solomon press (53 Ergebnisse)

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. 4th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Glossy covers, solid binding. Light edge wear. Clean unmarked pages. ; 8.25 X 5.30 X 0.25 inches; 108 pages.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Jian Wang (illustrator). The cover has cream cloth. 104 pages; color illustrations. The DJ's back panel has a 1/2 in. peeled tear and a 1/4 in. x 3/4 in. scrape. Scans e-mailed upon request.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Brand New. 108 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781850322047.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

First Edition. First edition. Softcover. 311 pages. Features a preface, acknowledgements, and introduction by Thomas M. Messer and an essay by Vivian Endicott Barnett. Includes numerous color and black and white illustrations, chronology, list of previous exhibitions, selected bibliography, and an index. A near fine copy in wrappers.

First Edition. First edition. Softcover. 41 pages. Exhibition catalog for a show that ran September 3 through October 2, 1999. Text by Michael Shapiro. Includes numerous color illustrations. A clean very near fine copy in wrappers.

0 79 p. Includes illustrations. Very good. light shelf wear, ex museum stamp.

Softcover. Zustand: Fine. First edition. 48pp. Glossy, pictorial wrappers. Fine.

Softcover, Großformat. 269 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten leicht bestoßen. Sprache: Englisch Gewicht in Gramm: 1435.

paperback. Zustand: Very Good.

hardcover. Zustand: Very Good. Cover and edges may have some wear.

br.edit. illustrata. Naturali segni del tempo alla copertina 72 quasi interamente illustrato p. 254x204 mm.

Softcover. Zustand: Gut. 123 Seiten Eine detaillierte Beschreibung des Solomon R. Guggenheim Museums und der Arbeit von Frank Lloyd Wright, kombiniert mit Fotografien und Plänen. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-625-7/8-00588531 Sprache: Englisch Gewicht in Gramm: 255.

Rayon : Art Editeur : Abbeville Press The Solomon R. Guggenheim Museum Date de parution : 1983 Description : In-4, 312 pages, relié entoilé avec jaquette parfaite, occasion, très bon état. IMPORTANT : Pour les envois internationaux, merci de vous renseigner avant de passer commande. Les envois se font uniquement en point relais MONDIAL RELAY ou INPOST pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. ATTENTION : Les expéditions nationales de plus de 2 kilos et les expéditions internationales de plus de 1 kilo se voient appliquer un supplément de port. Envois quotidiens du mardi au samedi. Les livres sont envoyés sous enveloppe bulles. Les frais de ports comprennent les frais d'affranchissements et d'emballage. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: X20931.

Trade paperback. Zustand: Very good. Second printing [stated]. 68 pages. Oversized book, measuring 10 inches by 8 inches. Solomon R. Guggenheim (industrialist, philanthropist, and patron of the arts) commissioned Frank Lloyd Wright to design an original building for the display of the growing collection of contemporary art which he had bequeathed to the public. In composition, in beauty, and in majesty, the building will long live among the nation's architectural treasures. Includes Frank Lloyd Wright's original statements on his concept of the Guggenheim Museum, sent to S. R. Guggenheim in August of 1946. Also contains a section through the main gallery and dome, a photograph of Mr. Wright visiting the museum during the early days of construction, a photograph of the foundations of the administration building, May 1957, many other photographs of the completed museum, and inside and outside foldouts. Frank Lloyd Wright (June 8, 1867 - April 9, 1959) was an American architect, interior designer, writer, and educator, whose creative period spanned more than 70 years, designing more than 1,000 structures, of which 532 were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater (1935), which has been called "the best all-time work of American architecture." As a founder of organic architecture, Wright played a key role in the architectural movements of the twentieth century, influencing three generations of architects worldwide through his works. Wright was the pioneer of what came to be called the Prairie School movement of architecture, and he also developed the concept of the Usonian home in Broadacre City, his unique vision for urban planning in the United States. Solomon Robert Guggenheim (February 2, 1861 - November 3, 1949) was an American businessman and art collector. He is best known for establishing the Solomon R. Guggenheim Foundation and the Solomon R. Guggenheim Museum in New York City. Guggenheim was born into a wealthy mining family, and he founded the Yukon Gold Company in Alaska, among other business interests. He began collecting art in the 1890s, and he retired from his business after World War I to pursue art collecting. He eventually focused on modern art under the guidance of artist Baroness Hilla von Rebay, creating an important collection by the 1930s and opening his first museum in 1939. The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum located at 1071 Fifth Avenue on the corner of East 89th Street in the Upper East Side neighborhood of Manhattan, New York City. It is the permanent home of a continuously expanding collection of Impressionist, Post-Impressionist, early Modern, and contemporary art and also features special exhibitions throughout the year. The museum was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director, Hilla von Rebay. It adopted its current name after the death of its founder Solomon R. Guggenheim in 1952. In 1959, the museum moved from rented space to its current building, a landmark work of 20th-century architecture designed by Frank Lloyd Wright. The cylindrical building, wider at the top than at the bottom, was conceived as a "temple of the spirit". Its unique ramp gallery extends up from ground level in a long, continuous spiral along the outer edges of the building to end just under the ceiling skylight.