providence matrix (61 Ergebnisse)

1. Aufl., 96 S., mit 94 teils ganzseit. s/w Fotos, Texte in englischer Sprache, Kartoniert, mit s/w illustriertem Titel, Querformat.

Softcover. Zustand: Wie neu. Michals, Duane (illustrator). 1. Auflage. Photo-Book. A Visit with Magritte by Duane Michals.Providence, Rhode Islandd 1981. 200:210mm. 62S. Ca 62 Abb. (23 farb.). Brosch. Text von Duane Michals. 1965 Michalks visited the painter in his Brussels apartment. Sixteen years later he produced this reminiscence of the artist, his work, and the place he lived. Bookseller Inventory # 190007.

20x21 cm, nn S., OKart., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Paperback in dustwrapper. Binding sound, text clean, light shelfwear; some foxing to top page edge. Book.

30 Bll. (60 S.) mit Fotos von Michals. Erste Ausgabe (sehr gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 700 Gr.8°. Orig.-Karton mit Orig.-Umschlag (Kanten etwas bestoßen).

First edition. 79 Seiten mit Abbildungen. Kartoniert mit Schutzumschlag. Papier u. Umschlag zeitbedingt etwas gebräunt. Umschlag leicht fingerfleckig mit Randläsuren. Sprache: Englisch Gewicht in Gramm: 600.

Broschiert mit illustriertem OSchutzumschlag. 60 nn Seiten mit S/W- und Farbfotoabbildungen. Format 21 x 20 cm. OSchutzumschlag an den Kanten teilweise berieben. Sonst gut erhalten. Bei Magritte zu Hause. Bildband ohne Text.

SOFTCOVER. Zustand: Fine. 1st Edition. Small landscape 4to in stiff card covers, 96pp, mainly full page b/w photos of New York's 14th street circa late 70's . [CONDITION: Covers slightly tanned and dusty else FINE, an otherwise well preserved and clean and tight unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Gut. 79 Seiten mit sw. Photos. In englischer Sprache. Text collected ans edited: Ann Banks. Foreword: Gordon Parks. Schutzumschlag mit minimalen Gebrauchsspuren. Gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 450 OBroschur mit ill. Schutzumschlag.

Soft cover. Zustand: Very Good. 1st Edition. Providence, RI: Matrix Publications, 1982. First edition. 96pp; b&w plates. Oblong 8vo. Sewn in French wraps. Light wear and toning to covers; gift inscription to half-title. Very good or better. Black-and-white photographs, gritty and vibrant by turns, taken along the eponymous New York City street by Sy Rubin and Larry Seigel. Edited by Charles Traub, designed by Arnold Skolnick, and with an introduction by Paul Goldberger. A wonderful albeit somewhat underappreciated collection, overlooked by Horacio Fernández's otherwise thorough New York In Photobooks (2016).

Softcover. Zustand: Very Good. First Edition. Light rubbing & soil to covers. ; White self-wrappers; full page b&w photographs throughout. ; 8.2 X 6.7 X 0.3 inches; 96 pages; The photographers capture the scenes and varied emotions of the inhabitants of this unruly byway in New York City.

Softcover. First Paperback Edition. Small Oblong Quarto, 79 pages. In Good condition with a Good dust jacket. Spine pictorial black and white with white and black lettering. Exterior has moderate wear including slight age toning, faint soiling and few, minor chips to the head/tail edges. Covers have very light wear including mild age toning and minimal foxing. Text block has mild age toning to the edges. Mild wear to the hinges. Frontispiece. Profusely illustrated. First paperback edition. NOTE: Shelved in Locked Annex, Quarto and Folio Case. 1393632. FP New Rockville Stock.

First edition. Oblong softcover. A somewhat comical series of photographs in both color and black and white of Michals' visit with the iconic artist Rene Magritte. A near fine copy in wrappers in a near fine dust jacket with some very minor wear. A clean very nice copy.

Zustand: Good. 8vo. [62 pp]. Soft, color printed wraps with French folds. Very good with marginal losses along wrap edges. Black and white photographs. First edition.

First trade paperback printing. [60 pp]. Bump to crown of spine, else near fine in wrappers and very good plus illustrated dust jacket. with a few wrinkles to front panel and light overall edge wear.

Hardcover. Profusely Illustrated (illustrator). First edition. Folio, unpaged. In Good condition with a Good slipcase. Slipcase in grey cloth with gold print and color pastedown (photograph). Slight edge wear, peripheral toning. Spine is grey with gold print. Boards in grey cloth with gold print. Toning to spine. Text block has spotting to edges. Illustrated: color photographs. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in the Back Area, Oversized Folios. 1379804. FP New Rockville Stock.

Hardcover. Profusely Illustrated (illustrator). First Edition, First Printing. Square quarto, unpaginated; VG-; in VG- tan cloth slipcase; full tan cloth binding; spine unmarked; mild shelf wear and soiling; mild sunning to front and back boards; profusely illustrated with full-color photos; pages clean; shelved Front Table. 1351295. Shelved Dupont Bookstore.

First edition and first printing. Hardcover. 39 pages. A collection of color photographs of swimmers. A clean very near fine copy in yellow cloth boards and in a near fine dust jacket with some very minor wear. A nice copy of a this very underappreciated book.

First edition. Small oblong softcover. 96 pages. Features an introduction by Paul Goldberger. A collection of gritty photographs of New York by Sy Rubin and Larry Siegel. A clean very near fine copy in French style wrappers. A very nice copy of this under-appreciated collection.

