stanford university press jun 2022 (28 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - 'From the beginning of the Republic, this country has struggled to reconcile its use of capital punishment with the Constitution's prohibition of cruel punishment. Death penalty proponents argue both that it is justifiable as a response to particularly heinous crimes, and that it serves to deter people from committing them in the future. However, since the earliest executions, abolitionists have fought against this state-sanctioned killing, arguing, among other things, that the methods of execution have frequently been just as gruesome as the crimes meriting their use execution. Lethal injection was first introduced in order to quell such objections, but, as Austin Sarat shows in this brief history, its supporters' commitment to painless and humane death has never been certain. This book tells the story of lethal injection's earliest iterations in the United States, starting with New York state's rejection of that execution method almost a century and half ago. Sarat recounts lethal injection's return in the late 1970s, and offers novel and insightful scrutiny of the new drug protocols that went into effect between 2010 and 2020. Drawing on rare data, he makes the case that lethal injections during this time only became more unreliable, inefficient, and more frequently botched. Beyond his stirring narrative history, Sarat mounts a comprehensive condemnation of the state-level maneuvering in response to such mishaps, whereby death penalty states adopted secrecy statutes and adjusted their execution protocols to make it harder to identify and observe lethal injection's flaws. What was once touted as America's most humane execution method is now its most unreliable one. What was once a model of efficiency in the grim business of state killing, is now marked by mayhem. The book concludes by critically examining the place of lethal injection, and the death penalty writ large, today'--.

Taschenbuch. Zustand: Neu. Neuware - 'Koreatown, Los Angeles tells the story of how one ethnic neighborhood came to signify a shared Korean American identity. At the turn of the twentieth century, Los Angeles's Korean population stood at about 186,000--the largest concentration of Koreans outside of Asia. Most of this growth took place following the passage of the Hart-Celler Act of 1965, which dramatically altered US immigration policy and ushered in a new era of mass immigration, particularly from Asia and Latin America. Over the following decades, Korean immigrants continued to build community in LA, and in 1979, a group of Koreans sought city development funds to turn the area around Olympic Boulevard near downtown Los Angeles into a full-fledged 'Koreatown.' As Korean immigrants seized the opportunity to purchase inexpensive commercial and residential property and transformed the area to serve their community's needs, other minority communities in nearby South LA--notably Black and Latino working-class communities--faced increasing segregation, urban poverty, and displacement. Beginning with the early development of LA's Koreatown and culminating with the 1992 Los Angeles riots and their aftermath, Shelley Sang-Hee Lee demonstrates how Korean Americans' lives were shaped by patterns of racial segregation and urban poverty, and legacies of anti-Asian racism and orientalism. 'Koreatown, Los Angeles' tells the story of an American ethnic community often equated with socioeconomic achievement and assimilation, but whose experiences as racial minorities and immigrant outsiders illuminate key economic and cultural developments in the United States since 1965. Lee argues that building Koreatown was an urgent objective for Korean immigrants and US-born Koreans eager to carve out a spatial niche within Los Angeles to serve as an economic and social anchor for their growing community. More than a dot on a map, Koreatown holds profound emotional significance for Korean immigrants across the nation as a symbol of their shared bonds and place in American society'--.

Taschenbuch. Zustand: Neu. Neuware - 'How does Martin Luther King, Jr. understand race philosophically and how did this understanding lead him to develop an ontological conception of racist police violence In this important new work, Mark Christian Thompson attempts to answer these questions, examining ontology in Martin Luther King, Jr.'s philosophy. Specifically, the book reads King through 1920s German academic debates between Martin Heidegger, Rudolf Bultmann, Hans Jonas, Carl Schmitt, Eric Voegelin, Hannah Arendt, and others on Being, gnosticism, existentialism, political theology, and sovereignty. It further examines King's dissertation about Tillich, as well other key texts from his speculative writings, sermons, and speeches, positing King's understanding of divine love as a form of Heideggerian ontology articulated in beloved community. Tracking the presence of twentieth-century German philosophy and theology in his thought, the book situates King's ontology conceptually and socially in nonviolent protest. In so doing, The Critique of Nonviolence reads King's 'Letter from a Birmingham Jail' (1963) with Walter Benjamin's 'Critique of Violence' (1921) to reveal the depth of King's political-theological critique of police violence as the illegitimate appropriation of the racialized state of exception. As Thompson argues, it is in part through its appropriation of German philosophy and theology that King's ontology condemns the perpetual American state of racial exception that permits unlimited police violence against Black lives'--.

