Power publications jun 2023 (2 Ergebnisse)

Buch. Zustand: Neu. Neuware - UnAustralian Art: Ten Essays on Transnational Art History proposes a radical rethinking of Australian art. Rex Butler and ADS Donaldson do not seek to identify a distinctive national sensibility; instead, they demonstrate that Australian art and artists have always been engaged in struggles and creative exchanges with the rest of the world. Examining Australian art as much from the outside in as the inside out, Butler and Donaldson's methodology opens Australian art history to an encyclopedic multitude of hitherto excluded stories - from Australian expatriates who lived and worked overseas to artists who came from elsewhere and continued to make art in Australia. Beginning with the impressionist John Russell at the turn of the century in France and ending with the great Anmatyerre artist Emily Kame Kngwarreye in the late twentieth century, the book presents new research detailing the artistic connections between Australia and New Zealand, France, Britain, Germany, Asia, North America, South America, and the Pacific. This book asks us to reconsider who an Australian artist is and has been. In a world of increasing global connectedness, this new history of UnAustralian art is a history of the present, helping us understand the Australia of the twenty-first century.…

Taschenbuch. Zustand: Neu. Neuware - Contemporary art begins where painting ends, or so goes one of recent art history's most dominant narratives. This book is a postmortem of the supposed death of painting in the period following World War II. In eleven essays by a global array of leading scholars, Ends of Painting offers a counter-history, showing how the practice and discourse of painting remained integral to art throughout the 1960s and 1970s. Written by art historians from Australia, Asia, Europe, and North America, each chapter captures a renewed critical approach to topics as diverse as conceptualism and anachronism, photography and autobiography, theater and politics, nationalism and consumerism, race and modernism.The book reveals a vast constellation in which painting's ends are also beginnings - from Warhol's Cow Wallpaper at the Leo Castelli Gallery in New York to Naoyoshi Hikosaka's act of pouring latex over tatami mats on his bedroom floor in Tokyo; from the first canvas boards by Aboriginal artists at Papunya in Australia's Western Desert to the Collective Actions Group's documentation of people holding up arrangements of colored envelopes in snowfields outside Moscow. These unlikely correspondences between times and places sustain this book's return to the medium. It reveals how history is brushed by painting, and painting by history. …