Pork salad press (34 Ergebnisse)

Soft cover. Zustand: Fine. 1st Edition. Glossy, embossed softcover (irregularly shaped), 38 pgs. Fine. Stockel, Tommy (illustrator).

Paperback. Zustand: Very Good+. First Edition. Color Photographs; 8vo 8" - 9" tall; 93 pages; 2009 Pork Salad Press. Trade size paperback in glossy pictorial covers. 1st edition. Tightly bound and neat with just a hint of edge wear at the corners. Contents clean and bright, with no marks. Illustrated with color photos. VG+. …

Paperback. Zustand: Very Good. Softcover. Overall very good condition. Cover is glossy. Corners are squared and binding is tight. Pages are crisp and clean. Title page is not dated. Copyright is dated 2015. 44 pages. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

Paperback. Zustand: Very Good. Paperback, with articles published variously in German, English, Finnish and Japanese (with English-language translations of all). Minor wear on spine ends, leading corners and lower edges; one or two very minor scuffs on page block. All content is clear and pages are sound and clean. TS. Used.…

Softcover. Zustand: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. Paperback, with articles published variously in German, English, Finnish and Japanese (with English-language translations of all). Minor wear on spine ends, leading corners and lower edges; one or two very minor scuffs on page block. All content is clear and pages are sound and clean. TS.…

Soft cover. Zustand: Fine. 'Sucking in the Seventies' is an artists' book and accompanying exhibition of 21 scripted drawings by American digital artist Jeremy Blake. Originally exhibited in 1999, the work centers on a fictitious, drug-addled rock-and-roll narrative deeply immersed in the cinematic, dark, and decadent atmosphere of the 1970s. …

[32] pp.; 19.9 x 14.3 cm.; staple bound; black-and-white; edition size 200; unsigned and unnumbered; offset-printed Artist's book by Wilfredo Prieto consisting of ink drawings on graph paper. Very Good. Light handling wear with bumping to upper right corner and along verso edge near spine. Pages are clean and unmarked.…

Soft cover. Zustand: Fine.

First Edition. First edition. Softcover. Text in English by Anders Michelsen. Includes color illustrations and a dvd in a pocket affixed to the rear cover. A very near fine copy in wrappers.

Couverture souple. Zustand: Comme neuf. Edition originale. Pork Salad Press, Copenhague, 2007, 22x28 cm, 48 p., dos carré collé, impression noir et blanc, couverture légèrement jaunie par le soleil. La publication de 21 illustrations de Jeremy Blake coïncide avec l'exposition posthume "Sucking in the Seventies" au Recent Works, Copenhague du 14 mai au 1er juillet 1999.…

Taschenbuch. Zustand: Sehr gut. 113 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 400.…

Soft cover. Zustand: Very Good. Softcover, 24, [16] pages : illustrations (chiefly color) ; 20 cm. Good.

8vo. pp 100. Black and white illustrated wraps. 1/500 copies. In unopened plastic wrap. Fine.

Originalbroschur. Zustand: Gut. 20 S. Eins von 100 Exemplaren. Ein gutes und sauberes Exemplar. - The disciplinary society -- Towards a post-disciplinary society: the emergence of the project society -- The project society -- The disciplinary and the projective -- The project society: space and action. Sprache: Englisch Gewicht in Gramm: 550.…

Zustand: Gut. Unpaginated, num. coloured ill. + DVD. A good and clean copy. - From the text: Despite the many different problems debated in Lars Mathisen's work, in various shapes, ranging from video-installation to multiples, one theme appears as consistently distinctive. The problem of relation - in a large sense - between the artificial, that is, the made perse, and the Imaginary, in the expanded sense of world-creation, especially as 'set' by way of anxiety, fright, horror perse. One may thus say that his work marries two extremes of human Being. One being the made - an older view would see it as external, or material - in its particular character of fulfilling Being at will, as artificial entities, from everyday garbage to software. The other being the kingdom of the creative imaginary, the psyche, the capability for fancy, for making believe, for making the world into a created fact for humans - seen by an older view as internal, or mental. Now, the main liaison, and the main idea Mathisen wants to ponder is how the artificial may fold with the imaginary, how these two, as instances of Being for humans, may engender feedback between particularly sensed forms of horror, affect, abjection, and the effectually made, in the present installation On/off The Beaten Track Mathisen applies a very current icon of Western-style affluence, the car, more precisely the American Sports utility Vehicle - the SUV - in the installation exemplified by the Hummer, as focal point for invoking this relation as a wider form of estrangement. ISBN 9788791409066 Sprache: Englisch Gewicht in Gramm: 550 Original brochure, thread-stitched. …

Soft Cover. Zustand: As New. Second Edition. 32 P. b/w ills.; 15 x 21 cm; 50 g. Second edition: 100 copies.