First edition. Small oblong softcover. The simultaneous paperback issue. Foreword by Gordon Parks. Includes additional text from the Federal Writers Project edited by Ann Banks. While Siskind is perhaps best known for his abstract photographs he also took numerous powerful black and white images of Harlem. A very near fine copy in wrappers in a near fine dust jacket with some very minute wear.

hardcover. Zustand: near fine. Callahan, Harry (illustrator). First. Illustrated with numerous color plates. Small square folio, yellow-lettered gray cloth in a matching cloth slipcase with inset pictorial label (spine and edges of slipcase are lightly faded to tan, as usual). Providence: Matrix, (1980). First edition. A near fine copy.

Hardcover. Zustand: Good to very good condition. Profusely Illustrated (illustrator). First edition. Square Folio. Unpaginated. Gray cloth with yellow lettering in matching slipcase with color illustrated paste-down. Gray endpapers. Color frontispiece. Profusely illustrated with reproductions of color photographs by Harry Morey Callahan (1912-1999), considered one of the great innovators of modern American photography. One b/w photograph of Callahan. "This monograph offers us a rare privilege and opportunity. It introduces us to a large body of previous uncollected, unpublished, and even unexhibited imagery by a master photographer. And it lets us see how a sensibility best known for a methodical and consistent exploration of the potentials of black and white photography has responded to the coloristic possibilities of the same medium." Foreword by Jonathan Williams, afterword by A. D. Coleman. Includes chronology and bibliography. Includes selected bibliography and chronology. Slipcase with light sunning along edges. Spine sunned. Slipcase, in overall good, binding in good+ and interior in overall very good condition.

Profusely Illustrated (illustrator). First edition and first printing. Large hardcover. Edited by Robert Tow and Ricker Winsor. Features a foreword by Jonathan Williams and an afterword by A.D. Coleman. The first extended look at Callahan's impressive but lesser known work with color photography. Many of the themes that he worked on in black and white are echoed in his color work. A clean very near fine copy and in very near fine slipcase. No dust jacket as issued. A much nicer than usual with virtually none of the usual sunning/fading that is typical with this book. This is a heavy and oversized book and will require extra shipping.

Hardback. Zustand: Near Fine. Profusely Illustrated (illustrator). 1st. SIGNED first regular edition hardback with a Foreword by Jonathan Williams, an Afterword by A. D. Coleman, a Chronology by Dolores A. Knapp and a Selected Bibiography by Anne Kirby. Published 1980, complete with original slipcase and no jacket as issued. In overall near-fine condition in a very good slipcase with only slight signs of age, handling and storage - slipcase slightly rubbed and tanned to edges; cloth boards a touch tanned to spine. Internally clean. Binding tight and appears almost unread; no annotations or inscriptions; text and plates bright and clear throughout. This copy is signed by Jonathan Williams to title page. More photographs available. Not an old library book. Signed.

Paperback. Zustand: Very Good. Photos by Sy Rubin and Larry Siegel, oblong 7 x 8.5", wraps, 96pp, covers a little rubbed, extremities a little worn, contents nice. FIRST EDITION, SIGNED BY SY RUBIN. Introduction by Paul Goldberger.

Hard Cover. Zustand: Very Good. Illustrated by Harry Callahan (illustrator). Stated First Edition. First Printing. Publisher's full gray-brown cloth, gilt lettering on spine and cover. Profusely illustrated with 96 full-color plates beautifully printed on 100-lb. Cameo Dull paper by The Jeffries Banknote Company, Los Angeles. Includes duotone portrait of Callahan. Photographs and text by Harry Callahan. Edited by Robert Tow and Ricker Winsor. Foreword by Jonathan Williams. Afterword by A.D. Coleman. Includes a chronology by Dolores A. Knapp and a selected bibliography by Anne Kirby. . The slipcase in heavily sunned, and the spine of the volume is also sunned, else fine; unmarked, tight, square, and clean. All text and photographs bright and clean. A large, heavy book (eight pounds) - additional shipping charges may apply. VERY GOOD. . Color Photographs. Square Folio 13" - 23" tall. Unpaginated pp.

First edition. Small oblong hardcover. Features a foreword by Gordon Parks. Includes additional text from the Federal Writers Project edited by Ann Banks. While Siskind is perhaps best known for his abstract photographs he also took number of powerful images of Harlem. A clean and tight near fine copy in blue cloth boards with a small sticker shadow to the front free endpaper and in a very good dust jacket with some edge tears, light soiling and a few small chips to the top of the spine. Despite the flaws a solid copy of this terrific book.

hardcover. Zustand: near fine. Harry Callahan (illustrator). First. Profusely illustrated with color plates. Square folio, gray cloth, matching slipcase with inlaid pictorial label. Providence: Matrix, 1980. First trade edition. Spine and part of slipcase are evenly faded to tan, as usual, else near fine. Signed by the photographer on the half-title.

First edition and first printing. Small oblong hardcover. A somewhat comical series of photographs in both color and black and white of Michals' visit with the iconic artist Rene Magritte. A very near fine copy in gray cloth boards and in a near fine dust jacket with some very minor wear to the top of the spine. Signed by Michals on the title page. One of Michals better books and much less common in this format.

First edition. Small oblong softcover. 79 pages. Features a foreword by Gordon Parks. Includes additional text from the Federal Writers Project edited by Ann Banks. While Siskind is perhaps best known for his abstract photographs he also took number of powerful images of Harlem. A clean near fine copy in wrappers in a very near fine dust jacket. Signed by Siskind on the front free endpaper. One of the better and more concise book of images from Siskind that was a departure from his much more abstract images.