Taschenbuch. Zustand: Neu. Neuware - 'A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present'.

Taschenbuch. Zustand: Neu. Neuware - 'The Lebanese state is structured through religious freedom and secular power sharing across sectarian groups. Every sect has specific laws that govern kinship matters like marriage or inheritance. Together with criminal and civil laws, these laws regulate and produce political difference. But whether women or men, Muslims or Christians, queer or straight, all people in Lebanon have one thing in common--they are biopolitical subjects forged through bureaucratic, ideological, and legal techniques of the state. With this book, Maya Mikdashi offers a new way to understand state power, theorizing how sex, sexuality, and sect shape and are shaped by law, secularism, and sovereignty. Drawing on court archives, public records, and ethnography of the Court of Cassation, the highest civil court in Lebanon, Mikdashi shows how political difference is entangled with religious, secular, and sexual difference. She presents state power as inevitably contingent, like the practices of everyday life it engenders, focusing on the regulation of religious conversion, the curation of legal archives, state and parastatal violence, and secular activism. Sextarianism locates state power in the experiences, transitions, uprisings, and violence that people in the Middle East continue to live'.

Taschenbuch. Zustand: Neu. Neuware - 'When first written into the Constitution, intellectual property aimed to facilitate 'progress of science and the useful arts' by granting rights to authors and inventors. The internet age has rendered more uncertain and fraught both the method of property rights and its purpose to promote knowledge and invention. Today, when rapid technological evolution accompanies growing wealth inequality and political and social divisiveness, the constitutional goal of 'progress' may pertain to more basic, human values, redirecting IP's emphasis to the commonweal instead of private interests. Against Progress considers contemporary debates about intellectual property law as concerning the relationship between the constitutional mandate of progress and fundamental values, such as equality, privacy, and distributive justice, that are increasingly challenged in today's internet age. Following a legal analysis of various intellectual property court cases, Jessica Silbey examines the experiences of everyday creators and innovators navigating ownership, sharing, and self- and community sustainability within the internet eco-system and current IP laws. Their accounts expose intellectual property law as a framework through which to discuss essential socio-political issues. Crucially, the book encourages refiguring the substance of 'progress' and the function of intellectual property in terms that demonstrate the urgency of art and science to social justice today'--.

Taschenbuch. Zustand: Neu. Neuware - A rare glimpse into South Korea's corporate world, Supercorporate looks at the tensions and contradictions in redefining what modern office work means in the twenty-first century.

Taschenbuch. Zustand: Neu. Neuware - 'With this incisive work, Palmer Rampell reveals the surprising role genre fiction played in redefining the category of the private person in the postwar period. Especially after the Supreme Court established a constitutional right to privacy in 1965, legal scholars, judges, and the general public scrambled to understand the scope of that right. Before and after the Court's ruling, authors of genre fiction and film reformulated their aliens, androids, and monsters to engage in debates about personal privacy as it pertained to issues like abortion, police surveillance, and euthanasia. Triangulating novels and films with original archival discoveries and historical and legal research, Rampell provides new readings of Patricia Highsmith, Dorothy B. Hughes, Philip K. Dick, Octavia Butler, Chester Himes, Stephen King, Cormac McCarthy, and others. The book pairs the right of privacy for heterosexual sex with queer and proto-feminist crime fiction; racialized police surveillance at midcentury with Black crime fiction; Roe v. Wade (1973) with 1960s and 1970s science fiction; the Child Abuse Prevention and Treatment Act (1974) with horror; and the right to die with westerns. While we are accustomed to defenses of fiction for its capacity to represent fully rendered private life, Genres of Privacy suggests that we might value a certain strand of genre fiction for its capacity to theorize the meaning of the protean concept of privacy'.

