raven row (16 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

pbk. Zustand: Near Fine. Zustand des Schutzumschlags: None. Uncommon staple-bound catalogue produced for the inaugural exhibition of Johnson collages and mailings at Raven Row, London. Unpaginated (about 50) with color & b/ images.

paperback. Zustand: VG. Zustand des Schutzumschlags: VG. First. Very Good all around 8vo softcover with integral dust-jacket also VG, just minor edge-wear, 112 pages with additional back matter. Color & b/w ills. Uncommon in U.S.

Soft cover. Zustand: Very Good. 1st Edition. Catalogue for the exhibition held Raven Row, London, 3 October - 8 December 2024, curated by Lars Bang Larsen. Includes loose insert (1 page) of list of works and floor plan for the exhibition: How to Eat a Rolex / curated by Juan Pablo Garcia Sossa / JPGS. 99 pages : illustrations (chiefly colour) ; 24 cm + 1 sheet. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

SOFTCOVER. Zustand: Fine. 1st Edition. 4to in plain grey stiff card covers (as issued), unpaginated, approx. 32pp on various types of paper, colour plates, etc . [CONDITION: An almost AS NEW unmarked copy (slight rub to rear cover) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> Almost three years after the group exhibition Unto This Last, which included several photographs, assemblages and make-up drawings by Bela Kol?rov?, Raven Row is now in the fortunate position to give the work of the late Czech artist the attention we feel it deserves. At the turn of the sixties, and in less than half a decade, Kol?rov? pioneered an art based on small, intimate objects often associated with domesticity and the feminine. In this period her work progressed from using mundane objects as photographic negatives to photographing them in vari-ous configurations and shapes, and ultimately gluing them directly onto surfaces in works that dispensed with photogra-phy altogether. In a statement from 1968, which is reprinted here, she retraces this development, in which the object is both the end and means of the work of art. The selection of works on display in this posthumous retrospective spans the artist's career to include docu-mentary photographs from the late fifties, camera-less experiments ('artificial.

Paperback. Zustand: Very Good.

Taschenbuch. Zustand: Neu. Neuware - Welcome to the Darkside (Second Edition) offers an honest, practical guide for anyone curious about BDSM, whether Dominant or submissive. Rooted in over two decades of real experience, Rajan Dominari presents a clear, respectful exploration of power dynamics, leadership, and the emotional depth behind this lifestyle.

Taschenbuch. Zustand: Neu. Neuware - For Those Who Know: A Book of Dominance, Discipline, and Devotion is a collection of sharp-edged truths crafted for Dominants who lead with honour, submissives who yield with purpose, and couples who navigate the delicate balance between discipline and devotion.

Paperback. Zustand: Near fine in wraps. First Edition. 24 x 31cm near fine exhibition catalogue in the form of the magazine 'Studio International'. Contents of five issues reproduced: Studio International Vol. 171, No. 876, April 1966/Vol. 175, No. 900 May 1968/Vol. 178, No. 914, September 1969/Vol. 180, No. 924, July/August 1970/Vol.184, No. 946, July/August 1972.

Paperback. Zustand: As new, shrinkwrapped. First Edition. 22 x 28cm as new, shrinkwrapped exhibition catalogue. This is the first survey of work by Stephen Willats from the sixties. Willats (born and lives in London) was introduced to art as a teenage gallery assistant in 1958 and by 1962 was producing advanced artwork. He embraced the transdiscipli?n?arity of the time, juggling the roles of social scientist, engineer, designer and artist, and developed an art about social interaction, using models derived from cybernetics, the hybrid post-war science of communication. As well as the clothing and furniture made in 1965 when he briefly described himself as a conceptual designer , Willats s earliest sculptural series of Manual Variables is haptic and interactive. These are shown alongside early issues of Control, the still-operating magazine he founded in the same period. Its title is a provocation, invoking the cybernetic idea that people can take control of their environments, thereby deflecting the controls of a dominant hierarchy.

Paperback. Zustand: Near fine in wraps. First Edition. 18 x 26cm 64pp stapled wrappers with some illustrations. Exhibition catalogue.

Soft cover. Zustand: Near Fine. 1st Edition. Title - Stephen Willats - Control Works 1962 - 69 /Author - Andrew Wilson /Publisher - Raven Row /Year - 2014 /Language - English /Binding - Paperback - Old pricesticker at back cover /Size - 21 x 27 cm /Pages - 92 /ISBN - 9780956173980.

20pp., title-page very badly ink stained, slightly chipped at upper margin, some side-notes cropped, cont. manuscript notes to terminal leaf, disbound.

Zustand: very good +. Jo Melvin (ed.), Jasia Riechardt, Willoughby Sharp, Charles Harrison, et al, Five Issues of Studio International: 26 February to 3 May 2015, Raven Row, 2015. 307 x 240mm. 133pp. Exhibition catalogue for the show featuring five landmark issues of Studio International Magazine, curated by Jo Melvin in 2015. Invitation card laid in. Condition: some handling and amrks to covers, overall very good +.

32pp. 8vo., unbound. Very slightly soiled on the outside but generally very good. Although Carstares was a strong and pivotal supporter of the Act of Union, and the Hanoverian succession, as this pamphlet shows, he was alarmed by intereference with Scottish religious affairs by the Parliament in London. He pointed to the ways in which a bill to give Scottish Episcopalians greater freedom would disrupt and threaten the security of the Church of Scotland and of the state as well. It was the chief object of his policy at this time to prevent Lord Oxford from strenghtening the Episcopalian Jacobites, especially two bills, one of which extended their privileges and the other which would have placed in the hands of old patrons the right of patronage which the Revolution Settlement had put in the hands of the elders and the Protestants.