Polaroid corp (8 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Oct. 12 (weekend sale item)* 91 pp., HARDCOVER, edges bumped, else near very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Hardcover-Großformat. Zustand: Gut. ohne Seitenangabe; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 745.

Verlag Photographie | Polaroid Corporation, Schaffhausen, 1982. 28,5 x 22,5 cm. Hardcover. With many illustrations in color. With ex libris stamp on first end paper. NEAR FINE COPY [.

Soft cover. Zustand: Very Good. 1st Edition. Sm.8° - 14 Color & B/w Photo-reproductions. Selections 1: William Wegman, Selections 2: Patrick Nagatani/Andree Tracey, Captured: Barbara Crane, The Big Picture: Suda House, Objects and Implications: Olivia Parker, Exploration of a Medium: Ansel Adams, From my Window: André Kertész, Encounters: Bill Burke, Retrospective: Lucas Samaras, In Grand Perspective: Olivia Parker, Moment to Moment: Carl Chiarenza, Images and Scientific Imagination: Etienne Jakes Marey-Eadweard Muybridge-Ronald Bucino, Paris of the 30s: Lucien Aigner, Digicon: David Em. Original black portfolio. Very good condition. …

Hardcover. Zustand: Near Fine. 1st Edition. Introduction in German, English and French. Number 11 of 51 de luxe copies bound in full white calf titled in blind, inset with a signed Polaroid solarisation photograph, by Pedro Uhart. White plastic case with cutaway display. A very good to fine copy. With photographs by Mark Cohen, Cick Ragan, Thomas Huther, Alexander Carroux, Tamiyasu Shiraiwa, Barbara Crane, Mark Lipson, Jan Saudek, Arno Bauman, Tuna Ciner, Gail Bryan, Joan Foncuberta, Declan Haun, Luigi Ghirri, Franco Fontana, Auke Bergsma, Diana Blok, David Mendelsohn, John Reuter, Luciano Franchi de Alfaro III, Mark Orlove, Athony Barboza, David Van't Veen, Pedro Uhart, Christian Vogt, Daniel Pinkas, William Wegman and others. A high proportion are nudes. Signed by Illustrator(s). …

Zustand: Good. Most material in the Archive is printed in mimeograph form and measures 11x8½", unless otherwise noted. Archive includes: How To Make Polaroid Vectographs. 24 pp. Photographic illustrations, charts. Stapled glossy booklet. How To Make Polaroid Vectographs. 1943. 28 pp. Photographic illustrations, charts. Stapled glossy booklet. Important Improvements (Vectograph). 1942. 2 pp. Wabash Exposure Data. 1941. 4 pp. 11x17 folded sheet printed on both sides. Nitrobenzimidazole (Process). 4 pp. typed (carbon copy), developer chart. Optics Lecture No. 1. 23 of 24 figures. 8x10", glossy photographic prints. Miscellaneous Technical Sheets - Use of filters, film characteristics, exposure meter settings, conversion tables. 10 pp. Check Sheet For Tri-Methogon Printing. 1 pp. Depth of Field of a C-3 Camera. 1 pp. Inspection and Maintenance of 16MM A-6 Magazine. 24 pp. Illustration. Disassembly and Reassembly of Bell & Howell Gun Sight Aiming Point Camera. 1943. 9 pp. Illustrations. Sperry Installation Instructions. 1943. 2 pp. Disassemble and Reassemble Overrun Control for GSAF Camera (Fairchild). 1943. 2 pp. 4 pp. illustrations. Disassemble and Reassemble the Gunsight Aiming Point Camera (Fairchild). 1943. 3 pp. 5 pp. illustrations. Check Sheet - A-6 Magazine - Taping Procedure. 1943. 3 pp. Check Sheet - Bell & Howell Film Scoring Viewer G.S.A.P. 1943. 3 pp. A-6 Magazine Inspection & Maintenance (With riveting fixture & reconditioning tools). 1943. 2 pp. Check Sheet - Ampro Viewer, G.S.A.P., Model DL77. 1943. 3 pp. Check Sheet - Loading the A-6 Magazine. 1943. 2 pp. Cycle of Operation and Disassemble Procedure Kalart Model "H" Rangefinder. 1942. 6 pp. Illustration. Job Sheet - Type K-1A Film Developer. 1943. 9 pp. Job Sheet - Loan and Unload a Cut Film Holder. 1943. 3 pp. Illustration. . Job Sheet - Develop Sheet Film in Tray. 1943. 3 pp. Illustration. Job Sheet - Set Up and Operate the Type C-1 Ground Camera (Agfa). 1943. 4 pp. Illustration. Job Sheet - Set Up and Operate the Type C-1 Ground Camera (Eastman). 1943. 4 pp. Illustration. [ 2 copies] Job Sheet - Mix Photographic Processing Solutions. Illustration. 1943. 5 pp. Filter Action. 4 pp. 8x10", glossy photographic prints.The majority of the military photographers who covered combat were in the Signal Corps. Signal Corps companies consisted of seventy-five men: twenty were still photographers, thirty were motion picture cameramen, twenty were darkroom technicians, two were film recorders, and three were maintenance men. Signal Corps units accompanied U.S. troops from the beginning of U.S. operations abroad, but they did not have a major presence until later in the war.Some of the Signal Corps photography units were assigned to combat areas, others to communications zones. Those photographers stationed in forward areas received two sorts of orders: a general assignment to cover an operation (such as an assault on an island or a town), and a specific assignment (such as to record the effect of enemy tank-destroyer fire on friendly tanks). The photographs these units produced were put to many uses: tactical, for immediate use in the theaters; strategic, for use in planning; training or the instruction of troops; intelligence, for reconnaissance; technical, for the improvement of equipment; and historical, for future study.…