Taschenbuch. Zustand: Neu. Neuware - 'The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Vèaliaho maps how the leading optical media of the period--the camera obscura and the magic lantern--developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Vèaliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Vèaliaho argues, 'projection' became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials--philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations--this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world'--.

Taschenbuch. Zustand: Neu. Neuware - 'In Azusa Reimagined, Keri Day explores how the Azusa Street Revival of 1906, out of which U.S. Pentecostalism emerged, directly critiqued America's distorted capitalist values and practices at the start of the twentieth century. Employing historical research, theological analysis, and critical theory, Day demonstrates that Azusa's religious rituals and traditions rejected the racial norms and profit-driven practices that many white Christian communities gladly embraced. Through its sermons and social practices, the Azusa community critiqued racialized conceptions of citizenship that guided early capitalist endeavors such as world fairs and expositions. Azusa also envisioned deeper democratic practices of human belonging and care than the white nationalist loyalties early U.S. capitalism encouraged. In this lucid work, Day makes Azusa's challenge to this warped economic ecology visible, showing how Azusa not only offered a radical critique of racial capitalism but also offers a way for contemporary religious communities to cultivate democratic practices of belonging against the backdrop of late capitalism's deep racial divisions and material inequalities'--.

Taschenbuch. Zustand: Neu. Neuware - 'Palestinians living on different sides of the Green Line make up approximately one-fifth of Israeli citizens and about four-fifths of the population of the West Bank. In both groups, activists assert that they share a single political struggle for national liberation. Yet, obstacles inhibit their ability to speak to each other and as a collective. Geopolitical boundaries fragment Palestinians into ever smaller groups. 'Crossing a Line' enters these distinct environments for political expression and action of Palestinians who carry Israeli citizenship and Palestinians subject to Israeli military occupation in the West Bank, and considers how Palestinians are differently impacted by dispossession, settler colonialism, and militarism. Amahl Bishara looks to sites of political practice--journalism, historical commemorations, street demonstrations, social media, in prison, and on the road--to analyze how Palestinians create collectivities in these varied circumstances. She draws on firsthand research, personal interviews, and public media to examine how people shape and reshape meanings in circumstances of constraint. In considering these different environments for political expression and action, Bishara illuminates how expression is always grounded in place--and how a people can struggle together for liberation together even when they cannot join together in protest'--.

Taschenbuch. Zustand: Neu. Neuware - 'Muhtars, the lowest level elected political position in Turkey, hold an ambiguously defined place within the administrative hierarchy. They are public officials, but local citizens do not always associate them with the central government. Street-Level Governing is the first book to investigate how muhtars carry out their role-not only what they are supposed to do, but how they actually operate-to provide an ethnographic study of the state as viewed from its margins. It starts from the premise that the seeming 'margin' of state administration is not peripheral at all, but instructive as to how it functions. As Elise Massicard shows, muhtars exist at the intersection of everyday life and the exercise of power. Their position offers a personalized point of contact between citizens and state institutions, enabling close oversight of the citizenry, yet simultaneously projecting the sense of an accessible state to individuals. Challenging common theories of the state, Massicard outlines how the position of the muhtar throws into question an assumed dichotomy between domination and social resistance, and suggests that considerations of circumvention and accommodation are normal attributes of state-society functioning'--.

Taschenbuch. Zustand: Neu. Neuware - 'The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project--a Ba'thist cultural revolution--sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Ba'thist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War. Revolutions Aesthetic reconceptualizes contemporary Syrian politics, authoritarianism, and cultural life. Engaging rich original sources--novels, films, and cultural periodicals--Weiss highlights themes crucial to the making of contemporary Syria: heroism and leadership, gender and power, comedy and ideology, surveillance and the senses, witnessing and temporality, and death and the imagination. Revolutions Aesthetic places front and center the struggle around aesthetic ideology that has been key to the constitution of state, society, and culture in Syria over the course of the past fifty years'.

Taschenbuch. Zustand: Neu. Neuware - 'In Interconnected Worlds, Henry Wai-Chung Yeung offers a theory-driven analysis of electronics global production networks during the 2010s, in order to develop the idea of global production networks as an organizational innovation that connect different and yet interdependent 'worlds' of production (e.g. from Silicon Valley to East Asia) and to demonstrate how GPN 2.0 can be productively applied to explain these contemporary organizational dynamics in the global electronics industry'--.