Original brochure. Zustand: Gut. 93 p. A perfect copy. - From the text: Free Shop will take place in an ordinary commercial shop. Any goods or services purchased in the shop by any given customer when Free Shop is performed are free of charge irrespective of the normal sales price of such goods or services. There must be no sign or other means of information communicating that, or at which times, the goods or services in the shop are free of charge. Nor must the concept of Free Shop or the name SUPERFLEX be mentioned during the event. Accordingly, a customer in Free Shop must not realize that goods and/or services are free of cost before the sales assistant makes out the bill stating the total amount to be zero. There must be no information on display as to who is covering the expenses for Free Shop (including information on other relevant partners or sponsors). The shop must be economically independent of the person or institution that carries out Free Shop. There must be no legal or beneficial interest. - Credits: Haugesund 2008 -- Kobenhavn 2006 -- Cieszyn/Cesky Tesin 2004 -- Tokyo 2003 -- Bremen 2003. - Wikipedia: Superflex is a Danish artist group founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen. Superflex describe their projects as Tools, as proposals that invite people to participate in and communicate the development of experimental models that alter the economic production conditions. Often the projects are assisted by experts who bring in their special interest, these tools can then be further used and modified by their users. Often their projects are related to economic forces, democratic production conditions and self-organisation. Superflex has examined alternative energy production methods (Supergas) and commodity production in Brazil, Thailand and Europe in their projects, which both expose and question the existing economic structures. These artistic activities as, for example, the ongoing project Guaraná Power, in which the artists developed a drink together with local farmers who cultivate the caffeine-rich berries of the guarana plant are not necessarily opposed to commercialism and globalisation, but try instead to render economic structures visible and to establish a new balance. ISBN 9788791409417 Sprache: Englisch Gewicht in Gramm: 550.…

Originalbroschur. Zustand: Gut. 32 S. Nr. 31 von 100 Exemplaren. Ein gutes und sauberes Exemplar. - Left Panel: The Prison -- Centre Panel: The Church -- Right Panel: The Stadium. Sprache: Englisch Gewicht in Gramm: 550.

Soft Cover. Zustand: Near Fine. This is a near fine softcover copy with almost no wear. Completely clean inside and out. Text in English and Danish. Illustrated throughout in black & white. 12" high X 8" wide, 189 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Hardcover/Softcover. Zustand: Gut. AC - 5708, Ehem. Bibliotheksexemplar in gutem Zustand. Former library book in good condition. Sprache: Englisch Gewicht in Gramm: 550.

Couverture souple. Zustand: Très bon.

Couverture souple. Zustand: Comme neuf. Paperback, Spiral Bound, Offset Printed Photographer Henriette Heise gets down into those places where none of us bother to look and comes out with gorgeously detailed images of surfaces and objects that are more often felt than seen. With Pockets, Heise's camera picks out the familiar (plastic keychains, denim, and candy wrappers), and turns them into lushly textured environments. Printed in full color and spiral bound with holes punched in the top of each page so the book can be hung calendar-style.…

Couverture souple. Zustand: Comme neuf.

Soft Cover. Zustand: As New. First Edition. No text. 32 p.; b/w ills.; 15 x 21 cm; 45 g. Edition: 200 copies.

