. Insgesamt sehr guter Zustand. Gewicht: 1330.

125 S., Orig.-Leinenband mit Orig.-Transparentumleger. Erste Auflage.- Kleines Namenssignet auf dem Titelblatt unten. Gutes Exemplar.

STEIDL Edition. 2013. 29 x 14 cm. Original cloth with dust jacket. Household Inventory Record is a new readymade in the series of Robert Frank s late visual diaries. Composed of polaroids, the thin and upright volume continues the journey into Frank s realm and imagery, showing us snapshots from his travels, of his friends and everyday curiosities. NOCH ORIGINALVERPACKT! STILLSEALED IN PUBLISHERS SHRINKWRAP. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

32,5x26 cm. (200); (80); (184) pp. Mainly photographs. Publisher's illustrated cloth, in original slipcase. A near fine set. First volume signed by Bailey.

Steidl. isbn 9783869307169 2013. MINT - VERLAGFRISCH Folio. 212 pages / Seiten + 122 illustrations. Original hardcover with dust jacket. The refenrence- book publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works included in this volume represent the beginning of the artist s innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon, and lead, in addition to key early examples of his work in steel and a selection of the artist s films from this period. The interplay of gravity and material that was introduced early in Serra s career set the stage for his ongoing engagement with the spatial and temporal properties of sculpture. This monograph aims to reconsider the groundbreaking practices and ideas that so firmly situate Serra in the history of 20th-century art-------------------- Noch in Schutzfolie eingeschweisst. Mint copy. Fine. Verlagsfrisch. STILLSEALED IN PUBLISHER'S SHRINKWRAP. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Steidl. ISBN 9783869307169 2013. MINT ! VERLAGSFRISCH Folio. 212 pages / Seiten + 122 illustrations. Original hardcover with dust jacket. The refenrence- book publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works included in this volume represent the beginning of the artist s innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon, and lead, in addition to key early examples of his work in steel and a selection of the artist s films from this period. The interplay of gravity and material that was introduced early in Serra s career set the stage for his ongoing engagement with the spatial and temporal properties of sculpture. This monograph aims to reconsider the groundbreaking practices and ideas that so firmly situate Serra in the history of 20th-century art-------------------- Noch in Schutzfolie eingeschweisst. Mint copy. Fine. Verlagsfrisch. STILLSEALED IN PUBLISHER'S SHRINKWRAP. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Göttingen, Steidl, 2013 0 (Text englisch). 29 x 37 cm, 208 Seiten, 181 Farbabbildungen. Leinenband mit geprägter Titelillustration. Leinen mit geprägter Titelillustration. Verlagsfrisch, noch eingeschweißt! NEW, still sealed in publishers's shrinkwrap! Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Gebunden, Leineneinband mit illustriertem Schutzumschlag. 224 Seiten mit zahlreichen s/w Abbildungen. Format 23 x 26,3 cm. Dazu Broschur mit 64 Seiten, zahlreichen s/w Abbildungen. Format 23 x 26,3 cm. Sehr guter Zustand. Leonard Freeds Deutschland-Reportage "Made in Germany" erschien erstmals 1970. Hier ein Reprint anläßlich der Ausstelung im Folkwang Museum mit zusätzlicher Broschur, die auf die damalige Rezeption des Buches in den USA eingeht und weitere, noch unbekannte Bilder zeigt. Hauptbuch in englischer Sprache. Broschur in deutscher Sprache.

Göttingen, Steidl, 2013 0 28 x 32 cm, 360 Seiten, durchg. Farb- und Duotone-Tafeln. Leinenband. Cloth with dust jacket. Mit Schutzumschlag Verlagsfrisch. Fine copy. Still sealed in publisher's shrinkwrap. Noch in Schutzfolie eingeschweißt. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Göttingen Steidl. 2013. 34 x 26 cm. OLeinen. Full cloth. In April 1979, a book of fifteen colour photographs by William Eggleston was published in a limited edition of twenty. The photographs were taken from the second chapter of an unpublished larger work entitled Wedgewood Blue. Amidst his publications Chromes (2011), Los Alamos Revisited (2012), and the upcoming Democratic Forest (2014) and Election Eve (2016), all documenting his lifetime work, At Zenith constitutes a calm and experimental intermezzo from Eggleston s familiar loudness and intensity of colours. The photographer pointed his camera at the sky to focus on the clouds rolling by. - Verlagsfrisch. Noch folienverschweißt. Fine copy. Still sealed. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Steidl. 2013. Folio. 136 pages / Seiten + illustrations. Clothbound - Hardback. In 1948, Gordon Parks began his professional relationship with Life magazine that would last twenty-two years. For his first project, he proposed a series of pictures about the gang wars that were then plaguing Harlem, believing that if he could draw attention to the problem then perhaps it would be addressed through social programs or government intervention. As a result of his efforts, Parks gained the trust of one particular group of gang members and their leader, Leonard "Red" Jackson, and produced a series of pictures of them that are artful, emotive, poignant, touching, and sometimes shocking. From this larger body of work, twenty-one pictures were selected for reproduction in a graphic and adventurous layout in Life magazine. ---- At each step of the selection processas Parks chose each shot, or as the picture editors at Life re-selected from his selectionany intended narrative was complicated by another curatorial voice. Featuring contact sheets, proof prints and the published Life article, Gordon Parks: The Making of an Argument traces this editorial process and parses out the various voices and motives behind the production of the picture essay. Co-published by The Gordon Parks Foundation and the New Orleans Museum of Art. - Exhibition: New Orleans Museum of Art, September 13, 2013 - January 17, 2014. - MINT COPY. VERLAGSFRISCH. Noch in Schutzfolie eingeschweisst. Still unopened ! Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Three hardcover and two softcover books in a wooden box / 40 x 29 cm. In fine condition. German text. ISBN 9783869301945. The central book in this limited edition boxed set Reklame. Frühe Werbung auf Plakaten (Reklame. Early German Poster Advertising) presents Museum Folkwang. Accompanying this are meticulous facsimiles of four true rarities of the printed page: Oscar Bie?s 1920 Schnackenberg. Kostüme, Plakate und Dekorationen, H.K. Frenzel?s monograph Ludwig Hohlwein, and two brochures titled Unsere Reklamekünstler ? Selbstbekenntnisse und Selbstbildnisse, originally published in 1920 and 1921. Printed and bound with scrupulous attention to detail and presented in a handcrafted wooden box, Reklame is a unique book object and a must-have for all those with an interest in the history of poster art. 0 g.