Buch. Zustand: Neu. Neuware - 'Critics have long understood the development of Romantic aesthetics as a turning point in the history of literary theory, a turn that is responsible for theories of mind and body that continue to inform our understandings of subjectivity and embodiment today. Yet the question of what aesthetic experience can 'do' grates against the fact that much Romantic writing represents subjects as not actually in charge of the feelings they feel, the dreams they dream, or the actions they take. In response to this dilemma, Poetic Form and Romantic Provocation argues that being moved contrary to one's will is itself an aesthetic phenomenon explored by Romantic poets whose experiments with poetic form and genre provoke unanticipated feelings through verse. By analyzing how Romantic poets intervene, affectively and aesthetically, in readerly expectations of form and genre, Mathes shows how provocations disrupt and invite, disturb and compel--interrupting or suspending or retreating in ways that ask readers to orient themselves, materially and socially, in relation to literary experiences that are at once virtual and embodied. Examining the formal tactics of Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley, alongside their reactions to historical events such as Toussaint Louverture's revolt and the Peterloo Massacre, Mathes reveals that an aesthetics of radical openness is central to the development of literary theory and criticism in Romantic Britain'--.

Buch. Zustand: Neu. Neuware - 'Koreatown, Los Angeles tells the story of how one ethnic neighborhood came to signify a shared Korean American identity. At the turn of the twentieth century, Los Angeles's Korean population stood at about 186,000--the largest concentration of Koreans outside of Asia. Most of this growth took place following the passage of the Hart-Celler Act of 1965, which dramatically altered US immigration policy and ushered in a new era of mass immigration, particularly from Asia and Latin America. Over the following decades, Korean immigrants continued to build community in LA, and in 1979, a group of Koreans sought city development funds to turn the area around Olympic Boulevard near downtown Los Angeles into a full-fledged 'Koreatown.' As Korean immigrants seized the opportunity to purchase inexpensive commercial and residential property and transformed the area to serve their community's needs, other minority communities in nearby South LA--notably Black and Latino working-class communities--faced increasing segregation, urban poverty, and displacement. Beginning with the early development of LA's Koreatown and culminating with the 1992 Los Angeles riots and their aftermath, Shelley Sang-Hee Lee demonstrates how Korean Americans' lives were shaped by patterns of racial segregation and urban poverty, and legacies of anti-Asian racism and orientalism. 'Koreatown, Los Angeles' tells the story of an American ethnic community often equated with socioeconomic achievement and assimilation, but whose experiences as racial minorities and immigrant outsiders illuminate key economic and cultural developments in the United States since 1965. Lee argues that building Koreatown was an urgent objective for Korean immigrants and US-born Koreans eager to carve out a spatial niche within Los Angeles to serve as an economic and social anchor for their growing community. More than a dot on a map, Koreatown holds profound emotional significance for Korean immigrants across the nation as a symbol of their shared bonds and place in American society'--.

Buch. Zustand: Neu. Neuware - 'The Lebanese state is structured through religious freedom and secular power sharing across sectarian groups. Every sect has specific laws that govern kinship matters like marriage or inheritance. Together with criminal and civil laws, these laws regulate and produce political difference. But whether women or men, Muslims or Christians, queer or straight, all people in Lebanon have one thing in common--they are biopolitical subjects forged through bureaucratic, ideological, and legal techniques of the state. With this book, Maya Mikdashi offers a new way to understand state power, theorizing how sex, sexuality, and sect shape and are shaped by law, secularism, and sovereignty. Drawing on court archives, public records, and ethnography of the Court of Cassation, the highest civil court in Lebanon, Mikdashi shows how political difference is entangled with religious, secular, and sexual difference. She presents state power as inevitably contingent, like the practices of everyday life it engenders, focusing on the regulation of religious conversion, the curation of legal archives, state and parastatal violence, and secular activism. Sextarianism locates state power in the experiences, transitions, uprisings, and violence that people in the Middle East continue to live'.