Zustand: Sehr gut. 168 S.; zahlr. Illustr.; 28 cm; kart. Sehr gutes Ex. - Englisch. // "I ry to create a context, in which gender is seen as a cultural construction. By experimenting with language, I am suggesting that gender is not firmly defined, but rather transgresses from one position to another; implying that rather than being constant, it is changing all the time." The gender stereotypes appearing in "Rotated but Dead Green" are to be viewed in this light. The unfixity of gender is used in this instance to deconstruct the rationality of subject, space and action. At the end of the dialogue in "Before and After", Kaj Aage is turned into an apple and eaten by Franke. Thus one gender is absorbed by the other: a kind of symbolic cannibalism, which was also the theme of Franke's earlier work "A Meal", in which she symbolizes herself through the Apple to finally eat herself. The Apple is used metaphorically as either a victim or as something or someone to be absorbed by a person. The eating of the Apple is thus a kind of cannibalistic act in which one Subject absorbs another. When Franke eats Kaj Aage in the shape of an apple, it can be seen as the absorption of one person by their opposite sex, thus unifying male and female in one body. The one absorbed is not traditionally identified as the Woman (i.e. in the role of the victim) and must be understood at a rather complex level. This might be either the relation between man and woman in a somewhat destructive relationship (i.e. the relationship between Anja Franke and Kaj Aage Drafenharden); the conflict between the conventional feminine and the conventional masculine; or the unification of male/female In a single, ambisexual body. This can be seen in the light of a comment made by the artist and theoretician Mary Kelly on the double-identity of male and female, which she finds typical of many feminist artists of the 1970s. She says; "What I think emerges as a kind of underlying contradiction is that, while the woman sees her experience in terms of the "feminine" position as the object of the look, she also has to deal with the fact that she's the subject of desire, or that she is, as an artist, in the masculine position as subject of the look. The difficulty she finds in being in those two places at once seems to me to demonstrate through actual practice something about the insistent bisexuality of the drives (.) the point that I am trying to make in general is that the work itself, in spite of what women say about it, demonstrates that masculine and feminine positions are never fixed."' This historical conflict outlined by Mary Kelly, seems to be lingering between the conscious and subconscious in the work of Anja Franke. Franke is of a younger generation than the artists Mary Kelly is referring to, and the struggle against the "artist-as-Man" seems less important. . (Vorwort) ISBN 8791409314 Sprache: Deutsch Gewicht in Gramm: 1000.…

Zustand: Gut. 24 S. Ein gutes und sauberes Exemplar. - Contents: Hearing and seeing things. Bill Arning -- Bellona (after Samuel R. Delany). ISBN 8791409179 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur.

Zustand: Gut. Ca. 50 S.; farb. Illustr.; 21,5 cm; kart. Gutes Ex. - Englisch. - Tommy Støckel (* 1972 in Kopenhagen) ist ein in Berlin lebender dänischer Künstler, der sich konzeptionell mit Skulpturen, Installationen und Collagen beschäftigt. Für seine Arbeiten produziert er Papiercollagen, geometrische Skulpturen und Installationen. Dabei benutzt er u. a. die Gelben Seiten und Kataloge von Modellfiguren. Støckel studierte von 1992 bis 1998 an der Königlich Dänischen Kunstakademie in Kopenhagen. . (wiki) // . His materials do not reflect space age possibilities, his imagery is not culled from electron microscopes and his processes are not the result of any liberal, cross-campus collaboration. St0ckel uses paper and card, polystyrene and glue; more a model maker's vocabulary than a research scientist's. This hobbyist aesthetic echoes the increasing accessibility of science to the lay community. The surge of popular science titles in the mass publishing market, again during the 1980s, heralded the beginning of a new relationship between the specialist and the general public. Former laboratory practitioners became 'science communicators' and science writers became translators of the arcane into the graspable. Technology was no longer the inexplicable manifestation of something mystical. A reader of New Scientist, for instance, could read, in layman's terms, how a space shuttle or a washing machine worked. The spectacular gradually became the vernacular. . (Text STRANGE A TTRACTORS / Sally O'Reilly) ISBN 8798785575 Sprache: Deutsch Gewicht in Gramm: 550. Stockel, Tommy (illustrator). …

Soft cover. Zustand: Fine. 1st Edition. Fine Condition - Cover shows signs of use on edges but pages are intact.

Paperback. Zustand: Near fine in wraps. First Edition. 16 x 24cm 622pp English text, some colour and black and white reproductions.

Couverture souple. Zustand: Très bon. Pork Salad Press, Copenhague, 2002, 48 p., 16 x 20 cm. Publié à l'occasion de l'exposiiton au Mellemdaekket Projektrum, Charlottenborg Udstillingsbygning, Copenhague, Juin 2002. Très bon état.