smart art press (128 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Very Good. Shows minor wear.

paperback. Zustand: Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

54 pp.; 20 x 13.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed "This surreal and funny artist''s book is a collaboration between conceptual artist Terence Gower and writer Mónica de la Torre, who have created an anthology of meaningless book-marketing blurbs, reviews of dubious exhibitions, evil-spirited notes by editors, and obsessional letters addressed to a psychiatrist. Presented as an appendix of ancillary material to a fictitious book, the texts take referentiality to a level of Borgesian absurdity. The humor is dry and understated, and it is only upon rereading that the uncanny thread uniting the seemingly found and disjointed fragments becomes apparent. For anyone whose day-to-day encounters with discourse include texts riddled with jargon and psychoanalytical babble, Appendices, Illustrations & Notes offers the opportunity for sweet revenge." -- publisher''s statement. Very Good. 1.6 cm., 1 cm. and 2 mm. of soiling to recto. Light rubbing of spine edge and of verso. 5 cm. of soiling to text block edge and 9 mm. of soiling to inside of recto. Contents otherwise clean and unmarked.

Paperback. Zustand: Very Good.

paperback. Zustand: Good.

Paperback. Zustand: Very Good. Paperback. 112pp. Very good paperback in a very good dustjacket.

Paperback. Zustand: Good.

First Edition. First edition. Softcover. 39 pages. Exhibition catalog for a show that ran November 18 through December 23, 1995. Features texts by Alisa Tager and David A. Greene. Includes numerous color illustrations, list of previous exhibitions, selected bibliography, and a checklist. A fine copy in wrappers.

Second printing. Small softcover. 63 pages. Features text contributions by Peter Schjeldahl and Marcia Tucker. Includes numerous color illustrations. A fine copy in wrappers.

Hardcover. Zustand: Fine. Tobias, Michael (illustrator).

[32] pp.; 15.4 x 21.9 cm.; staple bound; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Santa Monica Museum of Art, September 17 - November 26, 2005. Curated by Kristine McKenna and Michael Duncan. Very Good. Light rubbing of covers and cover edges and light scratching of covers. Gift inscription in ink on title page, otherwise covers and content clean.

paperback. Zustand: Good.

Zustand: Fine. - Quarto [11 inches high by 9-7/8 inches wide], softcover bound in pictorial color wrappers. 81 pages. Illustrated in color and black & white. Unopened, shrink-wrapped copy. Fine. Smart Art Press, volume 5, no. 46. Catalog for an exhibition shown at Track 16 Gallery, Santa Monica from April 30 to June 13, 1998. The text includes an essay by Lawrence Rinder and an interview with Drew Beattie and Daniel Davidson by David Humphrey.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. Text in English and Spanish. With a remembrance by Tom Patchett and essays by Tyler Stallings, Kevin Power, Antonio Eligio Fernandez (Tonel), Orlando Hernandez, and Ry Cooder. Includes numerous color illustrations. A close to near fine copy with some slight bumping to the bottom corners in a near fine dust jacket.

First Edition. First edition. Softcover. Exhibition catalog for a group show that ran September 11 through November 6, 1999 and featured works by Mariana Botey, E.V. Day, Anne Fishbein and Laurie Dahlberg, Diana Lopez, Gertrudis Rivalta, Elena del Rivero, and Sandra Vivas. Includes numerous color and black and white illustrations. A fine copy in glossy wrappers.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.

softcover. Profusely illustrated (illustrator). 1st. 4to, 83 pp. Fine copy in nearly fine dust jacket.

Hardcover. Zustand: Very good. Hardcover. 143pp. Corners lightly bumped, else a very good hardback in a slightly tanned jacket.

Soft cover. Zustand: Very Good. 1st Edition. Book in very good condition: No markings/writings on text. Pages are clean and crisp. Front and back cover in very good condition. WILL SHIP WITHIN 24-48 HOURS.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: Fine. - 12mo [approximately 5-1/2 inches high by 4 inches wide], softcover bound in textured white wrappers titled in gilt with a red ribbon bookmark. 108 & [18] pages, including recipes by Mrs. Acres together with 6 full-page satirical color illustrations in the rear. New, Still in original shrink wrap. First edition.