Buch. Zustand: Neu. Neuware - 'A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present'.

Buch. Zustand: Neu. Neuware - A rare glimpse into South Korea's corporate world, Supercorporate looks at the tensions and contradictions in redefining what modern office work means in the twenty-first century.

Buch. Zustand: Neu. Neuware - 'How does Martin Luther King, Jr. understand race philosophically and how did this understanding lead him to develop an ontological conception of racist police violence In this important new work, Mark Christian Thompson attempts to answer these questions, examining ontology in Martin Luther King, Jr.'s philosophy. Specifically, the book reads King through 1920s German academic debates between Martin Heidegger, Rudolf Bultmann, Hans Jonas, Carl Schmitt, Eric Voegelin, Hannah Arendt, and others on Being, gnosticism, existentialism, political theology, and sovereignty. It further examines King's dissertation about Tillich, as well other key texts from his speculative writings, sermons, and speeches, positing King's understanding of divine love as a form of Heideggerian ontology articulated in beloved community. Tracking the presence of twentieth-century German philosophy and theology in his thought, the book situates King's ontology conceptually and socially in nonviolent protest. In so doing, The Critique of Nonviolence reads King's 'Letter from a Birmingham Jail' (1963) with Walter Benjamin's 'Critique of Violence' (1921) to reveal the depth of King's political-theological critique of police violence as the illegitimate appropriation of the racialized state of exception. As Thompson argues, it is in part through its appropriation of German philosophy and theology that King's ontology condemns the perpetual American state of racial exception that permits unlimited police violence against Black lives'--.

Buch. Zustand: Neu. Neuware - 'Palestinians living on different sides of the Green Line make up approximately one-fifth of Israeli citizens and about four-fifths of the population of the West Bank. In both groups, activists assert that they share a single political struggle for national liberation. Yet, obstacles inhibit their ability to speak to each other and as a collective. Geopolitical boundaries fragment Palestinians into ever smaller groups. 'Crossing a Line' enters these distinct environments for political expression and action of Palestinians who carry Israeli citizenship and Palestinians subject to Israeli military occupation in the West Bank, and considers how Palestinians are differently impacted by dispossession, settler colonialism, and militarism. Amahl Bishara looks to sites of political practice--journalism, historical commemorations, street demonstrations, social media, in prison, and on the road--to analyze how Palestinians create collectivities in these varied circumstances. She draws on firsthand research, personal interviews, and public media to examine how people shape and reshape meanings in circumstances of constraint. In considering these different environments for political expression and action, Bishara illuminates how expression is always grounded in place--and how a people can struggle together for liberation together even when they cannot join together in protest'--.

Buch. Zustand: Neu. Neuware - 'When first written into the Constitution, intellectual property aimed to facilitate 'progress of science and the useful arts' by granting rights to authors and inventors. The internet age has rendered more uncertain and fraught both the method of property rights and its purpose to promote knowledge and invention. Today, when rapid technological evolution accompanies growing wealth inequality and political and social divisiveness, the constitutional goal of 'progress' may pertain to more basic, human values, redirecting IP's emphasis to the commonweal instead of private interests. Against Progress considers contemporary debates about intellectual property law as concerning the relationship between the constitutional mandate of progress and fundamental values, such as equality, privacy, and distributive justice, that are increasingly challenged in today's internet age. Following a legal analysis of various intellectual property court cases, Jessica Silbey examines the experiences of everyday creators and innovators navigating ownership, sharing, and self- and community sustainability within the internet eco-system and current IP laws. Their accounts expose intellectual property law as a framework through which to discuss essential socio-political issues. Crucially, the book encourages refiguring the substance of 'progress' and the function of intellectual property in terms that demonstrate the urgency of art and science to social justice today'--.

Buch. Zustand: Neu. Neuware - 'Muhtars, the lowest level elected political position in Turkey, hold an ambiguously defined place within the administrative hierarchy. They are public officials, but local citizens do not always associate them with the central government. Street-Level Governing is the first book to investigate how muhtars carry out their role-not only what they are supposed to do, but how they actually operate-to provide an ethnographic study of the state as viewed from its margins. It starts from the premise that the seeming 'margin' of state administration is not peripheral at all, but instructive as to how it functions. As Elise Massicard shows, muhtars exist at the intersection of everyday life and the exercise of power. Their position offers a personalized point of contact between citizens and state institutions, enabling close oversight of the citizenry, yet simultaneously projecting the sense of an accessible state to individuals. Challenging common theories of the state, Massicard outlines how the position of the muhtar throws into question an assumed dichotomy between domination and social resistance, and suggests that considerations of circumvention and accommodation are normal attributes of state-society functioning'--.

Buch. Zustand: Neu. Neuware - 'In Azusa Reimagined, Keri Day explores how the Azusa Street Revival of 1906, out of which U.S. Pentecostalism emerged, directly critiqued America's distorted capitalist values and practices at the start of the twentieth century. Employing historical research, theological analysis, and critical theory, Day demonstrates that Azusa's religious rituals and traditions rejected the racial norms and profit-driven practices that many white Christian communities gladly embraced. Through its sermons and social practices, the Azusa community critiqued racialized conceptions of citizenship that guided early capitalist endeavors such as world fairs and expositions. Azusa also envisioned deeper democratic practices of human belonging and care than the white nationalist loyalties early U.S. capitalism encouraged. In this lucid work, Day makes Azusa's challenge to this warped economic ecology visible, showing how Azusa not only offered a radical critique of racial capitalism but also offers a way for contemporary religious communities to cultivate democratic practices of belonging against the backdrop of late capitalism's deep racial divisions and material inequalities'--.

Buch. Zustand: Neu. Neuware - 'The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Vèaliaho maps how the leading optical media of the period--the camera obscura and the magic lantern--developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Vèaliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Vèaliaho argues, 'projection' became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials--philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations--this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world'--.

Buch. Zustand: Neu. Neuware - 'With this incisive work, Palmer Rampell reveals the surprising role genre fiction played in redefining the category of the private person in the postwar period. Especially after the Supreme Court established a constitutional right to privacy in 1965, legal scholars, judges, and the general public scrambled to understand the scope of that right. Before and after the Court's ruling, authors of genre fiction and film reformulated their aliens, androids, and monsters to engage in debates about personal privacy as it pertained to issues like abortion, police surveillance, and euthanasia. Triangulating novels and films with original archival discoveries and historical and legal research, Rampell provides new readings of Patricia Highsmith, Dorothy B. Hughes, Philip K. Dick, Octavia Butler, Chester Himes, Stephen King, Cormac McCarthy, and others. The book pairs the right of privacy for heterosexual sex with queer and proto-feminist crime fiction; racialized police surveillance at midcentury with Black crime fiction; Roe v. Wade (1973) with 1960s and 1970s science fiction; the Child Abuse Prevention and Treatment Act (1974) with horror; and the right to die with westerns. While we are accustomed to defenses of fiction for its capacity to represent fully rendered private life, Genres of Privacy suggests that we might value a certain strand of genre fiction for its capacity to theorize the meaning of the protean concept of privacy'.

Buch. Zustand: Neu. Neuware - 'The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project--a Ba'thist cultural revolution--sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Ba'thist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War. Revolutions Aesthetic reconceptualizes contemporary Syrian politics, authoritarianism, and cultural life. Engaging rich original sources--novels, films, and cultural periodicals--Weiss highlights themes crucial to the making of contemporary Syria: heroism and leadership, gender and power, comedy and ideology, surveillance and the senses, witnessing and temporality, and death and the imagination. Revolutions Aesthetic places front and center the struggle around aesthetic ideology that has been key to the constitution of state, society, and culture in Syria over the course of the past fifty years'.

Buch. Zustand: Neu. Neuware - 'In Interconnected Worlds, Henry Wai-Chung Yeung offers a theory-driven analysis of electronics global production networks during the 2010s, in order to develop the idea of global production networks as an organizational innovation that connect different and yet interdependent 'worlds' of production (e.g. from Silicon Valley to East Asia) and to demonstrate how GPN 2.0 can be productively applied to explain these contemporary organizational dynamics in the global electronics industry'--.